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Beneath the Valley of the Ultra-Vixens

Beneath the Valley of the Ultra-Vixens (1979)

May. 11,1979
|
5.4
|
NR
| Comedy

Believe it or not even in Smalltown USA there are still people who are unfulfilled and unrelieved in the midst of plenty. Levonna & Lamar could have the perfect relationship if it were not Lamar's obsession with rear entry. After submitting to the one last time Levonna comes up with a plan. While Lamar is trying find other tail to try his technique on, Levonna becomes Lola with aid of a wig and a Mexican accent. A Mexican cocktail later Lola finally has Lamar straight, but he wasn't awake for it. The gay marriage counselor, attracted to Lamar's problem, couldn't help them and Lemar must finally seek redemption at the church of Rio Dio Radio and the laying on of hands by Sister Eufaula Roo.

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EVOL666
1979/05/11

BENEATH THE VALLEY OF THE ULTRA-VIXENS is a Russ Meyer directed boobs, butts, and bush extravaganza where the plot really only has one purpose - to put the severely silicone-enhanced females in the film in as many clothes-shedding situations as possible...and I for one am totally OK with that.The story surrounds several inhabitants of "Smalltown USA" who are all pretty much a bunch of back-woods nymphos. The main storyline focuses on slow-witted Lamar and over-sexed Lavonia (played by super-sexy Meyer ex-girlfriend, Kitten Natividad...), a couple who have their own unique sexual problems. Lamar can only get turned on by screwing Lavonia in the ass, and Lavonia is an insatiable nympho that just can't get enough dick (or pussy in some cases) from anyone that's around. The film follows the antics of the couple as they try to work through their issues. Along the way, the audience is introduced to several other equally endowed women and equally IQ-deficient men, which leads to some pretty comical encounters...The plot may be gaunt, but the female flesh on display sure isn't. BENEATH THE VALLEY OF THE ULTRA-VIXENS has more gigantic tits, asses, and furry '70s puss-fros on display (and even a few boners for the ladies...) than you can shake your dong at. Again, the plot isn't anything to really write home about - but the situations that the characters are thrown into are pretty damn funny in most cases, and the virtually non-stop assault of semi-explicit soft-core sex scenes should keep any sexploit film-lover more than amused. My only real complaint would be the gross under-usage of Uschi Digard, Ann Marie, and Sharon Hill - all of whom are just as, if not hotter than Natividad - especially Uschi, who only gets one very short scene. Even so - sexploit fans will rejoice over this one. Not as memorable as BEYOND THE VALLEY OF THE DOLLS (my personal favorite of the handful of Meyer films that I've seen) but far more laden with nudity and sex - and I'll never complain about that. A fun and truly funny sex-romp that is well worth a look...8/10

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bertig
1979/05/12

i really liked this film, having seen Up, Supervixens, Beyond the valley of the dolls and 2 other which names i can't remember. I thought the film was very funny and i noticed that the lines that the narrator speaks i had heard before it was sampled in a house-track witch i had heard a couple of years ago. I thought the first woman was great and liked the way she dance'd before she went in the coffin. I like'd this whole 70's look and style of the film and the lighting and all these colours and how they played together, it was just visually stunning. The only thing that bothered me was that everybody was always balling and it did get a bit to much. The black woman was really scary and just ugly. But i thought Kitten was great. I read somewhere that she's russ's wife. She was great and horny as hell. I think this was russ meyer's last fil, i'd give it 6-7 of 10. not as good as Up witch is great and i give 8-9

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vaudevillejones
1979/05/13

There are some films that are entertaining, thought-provoking and well-made. There are some that try to attain these qualities but fail. And then there are films like this. Technically, this film should be awful. The acting is poor, the storyline totally throwaway and there is more gratuitous nudity than... well, anything else in this movie. It's about as politically incorrect as you can get. But on the other hand, it's unpretentious. It's as if Russ Meyer said, "Okay, let's get this straight. This is a sex comedy, now let's get down to the sex and comedy."Once you've got over the fact that this is a Dumb Movie And Proud Of It, this is a funny film. There are some sophisticated bits of satire- the very matter-of-fact narrator who links what is basically a series of sex scenes is reminiscent of those very moral public information films. There are also some jokes that are just plain stupid (the gay marriage counsellor is funny, if stereotypical).Of course, what Russ Meyer films are most famous for is naked busty women. Although I must admit that although the aim of the movie is clearly tittilation, after a while the nudity frankly becomes boring. We basically know that every woman who appears will get 'em out, whether for a sex scene, to sunbathe or, what the hey, just because she's a woman with large breasts. There's only so much you can take before it gets tedious.Otherwise, the movie is pretty much what you'd expect from a Russ Meyer movie of this era. Lots of desert locations, the same actors and actresses that appear in all of them, some truly perverse sex scenes (necrophilia, incest, paedophilia and the list goes on) and a sex scene involving someone babbling on in a foreign language.Broadly speaking, you'll like this if you like Russ Meyer films. If not, you'll be bewildered and confused.

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DJ Inferno
1979/05/14

I saw this film for the first time in 1993 when I was 18 years old and it gave me a properly kick. "Beneath..." was featured in the midnight program on German cable, but it was not like the usual kind of soft porn I had seen already, because this movie was much more funny, satirical and entertaining. There were a lot of women with oversized breasts like Uschi Digard or Kitten Natividad, combined with grotesque and cynical humor. Russ Meyer´s film was a completely new experience for me: it made me interested more and more in independent and underground movies, films that you aren´t able to see very often, which are normally not featured in commercial cinemas or difficult to rent in conventional video stores. Films that later followed were "Supervixens", "Up!" or "Faster Pussycat! Kill! Kill!". Even masterpieces like Romero´s "Night of the living dead" presented me a completely new side of film making that I hadn´t known until then. Lovers of soft-focus lens erotic à la David Hamilton surely won´t like Russ Meyers movies in any way, because his flicks are vulgar, obscene and provoking. For all others like me he is a master of the modern pop culture. (10/10)

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