The Demolitionist (1995)

Recently I noticed that for some reason I seem to be really into mid-90's action B-movies, or maybe I just got lucky with the ones I saw. A few days ago I watched 'The Demolitionist' which can easily be written off as a Robocop rip-off and while the basic idea certainly is taken from Robocop it is very much its own film. The psychological main conflict is that the resurrected female cop (who still has full control over herself) isn't comfortable with the fact that she is dead yet functioning better than ever thanks to her new high-tech blood. It's the kind of film in which every single character is morally degenerated and capable of anything, they all just have different motivations and enemies. It's totally over the top, which goes for the performances as well as for the visual style. Half the movie is shot with tilted camera angles and other crazy perspectives, the light often is extremely artificial looking (usually blue).It's mindless and the moment is more important than the whole but it does have a story and a sense of progress which keeps the ball rolling until the end (where it eventually falls apart, unfortunately). One interesting touch is how bullet impacts are visualized. Instead of blood spurting a fine red dust comes out of the guy who gets hit, so that he goes down in a red cloud. Cheap? Well, it's expressionistic.Most interestingly I found out that all those mid-90's action B-movies I like have a common staff member - supervising sound editor Patrick M. Griffith. If you liked 'The Demolitionist' I guess I can recommend other films I enjoyed as much and in which making this man happens to have been involved: Mean Guns, Retroactive, Omega Doom, and Death Machine, which are all much better enjoyed in their original aspect ratio but can be difficult to find this way on purchasable data storage devices.

What does being alive really mean? If it means that the blood pumps around your veins, your lungs suck in air, and your eyes help you to aim your gun to blow away your enemies, then Alyssa Lloyd is certainly alive. But in dying and being brought back did she lose something important along the way? Alyssa Lloyd (played by Nicole Eggert) is the Demolishionist, a police officer brutally murdered, and brought back from the dead in true comic-book form. Every night she is forced to undergo horrific scientific procedures which keep her alive and deadly.The scientist seems to forget that his prize specimen was (and still is?) a woman, with very human feelings.This film has been likened to RoboCop, and there are some superficial similarities, but Demolishionist is a lot darker, the humour has more 'edge', and the final scenes bring the narrative to a brilliant conclusion!

Yeeesh...a rating of 4!? What's with *that*? This is one of the most hilariously terrible action sci-fi movies ever made, my friends and brothers. Lets talk about effects. Yes..the blood is actually *smoke powder* which seems to leak from the villains once they're shot. Terrible explosions and pyrotechnics, including inexcusably horrible gunfire effects. The acting is terrible, and will haunt your nightmares. You have been forewarned, comrades. Be wary!

This was a real gem! A small movie that really made the most of its budget. It was a great thrill-ride and a lot of fun. I have to admit that the basic story is a total ROBOCOP rip-off, but still the movie knew exactly how to play the story and make it into something genuine and fun. There were a few scenes that were a dead-on copy of the original ROBOCOP and I would have rather see the makers give it an original twist, which they shamefully didn't. Nonetheless this is a great movie with tons of in-jokes and funny cameos. Especially Tom Savini and Bruce Campbell are absolutely brilliant. There is also a lot of sick twisted humor in the movie that gives it the stuff to be a cult movie. The best thing in the movie tough is Nicole Eggerd. She makes a much better super-hero than her Baywatch ex-costar Pamela Anderson did in Barb Wire. The biggest difference; Nicole can act! Next to that, this movie has the balls to be dark, in stead of sexy. Great directional debut by KNB-EFX-master Robert Kurtzman too! An absolute must see!!!