Among the Living (2014)

I mostly enjoyed this. The film taken as a whole seems pretty slight, not just in terms of plot (which is standard for the directors) but also in effect. The film is creepy and nasty. There's a horrifying "monster" in this played with great physicality by Fabien Jegoudez. There are scenes of absolute intensity, with beautiful haunting mise en scene. Yet the whole thing feels a bit undercooked. What starts as a dark side of the Spielbergian kids on a mission story turns into a home invasion thriller and then into something else. It's not enough of any but it's fun watching it try. There seems to be a sociological context to it all that was a bit lost on me. Maybe it's a French thing - this worry about toxic gases from the military affecting the children. But should we fear them or pity them? No matter.

Man, had I seen this as a boy, the same age as the boys in this movie, this would've simultaneously scarred me for life and would've been the number one gateway to horror I'd never forget.Boy, the French know horror...but not how to end a film. Granted, I only recall seeing their High Tension and now: Among the Living and both had great cinematography, graphic, original scares and brutality and a WTF ending. Not to spoil either film's ending, but to be positive, this one was far less disappointing, yet still made my head spin.The basic gist: after an incredible start with a wide open range, 3 terrible kids witness a ruthless kidnapping and spend about two seconds both reporting and being rejected by the police. Following, they spend even less time acting like it was a big deal. Well, until they're hunted by one of the savage fiends. The movie had great promise, looked beautiful and was wildly original and all at the same time had huge plot holes, subplots that literally went nowhere and a, again, "really?" finale. Not to mention there weren't many characters to root for with the exception of one innocent family.For the good portion, this is a recommended film and I was thoroughly pleased with seeing a fresh take horror film. And still, I wouldn't denounce it completely for the third act as it's still "eh." So, it's a very soft approval.***Final thoughts: As stated, High Tension had the worst and most unbelievable of the two climaxes, but I would recommend that film more as what led up to that twist reminded me more of why I love horror.

Or maybe not. But don't be fooled by the beginning of this movie. It does turn out to go a bit of a different direction after that. While it starts off very dark and also seems to tend to be in a special sort of "mood", we switch location and also a bit of characters. At least that's what it looks like. The story overall might not make the most sense (and characters reacting weird as always in horror movies), but the tension it builds is really good.The kids playing a big role here, have to shoulder quite a lot of the movie and they are doing a good job. The effects are also very good and while it is by the numbers (no pun intended), you can have fun with it, if you are not too precious about it.

Today, directors Alexander Bustillo and Julien Maury returned to the Brussels International Festival of Fantastic Films to introduce their newest effort, entitled "Aux Yeux des Vivants", which more or less translates in English as "Amongst the Living". Nearly everyone in the public was also present at this exact same spot a couple of years ago already, for the premiere of "À l'intérieur" a.k.a. "Inside", and thus we all knew to prepare for another potentially sickening and heart-wrenching horror film with explicit violence, disturbing atmosphere and nearly unendurable suspense. Bustillo and Maury are truly gifted and visionary young film makers who really understood the secret formula to genuinely terrifying and successful horror! They don't avoid any taboo subjects or sensitive themes and confront the viewers with their deepest fears and darkest nightmares. "À l'intérieur" entirely revolved on an extreme terror siege against a 9-months pregnant woman (with some of the cruelest torment sequences ever registered on film), while "Aux Yeux des Vivants" shamelessly handles about physically deformed children and shamelessly depicts uncompromising violence against innocent women and underage children. More importantly even, it's has been a very long time since I witnessed so many utterly intense and uncomfortable scenes of non-stop suspense. The usually always noisy and over-enthusiast crowd at the Brussels' Film Festival often turned very quiet and timid when gazing at some of the expanded and massively unnerving scenes where the young protagonists are stalked in their own houses. It's the last day of school before summer vacation and the troublesome trio Victor, Tom and Dan decide to leave early for a bit of exploring the countryside and committing a bit of random petty crimes like arson. They end up at the abandoned exterior film studios Blackwoods and witness how a masked figure drags a kidnapped woman out the trunk of a car and into an underground lair. We viewers already saw during the intro of the film that the studios might be the hideout place of what's left of a severely dysfunctional family. The boys return home and get punished for their acts by their parents, but that's nothing compared to the horror that awaits them later that night… The mysterious figure followed them home and plans to silence them forever. Strangely enough, quite a lot of the violence occurs off-screen, but still the suggestive terror and intense atmosphere is almost unbearable. I will, for example, always remember a specific scene featuring a ringing mobile phone and an icky clown's mask…Now that is what I call real horror! Bustillo and Maury are even so talented that they manage to make the oldest and most clichéd sentence in horror cinema history – "There is something under my bed" – still as petrifying as never seen before! And, for the sick puppies amongst you, don't worry too much about my remark regarding off-screen violence, as there still is plentiful of gore and bloodshed featuring on-screen as well. The three young protagonists give away remarkably stellar performances and they receive excellent support from more experienced French actors and actresses like Francis Renaud, Anne Marivin and Béatrice Dalle. Personally, I still regard "À l'intérieur" as slightly superior – mainly because the nature and motivation of villain is more realistic in this film – but "Aux Yeux des Vivants" is nevertheless also a must-see horror movie for the true and most courageous fans of the genre!