Wrong Turn at Tahoe (2009)

I've been ragging a lot on Cuba Gooding Jr. The past few reviews, so I'll go easy and speak about a good one instead. Wrong Turn At Tahoe has a script that should have been given the royal treatment; it's wise, brutal, thought provoking and very violent, with many sets of morals clashing against each other in true crime genre style. It didn't get a huge budget or a lot of marketing, but what it did get was a remarkably good cast of actors who really give the written word it's justice, telling a age old story dangerous people who inhabit the crime ridden frays of both society and cinema. Cuba plays Joshua, a low level mafia enforcer who works for Vincent (Miguel Ferrer), a ruthless mid level mobster who runs his operations with an OCD iron fist. He also rescued Joshua from a crack house when he was a young'in, forging a father son bond that runs deeper than terms of employment. When a weaselly informant tells them that local drug runner Frankie Tahoe (Noel Gugliemi, reliably scary) has it in for them, Vincent brashly retaliates first by viciously killing him. That's where the matter starts to get deep. Frankie was an employee of Nino (Harvey Keitel) that most powerful crime boss on the west coast and not a man to cross. Nino Wants hefty payment for the loss of Frankie, who was a good operative. Vincent, being the proud and belligerent son of a bitch that he is, bluntly refuses. So begins a bloody, near Shakespearean gang war in which both sides rack up heavy losses and the phrase 'crime doesn't pay' collects it's due. All parties were inevitably headed to a bitter end whether or not the Tahoe incident occurred, and I think the writer simply used that inciting incident as an example of many ways in which a life like that will always end up at a dead end. The writing is superb, especially for Gooding, Keitel and Ferrer, a vicious triangle indeed, all at the top of their game and then some. Johnny Messner is great as Gooding's cohort who can't keep his mouth shut, and watch for Mike Starr, Leonor Varela, Paul Sampson and Louis Mandylor too. Dark deeds, unexpected betrayal, self destructive ego, combustible machismo and ironic twists of fate are explored here in a script the remains as one of my favourite of that year. Really excellent stuff.

"Vincent" (Miguel Ferrer) is a relatively minor crime boss who is fortunate to have a man like "Joshua" (Cuba Gooding Jr.) looking out for his interests. So when Joshua learns that a drug dealer has plans to kill Vincent he relays this information to his boss and they set out to take care of the problem once and for all. Unfortunately, what they don't know is that the drug dealer just happens to work for "Nino" (Harvey Keitel) who is the biggest crime lord on the East Coast and he doesn't appreciate having one of his men knocked off. It's at this point however that "business" becomes quite personal and matters get out-of-control very quickly. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this film encapsulated a good story with some excellent performances without expending an unnecessary amount of time in the process. I especially liked the performance of Cuba Gooding Jr. who seemed perfectly cast for this particular role. At any rate, I enjoyed this movie and all things considered I rate it as above average.

Thoroughly agree with Wizard 8; a tidy and unpretentious little gangster flick with solid performance from all the players. Miguel Ferrer does indeed hold the screen as a hard man living by a set of questionable principles, but Cuba Gooding is no slouch as the right hand man approaching a personal crossroads in life. The legendary Harvey Keitel just has to turn up on this one. The plot is fairly simple, the dialogue punchy, and it just moves right along. Not for the kids please – too violent - but it certainly deserves an adult look. It doesn't pretend to be Godfather Part 2 - what you see is what you get. Good flick.

Call me a product of the ADD age, but it's not very often these days that I'll actually sit through an entire movie without at least fast forwarding through some parts (you know, like the de rigeur musical montage in romantic comedies). And when I saw Cuba Gooding's name in the opening credits, I seriously considered putting an end to the movie and to my misery right there and then (I still have nightmares about his and Christian Slater's disastrous last effort at movie-making). And yet, as the movie developed, I found myself drawn into the plot and the characters. Mind you, this film is not a treatise on either. The plot and characters are rather simple, and we only get brief glimpses into the origins of the relationship between Cuba's character and that of his boss, but it's all we need. The rest is like a good old fashioned shootout at the OK corral. All in all, I'd say this movie was every bit as good as The Departed, minus the star cast and director.