OSS 117: Panic in Bangkok (1966)

After the 1963 French secret agent movie "OSS 117 Is Unleashed" became a world wide hit, several follow-ups were churned out in the next few years, this movie being the first of them. In some aspects, this first sequel is an improvement over the original. It clearly had a bigger budget, which gives the movie some pleasant eye candy with color photography, on location filming in Thailand, and better set design. However, the good look of the movie doesn't compensate for the fact that the movie is pretty boring for the most part. When it comes to action, the movie is really lacking; for example, there is only ONE scene that can be safely labelled an action scene in the first hour of the movie. And neither this action scene or the few others in the movie really stir the blood and get the audience excited. A bigger problem is that the movie is directed in a manner that generates absolutely no tension, mystery, or suspense; spying has never been so routine and dull, and you'll never feel that anyone is in any danger. It doesn't help that at nearly two hours in length, the movie is too long for its own good. Hopefully I will find the next entries in this movie series to be much better.

This movie was released in India as 'Panic in Bangkok' around the same time that Goldfinger became a raging hit. Panic in Bangkok was a big hit too and it launched a huge following for the OSS 117 franchise, which went on to star Fredrick Stafford. This movie was so popular that it was remade in Tamil as 'Vallavan Oruvan' which made actor Jaishankar a star. I loved this movie and although I was hooked to Sean Connery's Bond franchise, I found the OSS 117 series equally credible and most of them were good. Panic in Bangkok was the best and Kerwin Mathews was one of the popular stars of the time with his other movies like 'Viscount' also doing great business. I have been trying to get hold of DVD's of the OSS 117 films, which unfortunately are never played on TV in the US.

Very sympathetic piece of French "cinéma-bis" as well as French "popular cinema of quality". The color photography of Bangkok using FranScope - equivalent of the CinemaScope - is wonderful and one is always surprised to check how this city has changed since 1964 : amazing shots of Shilom, and of the first "car behind car" streets in the center. Hunnebelle shots all the aspects of Thailand with a sure sense of good filmaker : jungle, city, lost temple. As for the genre, it is a subtle mixing of spy movie, horror movie (Robert "LE VAMPIRE DE DUSSELDORF" Hossein is amazing in mad doctor), erotic movie (Pier Angeli & Dominique Wilms are beautiful). Kerwin Matthews is "honorable" though maybe a little less "à l'aise" than Frederick Stafford in the leading role. Recently released on French cable in beautiful new prints respecting the original size, this full serie of O.S.S. 117 "made in France" but "shot outdoors" between in the 60's is quite refreshing and keeps an unaltered charm so far... Whit not a DVD release in a collector coffret including all the movies of the serie, somme commentaries and some original poster and lobby cards reproductions ?

Despite the bad rap this OSS 117 adventure has taken over the years, a recent reevaluation suggests that kinder words be spoken about it. The U.S. re-titling, Shadow of Evil, turns out to be quite appropriate for a low-key adventure that relies more on atmosphere than action. This is not to say that the film is a resounding success but neither is it one of the genre entries that should be passed by entirely.Director Andre Hunebelle, credited on this print as Cyril Grize, made four OSS 117 movies in the sixties of which this is the second. One might argue that Hunebelle's familiarity with the character of Hubert Bonnisseur de la Bath aka OSS 117, lead to his experimenting with different approaches in filming his adventures.Hunebelle takes a noir approach, at least visually, to large sections of the film. Much of the action takes place at night with plenty of shadows in which our characters can hover about. Contrary to what the film's detractors say, this is a good looking film even if experienced as a bad VHS dupe. The score by Michel Magne, credited here as Garry Sherman, uses eastern influences to good effect in creating soundscapes rather than themes, an unusual approach for the genre.Shadow of Evil is not a failure but neither will it land at the top of most people's list. Make up your own mind.