Cowboy and the Senorita (1944)

At least the villain is not wearing a mustache in this cliché ridden western musical. Roy Rogers is typically heroic as a singing cowboy who aids a 16 year old heir to a gold mine threatened with losing her father's bequest. Very mature looking Mary Lee is as close to 16 as Dale Evans as a Mexican ranch owner. John Hubbard is cast as the villainous land baron determined to add the property to his already huge bundle. Rogers and sidekick Guinn "Big Boy" Williams win the cynical teen instantly (probably because they let her eat the viddles she attempted to steal) and are all of a sudden everybody's (except Hubbard's) pals. Some pleasant minor songs and a lot of action keep this moving at breakneck speed, and it does hold some minor entertainment value. But it's as fresh a plot as 20 year old Lee seemed as a husky voiced teenager. The musical highlight is the plot pointless but quaiby "Enchilada Man" with the leads and the Sons of the Pioneers. Of course, clean shaven Hubbard is surrounded by a bunch of stereotypical looking western bad guys. There are never any surprises which downgrades this to standard stuff, fortunately over as fast as Trigger can cross Texas.

Cowboy and the Senorita (1944) ** 1/2 (out of 4) Roy Rogers and 'Teddy Bear' (Guinn 'Big Boy' Williams) show up in a small town looking for jobs when they're befriend by a young girl (Mary Lee) and her keeper (Dale Evans). Rogers and Bear are given jobs looking after the young girl and it turns out that she has a valuable mine, which a greedy man (John Hubbard) is trying to con her out of. After several double crosses Rogers tries to get evidence to show what's going on. COWBOY AND THE SENORITA isn't the best film Rogers ever made but it's a decent "B" Western that is also remembered for being the first film between Rogers and his future wife Evans. Overall the story here certainly isn't anything too special as the entire "ripping off someone for their mine" had been done to death by the time talkies came into play. With that said, the director and cast do good enough of a job to at least make you care for the characters and want to see the bad punished and the good walking away without any trouble. It certainly doesn't hurt that the cast members are in such fine form and this of course starts with Rogers who once again plays that kind-hearted soul just doing what's right. That laid back style really comes across good here and that chemistry with Evans is on full display. The two really seem to be flirtatious throughout the film and they manage to mix it up quite well. Lee is also very impressive in her part as is Hubbard as the hissing villain. It was pretty funny seeing Williams in a Western like this as he was often seen in gangster pictures from the likes of Warner. There's certainly nothing ground breaking to be found here but if you're a fan of low-budget Westerns then this here is a decent time killer. It should be noted that the most common version out there is missing nearly twenty-minutes worth of footage most of which is song and dance numbers.

This was actually a fun movie to watch. Mary Lee was a little more grown up from her Gene Autry days and got higher billing than Dale Evans. There were a couple nice songs, a decent story, pretty good action, and of course a happy ending. Fuzzy and Big Boy Williams had a pretty funny bit of friction between them which made the movie more enjoyable. A funny scene with Big Boy was when he tried to swing from the chandelier like Roy and pulled it right out of the ceiling. Take a look at the plot summary on this page. It describes Dale as Mary Lee's cousin - but she was her half-sister. It says the mine was going to be sold on her 17th birthday, but it was her 16th. It calls Big Boy Williams 'Bad Boy'. It calls out a couple songs that weren't in the picture. Not exactly sure it was describing the same movie.

Hi again, Any movie Roy Rogers and Dale Evans are in is a treat for me. This film was very early in their career, 1944. Just a bunch of fun including the Sons of the Pioneers and Mary Lee. Thanks for listening. Florence