Bedtime Story (1941)

BEDTIME STORY is an uneven comedy with screwball touches for the slapstick finale which seems like something out of a Marx Bros. comedy. Although the cast is good, the script is all over the place between comedy, drama and screwball nonsense as it tells a non-too-convincing story about a show biz couple torn between the wife's retirement and the playwright's ambitions.The manipulating role that March plays would have been perfect for a lighter comedian such as Cary Grant. March is much too saturnine in nature to be believable in a romp such as this, only occasionally giving his character a deft touch. Allyn Joslyn, on the other hand, proves himself a genius at light comedy, easily walking off with many of the film's best moments.Loretta Young acquits herself believably and well in the role of a wife who is fed up with the manipulations of her husband to get her back on the stage. Eve Arden, Robert Benchley and Helen Westley offer fine support but the end result is a formula comedy with mixed results.Fredric March, although a fine actor, is out of his element here in a role that could have seemed more likable if played by Cary Grant or Ray Milland. His wild schemes to prevent his wife from marrying another man are often on the mean-spirited side and March doesn't have the light enough touch to make his character sympathetic.

I was looking at the Citadel Film series book The Films of Fredric March while watching Bedtime Story and the author there makes the point that this seemed to be something that might have been originally designed for Cary Grant and Irene Dunne. That might be the case, but I doubt even those two could have done as good a job as Fredric March and Loretta Young did in this film.March and Young both knew how to play comedy and well, despite both of them primarily known for drama. With something like Nothing Sacred among March's best films who would doubt that? As for Loretta, she's every bit as sparkling as Irene Dunne at her best.To make the analogy complete, there's even a Ralph Bellamy part in this film, ably done by Allyn Joslyn. In fact in many ways Joslyn's the best thing in the film.The lead characters seem to me to be based on that noted theatrical couple, playwright Charles MacArthur and actress Helen Hayes. The film begins with Loretta Young taking a curtain call and giving a farewell to the theater. She and her hubby want to settle down and enjoy life. But Loretta should have suspected something when March wasn't around to take the bow with her.Good reason because that isn't March's idea at all. In fact he's written a new play for his wife, but she wants nothing to do with it. She's made her mind up and that breaks them apart. And good old Allyn Joslyn, stuffy banker in the Ralph Bellamy tradition, is ready on the rebound. He catches her all right, but the game isn't over, not from March's point of view.Bedtime Story starts out a little slow, but really makes up for it in the end. That final scene as the newly married Joslyn and Young are trying to get down to business is absolutely hysterical. The situations are funny enough, but Joslyn's reactions are what really put it over. It's something borrowed from A Night At The Opera.In fact I spotted elements from The Awful Truth, His Girl Friday, and Twentieth Century as well as the Marx Brothers classic. And producer B.P. Schulberg and director Alexander Hall make it all work.Rounding out the cast in familiar type cast parts are Helen Westley, Robert Benchley, Eve Arden, Joyce Compton and Grady Sutton. You just mention those names and any devoted film buff can tell you exactly what they played.I'm surprised Bedtime Story isn't rated higher by fans of both leads. It's a real gem of a screwball comedy, don't miss it.

"Bedtime Story" is an enjoyable comedy with a plot that seems to have been borrowed from other, most successful films. This 1941 Columbia release is fun to watch because it is seldom seen and the brilliant cast that was put together for it. Frederic March and Loretta Young are wonderful as the sparring Drakes, a theatrical couple, at the center of the story. The Broadway scene of the times is captured in the film.Alexander Hall directed this stylish comedy with sure hand. Mr. Hall got excellent performances all around, especially of the two principals. Frederic March was at the height of his movie career and he shows why he was one of the best actors working in films at the time. Loretta Young also has some wonderful moments in the film as the suffering wife of Luke Drake, the playwright of the moment.As with other comedies of that period, the supporting cast in "Bedtime Story" shows some accomplished actors of the caliber of Eve Arden, Allyn Joslyn, Helen Westley, and Joyce Compton, among others.The film will delight classic movie fans.

Some wonderful actors are a lot of fun in a curiously unengaging screwball comedy. The cast is a great one: Fredric March and Loretta Young in the leads, with Robert Benchley, Eve Arden, the unfortunately forgotten Allyn Joslyn and Joyce Compton as a blonde bimbo. It has some wonderful comedic moments -- the one where Young orders Westley to sit down and play the piano is priceless. However, the whole thing never quite gels.Perhaps it is because of the theatrical background of the story: March gives one of his few miscalculated performances. It is impossible to tell when his character is being sincere and when his character is trying to manipulate the other characters. When he is in full blown theatrical mode, as in THE ROYAL FAMILY OF Broadway, he is hilarious. When he he plays a small-time chiseler, as in NOTHING SACRED, he is hilarious. Perhaps it is because there seems to be no chemistry between him and Young. It is appropriate to their characters' relationship in the movie, but it is not, very interesting. And that pretty well describes this movie. Watch it for the moments, but not for the movie.