Freedom Strike (1998)

The fact that "Freedom Strike" was released by Royal Oaks Entertainment should tell you what this movie is like, but if not, let me enlighten you. The budget for this movie was rock bottom, with the filmmakers having to resort to techniques ranging from excessive stock footage use to Los Angeles locations used in a (failed) attempt to replicate Syria. But the biggest crime the movie makes is that it is incredibly dull. The action sequences are slow and clunky, and fail to raise tension in what should have been a nail-biting experience. (And I'm puzzled why the movie got an "R" rating, when the movie is clearly at a PG-13 level.) Dudikoff seems pretty bored, and second-billed Tone Loc is given very little to do. For some time, I have wondered why action star Michael Dudikoff had an over ten year gap on his acting resume where he didn't appear in any movies at all. After watching this movie, I have a pretty good theory - he was being offered nothing but garbage projects like this one.

In a pre-9/11 world, some evil terrorists get a nuclear weapon. Of course, only the Freedom Strike team, led by Tom Dickson (Dudikoff) can stop them. They need to do this in a timely manner so President Mitchell (Karen) (whose first order of business as President surely was to inform us of all the great deals at your local PathMark) can broker a peace deal with the Syrians. This clearly won't happen without the presence of Tyler Haynes (Loc), a military officer deeply involved with the proceedings, and Maddie Reese (Waterman), a former SAS officer/love interest to Dickson. Meanwhile, there's some drama at yet another news station named ZNN. Will they be successful or will the military have to embark on Mission: Funky Cold Medina? Find out today... (actually, don't...) Well, sadly, this was the state of DTV in 1998. Just another soulless/mindless aircraft carrier and plane slog. As if it would excite any viewer anywhere, at the start of the movie, presumably to get us sucked in to the story, a bunch of characters sit at radar screens and some others are continually jawing about military mumbo-jumbo and coordinates and such. We're officially in the same sort of territory as Surface to Air (1998), Submerged (2005), Submarines (2003), and even Agent Red (2000) (like this, also an Andrew Stevens production. We're learning fast to avoid his stuff). And if you think the pacing picks up from there, you might as well sit back and get comfortable, because it's pretty tedious from here on out.It's unfortunate that top fan favorite Dudikoff wouldn't have something better to do than this, but, on the flipside of that, if it wasn't for his presence - along with some classic Tone Loc - then we'd really be in trouble. Dudikoff does shoot a bunch of terrorists, which is nice, but he does minimal Martial Arts. The middle-east setting makes this a much worse Chain of Command (1994). There are some boring dogfights, and some - not green screen explosions, which would be bad enough - but some CD-ROM explosions. From what we remember, when you wash out while playing your flight simulator in 1994, this is what happens in this movie. Very regrettable. We've seen better explosions while calculating our taxes on TurboTax.But that's what happened at the end of the millennium - the magic and weirdness of the 80's and some of the 90's was replaced by a predictable, overly-logical, and straight-ahead style with no room for the offbeat in any way. Maybe that would be different if it wasn't an Andrew Stevens production chock full of stock footage of airplanes flying around and whatnot. But this movie is nothing more than a by-product after the demise of Cannon Films. If this was a Cannon Dudikoff, it might be another story entirely. But, as it is, it would fit in rather well with the later American Heroes series of straight-down-the-line military slogs.But here's the real crime: Tone Loc doesn't show up until 36 minutes in. (We were on Tone Loc watch). And even then, his presence is pretty scant throughout. His voice alone could almost carry the movie - imagine a scratchier, slurrier Barry White. Of course, it's the same as on his recordings. Just why he's playing a military man in a Dudikoff movie is not explained, but that was one of the only things the movie does right. What this movie should have been is be an actioner after the mold of Avenging Force (1986) - instead of Dudikoff and Steve James, it's Dudikoff and Tone Loc busting some heads. Another missed opportunity.There is a Dudikoff-Art Camacho fight, which is a movie highlight (?), but pretty much nothing can penetrate the overwhelming aura of suck surrounding the film as a whole. It's not Dudikoff's or Loc's fault. It's hard to believe this is by the same director as the enjoyable A Dangerous Place (1995). Finally, we noticed that a man named J.A. "Cappy" Surette was a military adviser on the film. He probably cursed the fact that Stormin' Norman Schwarzkopf got to live it up on the set of Crimson Tide (1995) or whatever, while he's stuck on this turkey.

But I did work on it.First off, Michael Dudikoff, heck of a nice guy. Not $40k/day nice but great to the crew. I was amazed at how cheeseball this production was. The USS Lane Victory (a WWII frieghter) was substituted for an aircraft carrier. And the carrier island scenes were shot in a parking lot next to a wall that was painted grey. For the flight scenes, they got the front end of a real Tomcat to stick the actors in. It wasn't gutted or anything so it weighed a few tons and we wound up placing it on a trash bins (that it crushed) so we didn't get the warehouse we were shooting in, in the shot. The F-14 wasn't secured at all and each actor was risking death being in the thing. Kudos to them. Then there was the nuke plant. A power generator in Sun Valley, just down the street from Babylon 5 actually.I did try to watch it once but failed. But, I thought you all might be interested in what doesn't go into these straight to video wonders.

As a bit of a Michael Dudikoff fan I sat down to watch one of his good old-fashioned actioners - I'm still waiting.The film is based around a group of US commandos trying to get rid of a bunch of Syrian terrorists who have taken over a nuclear reactor. Maddie Reese (Felicity Waterman) was an English member of the commando unit and of course she became romantically involved with Tom Dickson (Dudikoff). I must ask since when have the Brits had female SAS members - as far as I know if they are ever needed they are got from other sources. Even if they did I can pretty much guarantee they wouldn't be as wet as Maddie Reese. I would also think that Tom Dickson would be a little more responsible in his position - or have I lost the plot?! I know there is always the romantic angle in these films as it helps provide the feelgood factor, but does it have to be throughout, especially when there's more important things to be taken into consideration - like nuclear warfare!The signing of the treaty on the US aircraft carrier intrigued me. The "sacred pen" as carried by one of the supposed TV news crew - are there were no security checks to find out who or what goes on board one of these ships, especially with the calibre of people that was on it. Mind you if there was, I suppose there would be no story.I could go on, but when it got to "inner body bomb defusion" in order to safely remove a bullet I gave up on the action drama movie bit and enjoyed it for the comedy it actually was.By the way, would a news reporter really say "Downtown Damascus"??