Checkout (2002)

I would have liked to see more reference in the credits to Mark Daniel Leitner, who is the editor and listed as editor. However he was also up-writer, production manager and wore a few other hats to make this project the best it could be. Just Sayin. Now that's all I have to mention, however this stupid review box requires 10 lines! That's stupid of IMDb to do that. So I'll paste lines from another review to make up the difference. Your review does not contain enough lines - the minimum length for reviews is 10 lines of text. Please see the guidelines. Attempts to pad the comment with junk words can result in your account being blocked from future submissions.

This was filmed at the store my brother is co-manager of! His family is even in the film plus many other locals. We saw the preview and I love the "guy with the sausage" line. I know many of the local people that would like to have a copy of this so if any one finds where they might be distributing it let me know. The initial part of the story is actually truthful - Hegedorns has been a family owned business with the one store and an ice cream store since I can remember. They are surrounded by the big boys like Tops, Wegmans and more - BJs is in their back door. But they still survive. One of the funniest was my niece played her true roll as a cashier and then you'd see her in the deli and then as a customer.

i should qualify that title, now that i think about it. Checkout is not entirely worthless. i've had the opportunity to see it twice, and on the second time i did get a great laugh at the movie's expense. so i guess it's worth something for that. and also it's worthwhile for the excruciating pain it caused me on my first viewing. as another reviewer pointed out, this film is hackneyed in every sense of the word. not a single original thought went into this movie (which makes the comment below about the originality of the premise entirely baffling to me). the film is nothing but a long line of cliches which are strung together and paraded around as a movie. it is definitely not the next Clerks, it is definitely not original, and it is absolutely not "good, clean fun." the film is absolute agony to the uninitiated (after seeing it a first time, the second time can be quite funny, in an insulting sort of way). as i looked around the theater, it was obvious that nearly everyone, barring perhaps the elderly, were completely bored or pained by this movie. during some of the particularly emotional scenes, like where Nick chews out his mother, the audience was actually cringing because it was so poorly done. i even heard someone *groan* in the theater, something i had heretofore never witnessed. i don't care where you have the chance to see this movie, be it at a film festival, or in a indie theater, or wherever. do yourself a favor, skip this movie with a vengeance. unless you're like me and just can't resist the opportunity to see what may truly be the worst movie ever made.

Director Mark Foggetti synchronizes cast, characters and plot to produce a light, yet engaging film. Mark has a knack for casting, and in drawing out performances of his actors that strike just the right chord for the material. Checkout is no different. Michael Parducci is especially effective as Nick, who, throughout the story, experiences a full range of emotions from love to lament, anger to forgiveness, exasperation to hope, and pulls them all off convincingly.Yes, there are some sophmoric characters, caricatures and situations, as one reviewer has pointed out, but these are but light-hearted adornments to what is, at its center, a multi-layered love story: the love of a mother and son; the love of two brothers; the love among friends; the love of a man and woman. No one is perfect. No one sells out. No one is unaffected.If good storytelling is about conflict, and it is, then this is a very good story. The good guys win and that's okay.Stay tuned for more good stuff from Mark Foggetti. He's just getting warmed up.