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Robot Wrecks

Robot Wrecks (1941)

July. 12,1941
|
5.8
| Comedy Family

Spanky and the gang discover a demonstration of a "human-like" robot named Volto and are inspired to create a robot themselves to do their chores for them. Slicker Walburn convinces them they will need "invisible rays" to bring it to life which he just happens to have to sell to them. As they rush off to get their money, Slicker gets Boxcar Smith to wear the robot's outer body so when he "brings" the robot to life, it will be Boxcar bringing it to life. The gang unsuspectedly gets their robot to mow the lawn at Froggy's house, but with a signal from Slicker, Boxcar runs amok and mows down everything in his path. Froggy gets to explain what happened to his parents who bust up the fraud and get the miscreants to work with the gang to clean up the mess.

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dbborroughs
1941/07/12

Kids see a robot demonstrated and decide to build their own. When it fails to work, one of the other kids trick them into believing that he can make it work.Amusing but clichéd story is well done, but I really wished that it didn't hit every one of the familiar gags for a story like this. You've seen all of this before and while its well done the, the familiarity drains the humor from the affair and makes it so that you watch and smile instead of laugh. You won't hate it, but odds are you'll wish it was better. Worth a look if you run across it but its not something you'll want to search out on its own.

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jbacks3
1941/07/13

Robot Wrecks should have been a great Our Gang entry--- the basic idea of building kid's robot slave in the days soon after the World of Tomorrow sounds pretty cool. Alas, sounds can be deceiving. Robot Wrecks blows the premise by bastardizing the robot by stuffing it with Billy Ray "Boxcar" Smith and allegedly fueling it with "invisible rays" and then selling it to one of their usual foes, Freddie "Slicker" Walburn (who's atypically gullible here). Voices are obviously dubbed, the acting is excruciating to watch and the only remotely funny aspect is that the writers could get even kids to recite the dialog (blame Hal Law and Robert A. McGowan). Sadly, future MGM Our Gangs would rival this deplorable production. If I could give this less than 0 stars I would.

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Douglas_Holmes
1941/07/14

(Possible Spoilers) Flat, dull and unfunny, this was typical of the "adults (for which read 'Authority Figures') know best" plots that betrayed the entire Our Gang concept. In the earlier films, the kids create things and get into trouble, but there was an endearing charm to watching them trying to mimic the kinds of things the adult world had (building a fire engine, operating a playhouse, attending club meetings, etc.)This film uses that familiar idea and then perverts it by using it as a lead to a piece of "do it yourself" moralizing, which robs the film of humor. Also, there are problems with the kids: as someone said, Spanky is way too old to still be playing a thoroughly naive kid (all of the Gang's characters in this film were played as ignorant rubes who would have bought the Brooklyn Bridge if Slicker had offered it to them,) while Freddie "Slicker" Walburn himself looks distracted, as if he wished he were somewhere else. Given the quality of this miserable film, it isn't surprising.

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biker45
1941/07/15

ROBOT WRECKS is a mediocre entry in the "Our Gang" series, made during the declining years of the once excellent short comedies. The aging "second generation" cast members look awkward, particularly Spanky McFarland, who is really too old to portray a kid. The plot is according to a well-worn formula, with the gang building their own backyard version of something they have seen. It's all familiar, with predictable results. The studio was trying to introduce another new generation of child actors to the series during this time period, but the originality of the characters seen in the earlier films just wasn't there. The best examples of the earlier films (1930's era) featured the gang doing their thing without any adult presence in evidence. The 1940's films are full of adult characters, and their presence is a big detraction. If you want to catch the true peak of the series, watch the films made from 1929 through the mid 1930's, and don't bother with later series entries.

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