Journal of Terror: Afterlife Season 1
Prana, an investigative journalist at an online news portal, always experiences rejection by the editors because his writings take a viewpoint that is too superstitious. He who is destined to be able to see the wandering spirits also regularly posts his mystical experiences on the medium of a podcast which he gives the title Journal of Terror. It was from this podcast that he met Nissaka, a beautiful painter who recently started seeing apparitions frequently in her studio. The similarity in personality brings their relationship closer together, and Prana tells Nissaka more and more mystical stories. Unexpectedly, this closeness actually leads the two of them to a reality that shakes reason.
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Journal of Terror: Afterlife Season 1 Full Episode Guide
Nissaka's emotions explode after Prana tells him who he really is. As humans who were both trapped in the spirit world, Prana wanted to cross Nissaka in peace. However, the journey to get there is not an easy business. Unexpectedly, the end of the journey succeeded in changing the views of both of them on life.
Prana thought hard to find a way to convey the fact that Nissaka was no longer human. By telling stories from his podcast, Prana tries to insert a message that spirits that still roam the human world are held back by debts that must be paid. That fact shook Nissaka.
Nissaka invites Prana to his painting studio, asking him to see what has been bothering him. However, that meeting actually opened up Nissaka's background, which was struggling to prove herself to her parents. That night, Prana decides to record their conversation, which at the end of the encounter makes Prana realize who Nissaka really is.
Prana was visited by a girl named Nissaka after listening to horror stories on her podcast channel. Nissaka wanted to get an explanation about the sightings in his painting studio that he saw recently. The meeting slowly made the two of them closer as they told stories of Prana's mystical experiences. Unknowingly, a big secret is waiting for them.
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