Breaking In (1989)

Weary loner veteran professional thief Ernie Mullins (Burt Reynolds at his most relaxed and engaging) teaches eager beaver small-time novice Mike Lafebb (a fine and likable performance by Casey Siemaszko) the tricks of the trade by having Mike assist him on a series of heists. Director Bill Forsyth, working from a smart and witty script by John Sayles, brings a real sweet idiosyncratic charm and a good-natured sensibility to the premise. Moreover, Forsyth wisely eschews broad humor in favor of a more gentle and low-key approach that still gets laughs as well as adds a winningly natural and unforced warmth to the often delightfully quirky proceedings. The mentor/student relationship between the two sympathetic central characters gives this picture genuine heart, depth, and poignancy, with Reynolds doing ace work as a seasoned older man with a limp, bad knees, and a strong personal code of ethics about what he does for a living. The skillful and precise capers are a total joy to watch. The excellent acting by the super cast keeps the movie humming: Reynolds and Siemaszko display a loose and pleasant chemistry in the leads, with sturdy support from Sheila Kennedy as ditsy prostitute Carrie, Lorraine Toussaint as worldly hooker Delphine, Maury Chaykin as shrewd lawyer Vincent Tucci, and Stephen Tobolowsky as a slippery district attorney. Both Michael Coulter's crisp widescreen cinematography and Michael Gibbs' harmonic score are up to speed. A lovely little gem.

"Breaking In" is a very forgettable Burt Reynolds comedy. For a really great Reynolds chuckles film rent "The End". This one falls flat, with just one caper after another, it is very redundant. Not much can be said about the two main characters either. Both fail to elicit sympathy, and in fact Casey Siemaszko as the thief apprentice comes across as more stupid than sympathetic. The ending feels so tacked on, it is bewildering. It is also very unsatisfying, which is not a good way to end what has already been a tedious film experience. Not recommended, even for Burt Reynolds fans.................................. - MERK

The movie is a definite watchable and I agree with folks who say this was one of Burt Reynold's better movies. It may also be my one and only claim to fame in the movie world. I was working for General Electric when it was made (if this is the right movie) and provided technical assistance over the phone for a piece of equipment being used on the amusement park set. I saw the movie on TV a year later by chance and saw my name on the credits as it went up the screen (October 11th, 1990). Due to circumstances in my life at that time, I forgot the incident until 3 weeks later and could not remember the movie title. I've been looking for the movie for 20 years now that has my name in the credits, and I think this is it, but I rented it and there is no "technical assistance" category on the rental version. If anyone has knowledge of that category being in the original credits with three names in it, please, please contact me.

I was the music editor on "Breaking In" the experience of working with Bill Forsyth was one of the highlights of my long career. I just wish everyone could see the Director's cut. It was head-and-shoulders above the release edit. It was a very strange hybrid...John Sayles and Bill Forsyth - produced by Sam Goldwyn Jr. I'll never forget the day when Bill got yet another huge list of changes Goldwyn wanted - at the end of the list he asked Bill to respond to the changes he wanted - and also asked Bill(who is a Scot) to recommend a single malt whiskey for a party he was having. Bill sent a case of whiskey to Goldwyn with a note saying "This should answer both of your questions" The name of the whiskey was "KNOCKANDHU" !