Come Live with Me (1941)

I was a little bored with the first half hour of this film, but a well-written turn of events sends this movie in the right direction. It mixes a few classic themes (marry vs. deportation, country comes to town, wealth vs poverty, town goes to country, etc...) that could have made this movie completely formulaic. However, formula goes out the door with Jimmy Stewart's charm and Hedy Lamarr's stunning beauty. Once both characters spend screen time together, consistently, the energy of this slightly screwball romantic comedy picks up quickly. The grandmother is all wisdom, wit, and heart. Her common sense needlework samplers are artfully placed and still hold true today. The grandmother's calm voice, the sound of crickets chirping, and the other country nuances slow down the pace to a level that seems so foreign to an actress like Hedy Lamarr. She seems so out of place, but that is what makes her so enjoyable to watch. She melts slowly from the WWII city girl ice queen fugitive until she's relaxed and calm as if she can go home again, but this time to a slice of Americana rather than Austria and with a moral upstanding young man if that's the choice she's willing to make. This has just been made available for purchase on DVD. It's now on my "to buy" list and certainly worth a watch on TCM if you enjoy this genre and these wonderfully magnetic actors.

Vienna refugee Hedy Lamarr, living in a swank apartment in Manhattan, finds herself in a spot: her visa has run out and immigration is giving her one week to marry an American or be deported. Since her married lover can't get a divorce that quickly, Lamarr proposes to down-on-his-luck writer James Stewart; she'll pay his expenses while keeping her own address, he'll work on his new story, which is extremely autobiographical! Pleasant, airy comedy with the leads doing first-class work. Stewart overdoes the loud yammering shtick, but he also has some funny bits (especially one with a cigarette) and a sweet moment near the end where he recites Hedy a poem. The plot is pure formula, however some of the commentary on the country's economy is surprisingly relevant, as is Stewart's scene on a park bench with a homeless man. A very nice vehicle for a good cast, and Lamarr is, of course, stunning to look at. **1/2 from ****

Love and marriage are two of the most prevalent topics in our society today. It seems every novel, movie, and song has something to say about it. When marriage is discussed, it is usually followed by the most recent divorce statistic. Virginia Van Upp and Patterson McNutt have written one of the best theories on this subject.Bill Smith (James Stewart) is an unsuccessful writer who is literally down to his last dime. Johnny Jones, played by the gorgeous Hedy Lamarr, has just found out some devastating news. She is an illegal immigrant from "what used to be Austria." Immigration has finally tracked her down and is giving her a week to find a husband or she will be deported and face certain death. But their lives change for the better one night when Bill and Johnny both enter a little restaurant to get out of the rain. One thing leads to another and Bill gets into a fight. Johnny, having witnessed the whole thing comes to his defense and they are both thrown out. She is delighted to hear that he has no money and decides to propose a marriage of convenience. Johnny asks Bill to marry her in exchange for the cost of living. Bill is very much opposed to the idea but in the end she talks him into it with the understanding that when he sells his novel, he will pay back everything.Johnny visits Bill once a week to give him the check and Bill begins to write about their situation. Bill falls for Johnny, and soon finds out that there is another man in her life. When Bill learns he's sold his manuscript he visits Johnny to sign the divorce papers but under one condition. "In my opinion it's perfectly alright for two strangers to get married but you've got to know each other before you get a divorce," he says.The title of the movie comes from the first line in Christopher Marlowe's The Passionate Shepherd to His Love. James Stewart is marvelous as the country boy who is willing to fight for what he wants. Hedy Lamarr is excellent as the Viennese refugee trying to make the best life she can for herself. Come Live With Me is more than just another typical romantic comedy. It is intelligent and heart-warming, and discusses things like modern marriage, reality being stranger than fiction, and a happy ending versus a realistic ending.

Jimmy, Hedy, goofy Ian Hunter, and "sensible" Verree Teasedale make a wonderful primary cast for this nice film. Unusually, I keep looking for more nuances each time I view it, hoping that there is more to the characters in facial nuances and body gestures. I think 5-10 minutes of additional dialogue to flesh out the characters and their relationships with each other would have helped this movie go beyond its superficiality. This is one of those films where I wonder what was cut from the script and what ended up on the cutting room floor. Clarence Brown directed a lot of fantastic films, so I'm guessing the script/story faults are partly from Virginia Van Upp (story) and Patterson McNutt (screenplay); who knows what the role producers at MGM had in trimming the movie for release.