Pressure (2002)

Steve and Patrick, two med students on their way home from a little vacation, stop at a rundown bar just for one drink. While Patrick is having fun trying to make time with the cheerleaders, perhaps I neglected to mention there was a.cheer convention in town, but I digress, while he's there, poor Steve gets talked into escorting a local woman out into the parking lot where he's promptly mugged and under circumstances not under his control finds himself on the run from the law.It took me awhile to actually watch this movie, it's been in my Instant Netflix queue seemingly forever, and it's a shame that I didn't remedy that sooner, as I found this to be a pretty well-acted solid enough thriller. Some of the characters felt one-dimensional and the ending felt a tad rushed but a good little flick none the less. My Grade: B

Set in the Pacific NW it is a story of bad cops gone bad. A father and son team are the town's police force. They run the isolated town as they see fit, giving in to their basest desires along the way.Two hapless medical students go in to the wrong bar at the wrong time and become the target of the bad cop's full wrath of violence and deciept.Through in sexual tension, brutal rage and escape and evasion in the deep woods of the Pacific NW and you have a surprisingly good film.

Stars Kerr Smith, Lochlyn Munro, Angela Featherstone, Michelle Harrison, Adrien Dorval, Donnelly Rhodes, David Neale, John B.Destry Even if the brewskie is yelling your name from inside, don't enter desolate small-town bars – just one of the many messages Director Richard Gale is trying to convey through Indy thriller `Pressure'. A crossbreed permutation of polished road thriller and Richard Kimble intrigues, `Pressure' tells the tale of two med students, Steve (Kerr Smith) and Patrick (Lochlyn Munro), who discard the aforementioned advice, and on the way back to the land of the living, decide to stop off at an uninhabited bar. Realising that a cheerleading convention is in full swing, it looks like the boy's night at the bar will be a memorable one – until Amber (Angela Featherstone) decides to chat up the ostensibly ‘unavailable' Steve. Tempted into a possible one-night fling with the mystery woman, Steve follows her outside. But just as soon as he falls back on his offer to play around with her, the woman's unforseen associate hits him from behind. Seems she and Bo Cooper (Adrien Dorval) have set-up their latest prey. When Bo inadvertently shots himself in his ‘manhood', Steve panics, especially when he hears the man identified on his radio as a ‘Cop'. Knowing exactly what will happen to him if he is found in the obdurate situation, Steve darts back to the bar – grabs Patrick and they hit the road in a never-ending chase. Within hours, the state's police squad – lead by the corrupt, relentless Sheriff Cooper, also the shot man's father- and the FBI have imprinted the hunt one of the biggest of the times. With routes blocked right, left and centre, Steve must harden up and outmanoeuvre his indomitable antagonist, ultimately getting himself out of the mess. Though conventional, `Pressure' is a solid thriller, with some great performances, slick camera-work, tense music score and exceptional use of locale. Gale delivers a movie that doesn't let up for a minute, barely missing a beat over its 90 minutes. Kerr Smith proves he is more than one of Dawson's Creek's teeny cronies, turning in a forceful, notable performance as the innocent on the run. Lochlyn Munro (Scary Movie) adds weighty support as his friend and fellow target, Patrick. Where `Pressure' scores its points chiefly is in the production. This slick, impressive-looking thriller was shot in just 19 days. And for a film shot in that time, with little to no budget or fanfare, this is an enthralling crackerjack thriller proving good things come in small packages.

Pressure is something of a paradox. It plays like an above-average TV movie, but at times does better than standard hollywood fare in avoiding plot cliches and explosion-driven narratives.Kerr Smith, probably familiar from Dawson's Creek, is pretty likeable as the young man caught up in a series of freak mishaps which leave him hunted by the local police for a crime he didn't commit. There are some dodgy moments (The old camera spinning round the head as he tries to stay sane moment leaps to mind) but overall it's undemanding and he does fine. The supporting cast does fine, Lochlyn Munro is best as his unbelievably loyal friend (You're the subject of a statewide manhunt and waving a gun around while covered in blood? Let's go!) and the sheriff is suitably psychotic. That's the main character problem with the film - some of the characters are just so damn nasty it makes them somewhat unbelievable.The narrative is the film's strong point, although it tails off a bit in the second half. The way that things fall apart in the first place is suitably plausible and it's a shame that the same inventiveness couldn't continue through the whole script. Things stay pretty tense though, and really the only complaint is that it ends a bit easily and perhaps should have been drawn out a bit longer - hardly the worst criticism of a film.So overall - not a bad way to kill 90 minutes on a sunday afternoon.