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The Secret of Convict Lake

The Secret of Convict Lake (1951)

July. 29,1951
|
6.9
|
NR
| Western

After a group of convicts escapes from prison, they take refuge in the wilderness. While most of the crew are ruthless sociopaths, Jim Canfield is an innocent man who was jailed under false pretenses. When Canfield and his fellow fugitives reach an isolated farming settlement where the men are all away, it creates tension with the local women. Things get direr when rumors of hidden money arise, and Canfield discovers that the man who framed him is part of the community.

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Spikeopath
1951/07/29

The Secret of Convict Lake is directed by Michael Gordon and collectively written by Anna Hunger, Jack Pollexfen, Oscar Saul and Victor Trivas. It stars Glenn Ford, Gene Tierney, Ethel Barrymore, Zachary Scott, Ann Dvorak, Barbara Bates, Cyril Cusack, Richard Hylton, Helen Westcott, and Jeanette Nolan. Music is by Sol Kaplan and cinematography by Leo Tover.I came here to kill one man. I don't mind killing a couple of others if I have to.It's winter time here at Diablo Lake, and the five convicts who have survived the escape find themselves holed up in a remote village. Their reasons for being there differ, more notable though is that the men of the village are away prospecting, meaning the village is only currently populated by women.It's a fine bubbling broth of scenarios, each convict is different, ranging from unstable psycho type, alpha male, twitchy youngster, simpleton and on to the calm likeable one who doesn't appear to belong in this company. So with the reasons for the men being here established, narrative then jostles with the inner fighting of the convicts, and the various emotional strands of the women folk. Suffice to say there is sexual tensions, mistrust, misrule, macho posturing and of course secrets to be born out.Violence is sporadic but potent upon arrivals (one instance especially grabs you by the throat), and with the mystery of the men's crimes a constant question, intrigue makes for an enjoyable companion. Tech credits are uneven. The studio bound feel of the village sequences which fill out 90% of the pic are an itch, making you hanker for the more expansive snowy terrains that greeted us at story beginning. However, Tover's monochrome photography is suitably mood compliant, even if Kaplan's score isn't, while the lead actors are giving good value to offset some of the histrionics elsewhere.Perhaps not the firecracker it could have been, given all the elements involved - particularly annoying that a strong feminist bent subsides into token play - this is none the less a most interesting piece that holds attention throughout. 7/10

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Robert J. Maxwell
1951/07/30

Six convicts escape from a Nevada prison, barely surviving winter storms, and find a tiny village of women, the men all having been called away. Leader of the convicts is Glen Ford, innocent of the crime of which he's been convicted, of course. Excluding Cyril Cusack as a good-natured "Limey" comic, the others tend to ride a little on the nasty side. Zachary Scott, in particular, signals his desire to debauch Ann Dvorak the way a traffic light signals its status. In this case, Scott, with this toothy grin and salacious experessions, signals "rape."The performances aren't bad and the plot is just complicated and coincidental enough, but the black and white photography doesn't really capture the brutal winter. Everything just looks grimy.

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bkoganbing
1951/07/31

The Secret Of Convict Lake is based on the proposition in the title, if you're a thief you think everyone steals. So when Glenn Ford who was framed for a robbery and murder leads a breakout in a Nevada prison and takes six men over the Sierras to a remote town in the foothills. Ford is looking to even the score with the guy that framed him, but the others who include Zachary Scott, Cyril Cusack, Jack Lambert, and Richard Hylton don't believe him, they believe he's hidden the stolen money there.One of their number dies, frozen to death on a mountaintop, but the others arrive at a small settlement on a mountain lake. The men are gone and the women are led by tough old pioneer lady Ethel Barrymore. Ford has a tough time keeping the others in line, especially Scott who definitely has his own ideas. It's pretty tough among the women as well, they haven't seen their men for weeks and some of them are looking good. For Barbara Bates especially, a young inexperienced girl who Hylton takes a fancy to. By the way in those days of The Code, Hylton's portrayal of a sex offender was pretty daring.Barrymore and Gene Tierney are pretty good at reading character and realize Ford is not a real criminal type. How that all works out you have to see The Secret Of Convict Lake.The film was shot in another remote Sierra town called Bishop, California and in Durango, Colorado. The cinematography is both stark, forbidding, and strangely beautiful. It happens to be based on a true story at a place called Monte Diablo Lake renamed Convict Lake as per the film.According to Peter Ford's biography of his dad, Glenn sustained a serious eye infection during the shoot and wore a patch over the infected eye when the cameras weren't rolling. He also had a great admiration for Ethel Barrymore as actress. And he and Gene Tierney found each other's company delightful.The Secret Of Convict Lake is a must for Glenn Ford's legion of fans.

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chipe
1951/08/01

I just want to say that this is a better than average western with a good cast. The first half was rather slow, boring and uneventful. I was about to turn it off, but I fortunately stayed with it. The second half really came to life with lots of action, a fast moving intricate plot and soap opera-like goings on.It's interesting that the resolution is similar to Glen Ford's oater "The Fastest Gun Alive," another good Western.The whole cast shined. Besides Ford and Tierney, Zachary Scott and Ann Dvorak were compelling.Though not an "A" production by 20th century Fox, it was far from the typical "B" production values. The cinematography (Leo Tover), acting, music, dialog, etc. were all top-notch.

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