Brotherhood (2009)

A gay romance happening inside a Danish Neo-Nazi clique, what a crack idea! The film intriguingly narrates a compassionate experience of a former Danish serviceman Lars (Thure Lindhardt, the winsome blond from ANGELS & DEMONS 2009), whose passionate courtship with Jimmy (superbly played by David Dencik from A SOAP 2006, another 8/10 film from Denmark, a frenzy macho role sheerly contrasts with his transsexual image in the latter film), who is the fervent skinhead among a gay-bashing Neo-Nazi group. (Speaking of Nazism, my downright ignorance thwart me from the knowledge of how exact the film tackles with the thorny issue, judging by the film, it is basically understated I suppose). There are abundant cinematic conflicts in the plot, although predictable, but applied deftly (by a poignant performance from the two leads and a fine-tuned hand-held camera movement, it never cease trembling). An exemplary northern Europe topography and scenario imbues an obscure hue of cruelty and restlessness.The performances are solid (Morten Holst, who plays Jimmy's younger brother, might be a tad histrionic), both the chemistry between two lead actors and the impending tragedy are brewed perfectly on time and the sex scenes are aesthetically beguiling. More encouraging, the film doesn't take either stand to beautify or disparage the Neo-Nazi image, while love happens everywhere, so does gay love. An ambiguous deus ex machina aptly averts any cliché in the over-exploited gay-theme melodrama sub-genre although melodramatic might not be a meritorious adjective for a film under the background of a sternly violent context, but also demystifies the remotely tangible target to a humane understanding and transmits a positive message to the preconception-ridden society.

This Danish film is one of my two current favorites of gay cinema (the other is the Argentine film PLAN B, which I will review asap). BROTHERHOOD is the most beautiful, passionate, erotic film I have ever seen. I recommend it with all the force I can! For a large portion of the film, the 2 main characters do not live lives that I can call admirable. Lars, a tow-headed guy who has recently served in the military, is joining a Neo-Nazi group, obviously drawn to those who think and act like Hitler did. They attack and bash routinely Pakistani citizens and homosexuals.Lars meets Jimmy, a full-on skinhead. At first Lars and Jimmy dislike each other, but when they begin to collaborate on improving a house for the movement, they find themselves (gasp!) attracted to each other. The love scenes are amazing because of the acting, the chemistry and the yearning musical score.When the lovers realize that they are living and loving every way their hate group believes is wrong and "unnatural," they are forced to make fateful decisions that may cost them their lives.It left me speechless and heartbroken, but the tagline is true: Love conquers all.

This is a very strong movie in many respects. It has a compelling and very strong story to tell, concerning subjects of great importance, and in many ways, as the movie shows, very contradictory. It has at least four very strong performances by both of the two leading characters (David Dencik and Thure Lindhardt) and some of the supporting characters (especially Nicolas Bro and Morten Holst). It contains some very strong but also very different situations of on one hand very strong violence and on the other hand strong love and passion. One of the biggest strengths of this movie is, imo that a lot of things are never said, but only hinted at or shown by facial expressions, gestures or in some cases simply silence. Those elements added makes it a movie worth watching - if you have the stomach for it! I for one must say that the last 15 minutes of the movie left me with a very cold and very unpleasant feeling, that I have not yet been able to shake completely off two days later!

I found this movie to be absolutely stunning in terms of direction and acting. The two lead actors were absolutely great and believable in their performances. The director was great at capturing moments of erotic tension and tenderness between the two leads. In terms of plot and story-writing there are certainly some flaws that could have been better worked out, but I really appreciated the way the theme was approached and developed. The neo nazi ideology was certainly one of the main themes but the director and the writers weren't too judgmental and they let the characters shine regardless of the reasons that brought them to be a part of such a violent and racist community. I certainly advice to watch it, cause it gives a good depiction of a "different" homosexual relationship not framable in the usual stereotypes of gay love. Good job!