Let Me Go (2018)

Acting and storyline were fascinating but gee,daughter missing out on mummy's love. Boo hoo. Girls, give old grandma a break. Wartime makes people do all sorts. Sure the old girl did'nt regret it, what was she supposed to do, jump in front of a speeding train? She was a bit of a nut case, I would have just left her there to rot. I thought she seemed a bit too sprightly for her supposed age. Why would the home allow her to keep the Nazi uniform in her room? Who paid for her care there? And If I was Helga and footed the bills, before I left I would have complained about it big time. I don't understand why she went to visit her for in the first place. I would have paid cousin Eva to take care of things for me. Slow and tedious saga, could not wait for it to end.

Such an incredible film and a true story! It has left a deep impression on myself and my husband. Intergenerations affected by trauma going back 4 generations can easily by translated into today's society. A must view. Lessons to be learnt. And such wonderful acting. The sound track is so aptly written and beautiful. We haven't stopped talking about it.

Based upon the true life memoire of Helga Schneider, Let Me Go explores the effect of abandonment and its rippling impact on family relationships; in this instance between four generations of women in the same family. A fantastic cast led by Juliet Stevenson (Truly Madly Deeply) playing Helga deliver on a thoughtful emotional and superbly adapted screenplay from Polly Steele (who also directs this independently financed piece – prize winning at Bentonville for the ensemble cast and part of the official selection for the Edinburgh Film Festival). Set in the London of 2000, we meet Helga as a woman working as a dressmaker in London who receives an unsettling letter and puts it away as her granddaughter calls into the shop. With a bit of cajoling by the granddaughter, Emily (Lucy Boynton – Sing Street), we learn Helga's cousin, Eva, has written from Vienna to say that Helga's mother, Traudi is close to death in a nursing home. That sad news is not only a revelation for Emily and Helga's own daughter, Beth (as a somewhat lost soul and free spirit by Jodhi May) as neither were aware of a Traudi's being alive, but it is clear that Helga doesn't want to talk about the estrangement. It is only with some interweaving of flashbacks and Helga's own reluctant partial remarks that we learn that 60 years earlier Helga (then only four years old), is left in wartime Germany by Traudi to the care of an aunt. Traudi embodies many contradictions as both vulnerable, needy and confused old woman in a care home, but then at times revealing that she is sharp, devious and quite wicked. Without doubt played brilliantly by Swedish actress, Karin Bertling (The Bridge and Wallander). Emily's naïve excitement at discovering she has a long lost great- grandmother and her genuine affection for Helga sees her wheedling onto the trip to Vienna where we then get to follow not only the tides of Helga and Traudi's lives, but to see the unmistakable effects that mark Beth and Emily with the inevitable unravelling of family secrets and guilt. Underpinned by a moving and sympathetic soundtrack composed by Phil Selway (Radiohead) beautifully using a string quartet to mirror the main protagonists and the beautiful and poignant settings in and around Vienna, this film makes one think about the very essence of life, relationships and family ties. Bravo to the UPP for giving this two sold out shows and I hope there may be a growing take up of this small masterpiece of storytelling.CHARLIE MCGINTY

A thought provoking film that steadily absorbs you.The subject is hugely relevant in today's world. How crimes of the past impact the different generations, how the bonds of family can be stretched and yet brought back together. The characters are brilliantly cast. Loved the soundtrack which is a masterpiece in itself.