Thunder Birds (1942)

This isn't a review but this is the only website I know of that even remotely deals with subtle nuances one might have seen in a little known movie that features the lovely Gene Tierney in one of her first big films. This little gem directed by the great William Wellman has a scene in it where Gene steps out of the shower with ringlets in her hair that were captured by the Technicolor light in such a way as to take my breath away and have never forgotten it. Her hair was usually shown dry and perfectly coiffed and this is the only movie of hers I know where those fantastic ringlets were shown.Thank you, IMDb for letting this love-sick Gene Tierney fan express his admiration for an actress from Hollywood's Golden Age.

The man who directed this film about aerial training, William "Wild Bill" Wellman, was a daring pilot himself, and was not only responsible for Wings, the first Oscar winning feature, but also helmed The Ox Bow Incident, Public Enemy and 1937's A Star Is Born, and compared to those classics, this is rather weak tea, rescued by Technicolor, a 22 year old Gene Tierney, and its historical value as a WWII flag-waver. Studio director Daryl Zanuck wanted to give Gene Tierney, his doll-like starlet, plenty of exposure; here she was just a few years away from her indelible performances in Laura and Leave Her To Heaven; Tierney is paired with old reliable Preston Foster in a tale set in the Arizona desert, where the brilliantly colored blue and yellow prop planes dazzle the eye, set against desert sands and clear blue sky; the story is essentially older man vs. younger flier (sometimes leading man John Sutton) who vie for the heart of the fair maid, but the side benefits of the film outweigh the tired plot elements: how often do we see young Chinese and British airmen in Arizona being trained by Americans? How things change!

"Thunder Birds" is an innocuous movie of war propaganda, made by W.A. Wellmann, a first- rate director, with his usual professionalism. The locations are beautiful, the Technicolor is outstanding, and the flying scenes are accurately shot. The story is standard, a nice blend of adventure-action and comedy, with some good emotional scenes in the part placed in England, dominated by Dame May Witty. What makes "Thunder Birds" special, and its message stronger, is the use of Gene Tierney as a symbol. Yes, she is called to represent exactly "what we fight for". We (the young men from America, Great Britain, China) fight for that dream of a girl, for her smile, for the hot dogs we devour with her, for her nylon stockings, for our freedom and prosperity that she embodies. And she doesn't leave us alone, like a damned arrogant European princess. She helps and supports us, with a merry smile and without any conceit. Here, among us, there's no room for the gruesome death-rhetoric of the barbarian killers we fight.To be honest, I admit that anyone out of the mass of splendid American actresses of the 1940s could play the role of Gene Tierney in "Thunder Birds", with excellent results. But only with the Goddess of Beauty, shining on the screen, all the parameters go to infinity.

A veteran American flyer (Preston Foster) trains new recruits, including the acrophobic son (John Sutton) of his dead war buddy. Complications arise when the younger man falls in love with his mentor's girl (Gene Tierney).This propaganda piece, with a hackneyed love triangle, contains one bad scene: at a Red Cross station, where nurses are being trained, we get some dull slapstick and an unchivalrous attempt to make an unattractive girl the butt of several jokes. Everything else works well enough. The acting is solid, the color is gorgeous and the aviation scenes are impressive. A nice flashback scene features Dame May Witty, as Sutton's grandmother, strutting her stoic English stuff. The main reason to watch this is for Gene Tierney, who is as beautiful and charming as ever.