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Thoovanathumbikal

Thoovanathumbikal (1987)

January. 03,1987
|
8.6
| Drama Romance

Jayakrishnan falls in love with two girls, Radha (a villager) and Clara (a sex-worker), and fights his confusion about whom he should marry and spend his life with.

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Reviews

Arun M R
1987/01/03

He is a masterpiece of Padmarajan ....Padmarajan is a magical magic only.The most beautiful film about the rainy season is the focus of the film. The presence of the heroine Clara is filled with rain.Padmarajan has written a story based on the life of his friend Unnikrishnan. Padmarajan joined the character Clara in the film Unni Menon

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sidhartha nambiar
1987/01/04

I just love this movie,cant resist watching it again and again. Padmarajan has crafted this master piece scene by scene. All the scenes in this movies are straight from the real world. I am sure that the "Naranga soda maker" and "butcher who sells head of goat" were doing the same in their real life. The crux of the movie is the portrayal of Jaikrishnan. Lal the genius has delivered a stellar performance as Jaikrishnan.He delivers in depth and breadth the emotions and feelings of a protagonist in a Padmarajan style.Clara as a prostitute who knows in what she is going to end up is superb . She shows the deep sorrow of being forced to be a prostitute in a neutral manner.Her dialogues reflects the feelings of a prostitute who knows clearly that a normal life is a dream for them.Jaikrishanan's ideologies are simple but his emotions are complex to understand. Parvathy has acted beautifully in her part so did ashokan.Overall this movie is a masterpiece in malayalam cinema.

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ann-film
1987/01/05

Padmarajan's brilliance shines through in this classic which tells you how love is necessarily not exclusive. Mohanlal plays a character Jayakrishnan who is torn between two worlds, two personalities and two women. Clara epitomizes the wild side while Radha brings out the coyness of the main character. He loves both of them, in very different manners. And without getting into overtly moralistic declamations, the director gives the viewer the freedom to enjoy the experiential narrative. The plot unfolds into a happy ending-with all knots untied and the right knots tied.The acting is flawless across the cast. The music is overwhelming.It is, however, Padmarajan's perceptive treatment of such a controversial topic in such a time and age of pseudo middle class conservatism that makes this one a timeless classic.

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Dinesh Vasudevan
1987/01/06

Anyone who is unsure why Padmarajan is haled as one of Malayalam's's best directors ever see this movie. The plot revolves around the relationship that a guy has with a prostitute. Mohanlal plays the role of the common villager in the first scene but he is not what he seems to be as Ashokan finds out after some time. He asks Parvathy to marry him but she declines making fun of him. He meets Sumalatha, whose mother wants to gain some money but making her a pro. Mohanlal feels guilty when he understands he has made her start the journey to destruction, being a prostitute. By this time Parvathy learns more about Mohanlal and falls in love with him but then Mohanlal could not give in because of his guilty feeling. He tells Parvathy about Sumalatha. She tells him never to meet Sumalatha again but Mohanlal replies by saying he doesn't know what will happen if he meets her again. What happens when she does come and meet ? Watch the movie ..

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