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Heartland

Heartland (1979)

September. 22,1979
|
7.3
|
PG
| Drama Western Romance

Widowed Elinor Randall and her young daughter Jerrine arrive in a barren stretch of Wyoming in 1910 after Elinor's application for work as a housekeeper is accepted by Clyde Stewart, a rancher. The work is back-breaking and the isolation is brutal, particularly as winter arrives. Elinor begins to think about homesteading her own property near Stewart's ranch, but Stewart tries to dissuade her with explanations about the killing conditions and poor rewards, especially for a woman with no man to help her ranch. Although their temperaments are different and little affection exists, Elinor and Stewart agree to marry and combine homesteads. What lies ahead is the severest test of all.

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Ritag2
1979/09/22

"Heartland" is a wonderful depiction of what it was really like to live on the frontier. The hard work and individual strength that were needed to survive the hardships of the climate and the lack of medical care are blended with the camaraderie and the interdependence of the settlers. The drama was especially meaningful because the story is based on the diaries of real people whose descendants still live there. It was also nice to see the west inhabited by real people. No one was glamorous or looked as if they had just spent a session with the makeup or costume department. Conchatta Ferrell is just wonderful. She is an example of the strong, persevering people who came to Wyoming in the early 20th century and let no hardship stand in their way of a new life in a new land.

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shadowcity11211
1979/09/23

I saw the latter half of this movie about a year ago and was very happy to finally find it available on DVD. Recently, I watched several of the reality series on PBS about ranching, etc. None of them came as close to telling the story as this movie does. Based on REAL reality, pulling no punches, bleak, happy, tragic and enlightening, this is a movie that should be shown to students or to anyone interested in early frontier life. Fine acting on the part of both Rip Torn and Conchata Ferrell add to an well done script. The opening credit states that it was done though funds supplied through the National Endowment for the Humanities. If this is the kind of product taxes could go to I would be happy to see more. I highly recommend it and would encourage people to tell a friend if you have seen it and enjoyed the film.

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hbfreeb
1979/09/24

This is one of the best films ever made. It is a realistic depiction of rural ranching life which was a big part of American History. The setting is 1906 Wyoming where life had not changed much since the previous century. The film keeps your interest without the added Hollywood myths. The whole family can see this movie and be intrigued about how life was like in America when it was mostly a rural nation. With this film, you will escape the present and witness the daily life of 100 years ago. In a beautiful, scenic environment you will see the hard physical work that was required to survive, as well as the constant worries and concerns of the elements and the market pressures that will make a difference between success or failure. See this movie and experience life as it was for most of our nation's history. This film is worth your time to see. My only question is - why aren't there more films like this one?

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amanda-armstrong
1979/09/25

When converting a book to film, it is generally a good idea to keep at least some of the author's intended tone or conveyed concepts, rather than ignoring the author altogether. While it is clear that the director had access to and went on the advice of Elinore Stewart's children, it is key to note that the children believed their mother to be a complete liar in regards to the good, enriching, strengthening experiences of homesteading her land. The book details her life on her and her husband's adjoining homesteads in the vast Wyoming frontier; she chronicles daily adventures with her numerous friends and acquaintances, though they lived dozens of miles apart. The film, however, takes a standard stance for the time it was made, portraying this woman's experience as harsh, unforgiving, and nearly pointless. Perhaps the director was bringing some of his Vietnam War experiences with him to this movie (as some film aficionados have said), but it seems to be a lousy excuse for taking all the joy and beauty of the book and twisting it into a bleak, odious landscape devoid of friends or hope. Don't waste your time with this movie; read the book instead.

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