The Tartars (1961)

Victor Mature and Orson Welles head a continental cast in I Tartari, a badly dubbed Italian film about the Vikings and the Tartars set somewhere in the steppes of Eastern Europe. Both of these American film icons had nothing better to do. Welles just needed the money for his own projects and Mature after the studio system was shutting down was putting his career into half speed as he concentrated on golf more than films. Like the cowboys and the farmers in Oklahoma, the Tartars and Vikings just feud because its natural both being imperialist sorts. The Tartars are moving west and would eventually reach the Balkans. The Vikings expanded in every direction including voyages southward down river routes into what is now Byelorussia and the Ukraine.The Tartars make an offer the Vikings under Mature can and do refuse. The Tartars want to have a military alliance and attack the native Slavs, but Mature who has married into the Slavs refuses and negotiations break down. The Tartar chief is killed and his daughter is carried off by the Vikings and Mature's brother has a yen for her and they get to kanoodling.Orson Welles who is the brother of the slain chief takes over and his troops capture Mature's wife. He's willing to exchange Mature's wife for his niece, but not after a little forced kanoodling of his own, brought on as Welles and the wife are being entertained by some sexy oriental strip dancing and Orson's hormones get the better of him.I won't go any farther in describing this disaster of an Italian spectacle film just to say it all ends rather badly for just about everyone in the film. There were spots in the film where Mature's English was dubbed and I can't see why other than Mature could not summon up enough conviction to give a passable interpretation of a performance. Given the material I can't blame him. Even Welles, professional that he is, looks positively bored even when getting ready to rape Mature's wife. Victor Mature would be off the screen for five years before appearing in Peter Sellers's After The Fox in a good natured satire of an actor very much like himself.Vic and Orson really hit the bottom doing this one.

Very talented and recognized Orson Welles (brilliant in "Citizen Kane", "The Third Man" or "Compulsion") must have been very needed of money in the early 60's to enter this film; there can be no other explanation whatsoever. As a Tartar ruler confronting Viking invaders Welles shows not interest at all in what he is doing and even though his undeniable screen personality is enough for him to steal the show.Victor Mature plays the enemy Viking chief (yes, I said Viking!) with his usual and inevitable overacting and going around with his little war? axe and his black greasy 1960's hairdo. His casting in this is like putting Mickey Rooney to play Goliath.As for the rest of it "The Tartars" is just one more of the usual sort of low budget adventure costume movies the Italians gave us after the bad though sort of original "Hercules" (1959) with good old Steve Reeves (he always underacted in the same level Mature overacted). Some average action sequences a less than average plot and an all standard direction complete the picture.The point is that if Welles (or even Mature) where not in "The Tartars" you would have not much expectations and you would surely judge this film with a more generous concept. But taking the film as it is you can only say it's a terrible piece of cinema. So terrible that if you are a movie's fan you can't miss it because that is precisely its major achievement.

This film has a few bizarrely humorous scenes. When the vikings practice shooting paper-mache boulders with their catapults, their leader Victor Mature goes out to be the target, all with that great grin on his face! Welles as the Tartar prince makes goo-goo eyes at his Viking hostage with the plunging neckline, during a banquet which has for entertainment ballet dancers pretending to copulate in front of the dazed guests! Endless shots of armies on horseback riding by, with each shot lasting about twice as long as you'd expect! And then there's the scene where the vikings throw knives at the Romeo-and-Juliet couple in order to register their vote on the couple's fate! And the shots of Orson, huge as a house and shaped like a melon, walking up and down the corridors in his resplendent robes! And the battle scenes are great too, no one ever seems to get hurt! And the viking commandos slip into the river to cross; even though no one's around to see them, they go underwater for a remarkably long time! And then there's the ship which returns to harbor even though no one's got a pulse enough to steer! And then there's the giant sugar cubes being loaded into the catapult! ********SPOILER**** When a wounded Welles (actually a double) falls into the river, it's an absurd echo of "Touch of Evil". Pretty strange stuff.

This is no boring picture but it is far away from well entertainment too. The story is too simple. Most of the actors are not very convincing (especially too old and too dark "Viking" Victor Mature and an uninspired Luciano Marin). There remains an interesting Orson Welles as "Tartarian" Burundai and the experienced directing by Richard Thorpe (director of legendary historical epics like "Ivanhoe"). Good work is also done by the Italian cast members who composed the music, took the location shots and designed the costumes. To sum it up an average movie.