Peace Hotel (1995)

Well, this was sort of interesting, but not really in an overly great way. A typical western (cowboy) movie that is mixed with a traditional Chinese setting. It just didn't really come off as something that was particularly good.For a Chow Yun-Fat movie, then I was rather disappointed with this. Sure, he did perform well enough, but the story and the setting of the movie was just not working in his favor. I am sure there are someone out there who find this approach of a Hong Kong movie to be interest. Sure, I will agree that it was unorthodox, but I am not going to agree to it being a good concept.The story in "Peace Hotel" is about 'The Killer' (played by Chow Yun-Fat) who witness his wife being murdered and hellbent on revenge he kills every single person responsible. Then to repent, he builds a hotel, naming it Peace Hotel. This hotel becomes a safe haven for all who come to it, without anyone asking about one's past and will be protected as long as one stays within the confines of the hotel. Then one day a woman in a red dress shows up, claiming to be the long lost wife of the owner of the hotel, and hot on her tail is a gang of ruthless men.I will say that the movie was well enough acted, though at certain times it was a bit forced and over the edge, going just a notch too far in extreme display. And there was some subtle attempts at comedy, which for most parts worked out well enough. And why not throw in a musical act while at it - wait, wait, that's right, there was a musical act in the middle of the movie. That was just too much and made the movie come off as more of a joke than it came off as serious.For a Hong Kong movie, then "Peace Hotel" isn't much of an impressive movie. Even from the moment the DVD menu popped up, I knew it was going to be bad, because it even said "A John Woo production" on that DVD menu. What the... Are you kidding me? It was so lame, and reeked of low budget production.The movie itself actually had a good production value, and had some good camera work to it as well. The action scenes were adequate, but nowhere near anything even remotely close to what you'd expect from a Chow Yun-Fat movie, despite it this being the last Hong Kong movie he made before rocketing off to bigger fame and fortune in Hollywood. If you are a fan of Chow Yun-Fat, then "Peace Hotel" is a good enough watch, but if you are a fan of Hong Kong cinema, then "Peace Hotel" is not really a good addition or choice of entertainment.

This contribution to the "Western" genre from Hong Kong is just about the most offensively poor film I've seen that actually had a budget. I don't know how much it cost to make (I'm guessing at a few million), but it was money down the toilet. I am an admirer of the work of Chow Yun Fat, both in Hong Kong and Hollywood, but I was shocked and disappointed to discover how low his standards are capable of dropping, as demonstrated by his heavy involvement in this shoddy piece of work (main actor and co-writer). Essentially, the story is of a part of wild China in/around early 20th c, in which a former gangster and mass-murderer reforms his life and builds the Peace Hotel, a refuge for all the area's disowned and hunted. This situation is maintained for 10 years, when a woman of dubious character turns up and claims refuge. However, she is at the centre of a plot to bring down the Peace Hotel, the owner, and all he stands for. Why is this a disastrous production? Where do I start.....The back-stories of the two main characters are treated in an overly sentimental way, the soundtrack throughout the film is irritating, the story didn't interest me, I found the pacing to be slow without being gripping, and most of the characters seemed to be one-dimensional, pointless, irritating and/or unlikeable. I also got the impression that there were gaps in the story in terms of explaining motives, but it may be that if I had taken more of an interest in the film I might have understood it better. Frankly, I was bored rigid after the first 30 minutes, and couldn't wait for it to end. Yawn.

First time director Ka-Fai Wai, a seasoned TV writer, and producer John Woo team up to create a very interesting vehicle for Chow Yun Fat. Styled like a spaghetti western, the film is set in the chaotic times after the fall of the last emperor and start of the Chinese republic.Chow Yun Fat plays the Killer, a gang leader with a tragic past. During a fight with a gang, his wife is killed. The Killer goes nuts and kills everyone including his own gang. Years later he opens the "Peace Hotel", a place for criminals on the run to find refuge and reform. In enters a woman claiming to be his dead wife. The residents of the Hotel are fooled but of course the Killer isn't and is very angry at her deception. His anger is compounded when she steals his belongings. He is about to throw her out when a huge gang shows up on horseback. They are after her for killing their beloved leader. The Killer changes his mind and shelters the woman. Despite his kindness, the woman continues her deceptive ways. The gang demands that the woman be delivered to them in 21 days or else they are going to storm the hotel.A very well made production, the sets are great, the acting overall very good and Ka-Fai Wai's direction is very assured for a first time effort. There is a good sense of humor throughout. Chow Yun Fat is great and carries the film from start to finish. The music is good, very reminiscent of Morricone or the great chambara themes although the obvious use of synthesizers for all the instruments lowers the quality a little. The biggest problem for me was a couple of very big plot holes (at least that's how I saw it) which is sad since the film is very good. The action is not central to the movie and those looking for elaborate martial arts will likely be disappointed. The big action scenes are shot in blurry close-ups with lots of dust and shaky camera work. Celia Yip's character gets beaten and slapped around a lot in this film (the character repeatedly provokes most of the abuse) so you might think twice before watching this with a girlfriend.A good film for Chow Yun Fat fans and anyone looking for unique examples of HK film making.

This movie is very unique. Just the idea of a Chinese Spaghetti Western is mind-boggling. In this movie, Chow Yun-Fat plays "The Killer." He sets up a hotel as a refuge for people on the run. Their safety within the confines of the hotel is guaranteed. When a mysterious girl, played by Cecilia Yip, comes to hotel, his ideals and the sanctity of the hotel becomes threatened as her enemies wish to violate the rules of the hotel.There are very good performances in this film. Chow Yun-Fat does an excellent job as "The Killer." Cecilia Yip is a very strong and bold female character. As the relationship of the two develop, I actually sympathised and liked the two characters.The action scenes are well done, for the most part. The machine gun attack and the final sword fight were very well done. The other sword fights were somewhat blurry. Ching Siu-Tung should have been on hand to choreograph those scenes.I also thought that the end was very powerful and emotional. It even rivals the ending of The Killer. In the end, this movie is worth seeing not only for its action sequences, but for the great performances by the two leads. This movie is not as good as his Woo films, but it is still a powerful movie.