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The Seduction

The Seduction (1982)

January. 22,1982
|
4.9
|
R
| Thriller

A beautiful newscaster is stalked and tormented by a photographer obsessed with her beauty.

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Reviews

Joseph Brando
1982/01/22

This movie is really bad. I mean really really bad. Morgan Fairchild struts her stuff, tosses her hair, gets stalked by some idiot, and tosses her hair some more. Seriously, every shot is just Ms Fairchild looking sexy, swimming in a pool naked, taking a bubble bath, making sexy faces in the rearview mirror of her car, combing her hair!! She never stops combing her hair!! No matter who's stalking her. Breaking into her house, killing her boyfriends (in the most ridiculous way possible) - she doesn't even get upset!!! She just makes more sexy faces in the mirror, pouts her lips, combs her hair some more, gets into her satin sheeted bed. It's absolutely outlandish! Then suddenly at the last 15 minutes of the film she tosses around a rifle like its a hairbrush, still making sexy faces. If you are a fan of hers, you will probably love this flick. She looks absolutely 80's stunning in every scene. But if you want to watch a movie - you're out of luck!

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S.R. Dipaling
1982/01/23

I've seen this movie about three times,and its preposterousness(is that a word or did I just make one up?)made it something that practically all parties involved,particularly the leads, would probably want to forget they took part in. Having said that,it is at least marginally interest-emitting and,of course,lovingly sexual.I recall that when this movie was being primed for release in early 1982,the selling point was almost entirely around the (still)lovely Morgan Fairchild--who,at the time,was nursing a floundering career after her series "Flamingo Road" was left to whither on the vine by NBC--and her sex/nude scenes. Sure enough,the scenes where she is sans trow are lovingly shot and have a lushness of editing and sound(her bubble bath scene has a particularly rapturous feel,reminiscent of Angie Dickinson's opening scene in Dressed to Kill) that would make the viewer believe that Andrew Stevens' creepy script boy stalker ISN'T the only one stalking Fairchild's eye-candy news anchor-lady. Another IMDb commenter gave away some perceivably important plot points. Suffice it to say,the thriller/suspense/mystery element of this movie languishes behind the soft-core erotic quality of the film up until the last twenty minutes of the film,when suddenly the urgency of a dangerous stalker(with amazing ability to hide and enter people's abodes)with rapist/deadly abilities comes to the top of the agenda. This is probably ONLY a recommend for FAirchild fans and worshipers,since it is a donut-hole without her.

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moonspinner55
1982/01/24

After an erotic, sinuous credits-sequence with a shadowy woman gliding through the waters of a swimming pool, we get mired in straight-faced, B-movie hell. Morgan Fairchild, looking unsure and as stiff as her hairdo, plays a TV news anchorwoman who attracts a stalker. Truly mines the depths of drive-in cliches--and dispatches with one character in such a ridiculous fashion it may have invented a new cliche--"The Seduction" is just half-undressed tripe. Too bad, it had the possibilities of being a juicy, nasty little thriller with soft-core edges. There's nothing edgy about Fairchild's presence: she's as slick as lip gloss and about as permanent. * from ****

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Glenn Andreiev
1982/01/25

This has always been one of my favorite "B-Movies" that was made with home video and cable in mind (Even though it was a theatrical release, back in the days B-Movies got theatrical runs) Jamie (Morgan Fairchild), a beautiful anchor-woman is the target of a stalker (Andrew Stevens) That's about it for the plot. The film has some truly decent moments. I like the scene where Stevens apologizes for his initial stalkings to a receptive Jamie (He even gives her flowers!). Of course, the signature scene is Stevens spying on Morgan Fairchild taking a bath. The scene works for the movie, and of course, the idea of a nude Morgan Fairchild walking about is one of the key reasons why this film was made. But for the most part, this film is dizzlingly hokey. There is a lot of unintentional humor here. My favorite bit is when Jamie reads the news off the teleprompter, and all of the sudden, the text in the teleprompter becomes a nasty note from Andrew Stevens. She accidently reads the first few lines of the nasty, naughty note in the same tone of voice she uses to read the news. She realizes what she has done, and comes close to giving a Homer Simpson "Dohhh!"

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