The Monkey's Paw (1948)

THE MONKEY'S PAW, one of many versions of the classic horror story by W. W. Jacobs, is a rare foray into the horror genre for that notoriously cheap film studio, Butcher's Films. It's a slow-moving potboiler that feels endlessly dragged out even though it runs for little over an hour, and is perhaps of note today for featuring some location photography in Maida Vale.The storyline is a straightforward one about a mummified monkey's paw that has the power to grant the owner three wishes. However, the wishes come true in an unforeseen way. The problem with this tale is that it's brief indeed, and to adapt it would take little more than 20 minutes or so. And that's exactly what happens here: all of the story proper is packed into the last 20 minutes, and before then the viewer must sit through 40 minutes of stodge and non-events. It's a non-starter.It's hard to criticise the film too much, because the film-makers were obviously on a tight budget, and the actors try their best. Director Norman Lee also helmed THE CASE OF CHARLES PEACE and THE DOOR WITH SEVEN LOCKS, and there are bit parts from future stars Alfie Bass and Sydney Tafler.

Based on the famous story written by W.W. Jacobs, The Monkey's Paw is directed by Norman Lee who also co-adapts the screenplay with Barbara Toy. It stars Milton Rosmer, Megs Jenkins, Michael Martin Harvey, Eric Micklewood and Brenda Hogan. Filmed out of Kay Carlton Studio, music is by Stanley Black and cinematography by Bryan Langley.Story finds the Trelawne family purchasing a fabled Monkey's Paw from a peddler, it is said to be an item that can grant three wishes, but many believe that those wishes come at a cost. The Trelawne family is about to find out if the tale of The Monkey's Paw is fact or fiction...It's such a strong premise in story it has been mined many a time over the decades, in film, radio and television. Here we go back to a time of British cinema of minimal budgets, straight backed delivery of scripts and economical running times of just an hour. Norman Lee's film is a splendid piece of atmospheric unease that makes the most of some sparse but effective sets, however, that is on proviso you can allow for its obvious limitations. It's safe to say this will not terrify anybody, but it has the capacity to tingle the spine as the story builds to a finale played out in the flashes and bangs of a thunder storm. Right there, before a cheeky coda, suggestion is everything, proof once more that quite often what you don't see is more frightening...It's no must see lost British Chiller Classic, and the best available print from Renown Pictures Ltd (paired with The House in Marsh Road) is still scratchy and has the odd reel jump and unintentional patches of blackness, but it's still a watchable print and of interest to those with a bent for really old British chillers. 6.5/10

IMDb lists no less than 12 versions of this tale.This is a British quota film made in 1948.It is rather disappointing.It just meanders along for the first half an hour and really squeezes the plot developments into the last half hour.Being a rather cheaply produced film the ending is done in a way that leaves more to the imagination.To bring off that style you need to have the inspiration of someone like Val Lewton.Needless to say this is not an attribute of this production.There is an appearance by a young ish Sydney Tafler shown with 2 fs in his surname.All told rather disappointing.At least i have reviewed the film unlike 2 of the reviews on this page.

A man comes to the Trelawne shop to obtain a painting and one of the items he offers in the trade is a severed monkey's paw. One worker, a dishonest sort named Kelly, at the shop knows the secret of the monkey's paw, that it will grant three wishes for its owner, but the wishes will only bring tragedy for the owner. Trelawne later trades the painting for the paw. He later finds out that he owns 200 pounds to his bookmaker and as a last resort uses the paw to wish for the money. He gets the money but at cost of his son's life when he was killed in a motorcycle race and was given the 200 pounds, the purse for the race. The Trelawnes feel the guilt over the loss of their son, but Mrs. Trelawne knows there are two wishes left, and uses one to wish they here son returns from his grave. Despite the obvious low budget, this film succeeds in telling the story with excellent atmosphere, cinematography, acting, & directing. It does start off slow with establishing characters and settings, but after Kelly tells the story of the paw, it is able to flow better in its story telling. The ending of the film where Mrs. Trelawne uses her wish is amazing to look at despite sounding stagey. Thankfully the film doesn't settle into the obvious generic answer to the story. Rating, 7 out of 10.