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The Way to the Stars

The Way to the Stars (1945)

November. 15,1945
|
7.3
|
NR
| Drama Romance War

Life on a British bomber base, and the surrounding towns, from the opening days of the Battle of Britain, to the arrival of the Americans, who join in the bomber offensive. The film centres around Pilot Officer Peter Penrose, fresh out of a training unit, who joins the squadron, and quickly discovers about life during war time. He falls for Iris, a young girl who lives at the local hotel, but he becomes disillusioned about marriage, when the squadron commander dies in a raid, and leaves his wife, the hotel manageress, with a young son to bring up. As the war progresses, Penross comes to terms that he has survived, while others have been killed.

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Reviews

runamokprods
1945/11/15

Sappy, melodramatic and dated at times, but also very well done, and emotionally understated enough that the sappiness doesn't take over the experience. The film traces 4 years in the life of an English Air Force base during WW II (1940-1944). An interesting approach to a war film, in that the camera never shows battle, never leaves the ground, but focuses on the lives of the fliers, their officers, and their women. That can lead to a certain soap opera quality, but also to a film that doesn't feel quite like any other war film I've seen. The acting is mostly top notch (Michael Redgrave, in particular), although some of the many characters fall into caricature. But the film isn't afraid to kill off major characters, and deal with the emotional consequences. Some of the most interesting and moving scenes are how the men deal with losses with almost complete suppression of emotion – which feels very honest. Also, there's some real fun had with the differences between the UK fliers, and the US troops who join them in 1942. One of those films my head felt should rate lower, but I had to admit I enjoyed.

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Jem Odewahn
1945/11/16

Excellent wartime film, designed as propaganda, but so well-made that it's a lasting British classic. John Mills and Michael Redgrave star as the fliers who become firm friends. We are let into their lives and loves and it's a warm film that feels genuine. Like the trial scene in Powell & Pressburger's magical "A Matter Of Life And Death" director Anthony Asquith also has something to stay about British-American relations during WW2, finding humour in the differences yet also heart. Mills may slip under people's radar because he's always so quiet and efficient, Redgrave is magnetic on screen. Very well edited and shot, it's one you must check out.

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roger-simmons1942
1945/11/17

In his autobiography "Up in the Clouds,Time Gentlemen Please",John Mills mentions location filming at Catterick (N.Yorks),he also mentions doing a short scene with Trevor Howard.Mills tells his wife that evening that with any luck Howard must become a star one day. The film has what must rank as one of the worst mimes ever with Jean Simmons as a singer,however,her youth and sheer beauty transcends her miming. This is a classic film of the wartime genre with a superb cast.Three supporting actors went on to work together in Brief Encounter. John Mills also mentions in his book (page 278) that the day before he went to Catterick a "doodlebug" (V1 rocket)flew overhead and exploded not far away in Denham Studios near where he lived.

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ella-48
1945/11/18

One of my all-time favourites, and always will be. Made in the months immediately after WW2, it charts the history of a typical RAF airfield, with particular emphasis on the 1942 arrival of US bomber crews. Their huge social impact on a rural English community is treated with warmth and much wry humour.Those looking for an exercise in gritty documentary realism, though, should look elsewhere! This is essentially a 'relationships' movie, deliberately and finely calculated to tug at the heart strings. A very fine script (by Terence Rattigan, no less) is brought to vivid life by lovely performances from all concerned.Sentimental? Undeniably, but in the best possible way: I defy even the hardest-bitten cynic to remain unmoved.

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