Jane (2017)

Jane Goodall is a pioneer of primatologist. Her work was controversial at the time for many reasons. In this documentary, Jane does the narration with occasional questions from the interviewer. She goes into detail about her life and thoughts.Jane was a remarkable and fearless woman and has been my idol since childhood. This is a beautiful look into her life. Some say the found footage is posed... of course it is. It's cut pieces of various National Geographic documentaries about her work. It was used to help bring them funding by focusing on a brave, beautiful young woman facing the hardships alone. There are naturally some posed shots. Also some personal home movie type shots. And some of the iconic footage at the end that are so well known.

British Chimpanzee expert Jane Goodall is the subject of this American documentary which includes footage of her early research in Gombe, Tanzania in the 1950s and 1960s plus current interviews and narration made specifically for this film.The highest praise must go to the film footage preservationists who have maintained perfect prints of the colourful adventures in what was very high risk in unknown territory six decades ago. The superb footage is enhanced with Goodall's clear narration and a pleasurable score by Philip Glass.The first half is thrilling as it includes very surprising information of how Goodall was chosen for this mission especially regarding her background. The second half is still engaging but it has less novelty than the beginning. It still provides a lot of fascinating history though, including Goodall's personal life and the evolution of the chimp community with which she bonds.As the film evolves, it is easy to see that Goodall's patience must have been one of the reasons she was selected for the task. Even when the animals stay close to her, she knows to avoid touching them until the right moment.An unfulfilled curiosity is the lives and personalities of local Tanzanians who assist the mission. But the star attraction and the fabulous footage make this viewing worthwhile. What is most amazing is how Jane Goodall looks really very similar to how she did sixty years ago despite the inevitable effects of aging. Waiter, I'll have what she's having.

'JANE': Four Stars (Out of Five)A documentary biopic about the life and work of Jane Goodall. Goodall is a world famous primatologist, ethologist, anthropologist, vegetarian and animal rights activist, who challenged the male dominated science of her time, to revolutionize the world's understanding of humans relations to non-human animals, and nature, through her groundbreaking chimpanzee research. The film was written and directed by Brett Morgen, and it's received nearly unanimous positive reviews from critics, as well as some prestigious awards recognition too. Being a huge animal lover, the film was really interesting and inspiring to me. The film takes place primarily in the 60s, when Goodall traveled to Gombe Stream National Park, in Tanzania, to study chimpanzees in the wild, and their social interactions with each other. Her findings revolutionized the way we view chimpanzees, other primates, and animals in general. They also challenged the male dominated studies on the subject of that time too. The story is told through old footage, that just became public, and through interviews with Goodall now herself. Being an animal lover, and vegan, it is incredibly inspiring to see how positive Goodall was in the animal rights movement. She also (obviously) helped advance women's efforts and work in science. So the film is definitely inspiring in those ways too, and it's also just really interesting to watch. The footage of chimpanzees in the wild is always fascinating to view as well. It's a little slow-paced at times, when the primates aren't onscreen, but it's mostly a very interesting and educational documentary.

Relying heavily upon previously unseen footage from the film vaults of National Geographic, this release will be of interest to people who have followed Dr. Goodall's groundbreaking work. To the same audience, however, much of the narrative will already be familiar. To my mind, it is best seen as an appendix to the fine work that has already been done in documenting the now legendary story of Jane Goodall rather than as a definitive synopsis of her career. Given that much of the visuals are over half a century old, younger audiences especially might have difficulty reconciling the production values of mid-twentieth century field location footage with the high expectations engendered by the modern cinema experience. Where this film shines, and the reason I would encourage people to see this film in a cinema, is the sound. The score (by the inimitable and immediately recognizable Phillip Glass) is itself compelling, and appropriately mirrors the emotional cadence of the visual narrative. The sound design and editing, apart from the music, however, is truly brilliant. The theater erupts in a chorus of chimpanzee cries, among other jungle soundscapes, in many parts of the movie, and I almost felt the need to turn around to see what might be behind me at some points. Glass also cleverly weaves chimp calls into the score in a syncopated "cat's cradle" of rhythm at one point, which brought a smile on my face by mere virtue of its compositional ingenuity; this film is "ear candy." That being said, despite the many out of focus and grainy shots, there are some truly breathtaking visuals in the movie provided by Hugo van Lawick, Dr. Goodall's original videographer and eventual (ex)husband. The most breathtaking stuff comes from the Serengeti, and is therefore ancillary to Dr. Goodall's work the Gombe Reserve, but is still important in the personal narrative of her life. You will not see a more intimate portrayal of Dr. Goodall's journey elsewhere however, despite the miles of celluloid devoted to her. Anyone who reads her books will already be familiar with the story disclosed in the story line itself, including the incalculable value of the influence of Dr. Goodall's mother, but the footage of "Mum" in camp at Gombe will be a treat for those who have hitherto only known her as a character mentioned in prose, passing dialogue in a previous documentary, or mention in one of Dr. Goodall's innumerous public appearances. While much of the visual media of this film is novel, and the narrative itself mostly familiar, the presentation is likely to entertain, if not inform, almost any viewer. Modern audiences are cautioned to understand that this is not a film that relies upon computer- generated special effects, explosions, and a vast post-production budget beyond restoring and improving half- century old celluloid reels. It will very likely succeed in evoking an emotional response, which is, after all, the aim of any artistic work. That Dr. Goodall's entire career succeeds in the same vein is a powerful argument for the assertion that her life itself must be viewed as a contribution to art as much as to science.