A Gang Story (2011)
After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge Suttel, with whom he first discovered prison life - for stealing cherries. The two of them inevitably got involved in organized crime. The team they formed, the Ganf Des Lyonnais, made them the most notorious armed robbers of the early 1970s. Their irresistible rise ended in 1974 with a spectacular arrest. Today, as he nears 60, Momon would like to forget that part of his life. He has found peace by retiring from the "business". He tends to his wife Janou, who suffered so in the past, and to his children and grandchildren, all of whom have great respect for this man of simple and universal values, so clear-headed and full of kindness. But then Serge Suttel, who has disowned nothing of his past, comes back into the picture.
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The only possible answer to the question raised in this user comment's subject line is simple and straightforward, namely: nowhere near as badass as grandpa Edmon 'Momon' Vidal in "Les Lyonnais"! Or any of his fellow gang buddies, for that matter! "Les Lyonnais" is inspired by the true story and memoirs of Momon Vidal; the poor son of gypsy parents who built himself up to the leader of a feared gang that committed numerous of violent armed robberies in the Lyon region during the sixties and early seventies. However, all the crimes and trials of that era are narrated and illustrated through flashbacks, as the film primarily takes place in 2010 and opens at the baptism party of Momon's grandson. For the past 25 years he has lived a luxurious and relatively honest life, but now his oldest and dearest friend Serge is in trouble. Serge is apprehended by the police, but prison is full of henchmen of the crime boss that he double-crossed. Since friendship is the most important value to Momon, he organizes a plan to help Serge even though he very well realizes this will bring him right back to his old criminal habits. Given the nature of the plot, protagonist characters and a handful of significant sequences (like for example the baptism), "Les Lyonnais" is inevitably reminiscent to "The Godfather" and – like many other reviews so unmistakably state clear – not as good. Yeah well, so what? Hardly any movie is as good as "The Godfather", but that doesn't stand in the way of "Les Lyonnais" being an extremely intense and absorbing thriller with many brutal sequences, tight atmosphere and stellar performances. The main trumps of the film, apart from the charismatic ensemble cast, are the realistic brotherhood portrayals and the swift transitions between the gang's activities in the '60s and present day. During the flashbacks, being a criminal and kick- starting violent gang wars is glorified quite blatantly, but the script also clearly criticizes the contemporary French juridical system. Momon and Serge initially just were two harmless young troublemakers, but they rolled into the criminal life after they were sentenced to six months in prison for stealing a handful of cherries (which aptly also is the title of Edmond Vidal's memories). The flashbacks are the most entertaining parts of the film, since they seem to come straight out those primarily Italian & French euro-crime/Poliziotteschi movies from the seventies; which happens to be my favorite cult cinema sub- genre. You know, exhilarating chases in crummy old cars, characters with gigantic mustaches, harsh drive-by shootings and relentless executions in the middle of crowded streets! The scenes set in the present day are much more sophisticated and dramatic, but they are still fast-paced and loaded with suspense. Gérard Lanvin gives away a downright phenomenal performance as Vidal, and he's brilliantly backed up by Tchéky Karyo and Daniel Duval.
Entertainment at the highest levels of engagement. All the emotions are triggered and captured over and over again as we visit with 35 years of a friendship that was tested to the limits. Did it or does it hold is one good question. When it comes to crime, one never knows what to expect as crime doesn't play by the rules but by its own rules. One has to remember that as violent as a gang wants to be, there is always someone more violent that wants to prove that point. Both are motivated but only one can prevail. Everyone knows the police are restricted, dumb and don't catch on quickly, but what if they are not? Furthermore, what about human nature which proves to be unreliable time and again when things get dicey. Good acting, tense direction, clear cut story that makes several points and then does one good thing. It lets you be the judge of the outcome. This is as it should be. Tasty drink and finger foods recommended and this draws you in so no distractions to interfere with that or you will ruin the ten rating for yourself
I was not as enthralled with this movie as other reviewers.Technically beautifully filmed---the use of constant flashbacks through out the movie makes for constant abrupt changes--not my favorite style of story line.The positives = the acting is good/Lanvin in the lead as Momon Vidal a gangster whose "mate" from their heyday in the 70s is being hunted by a mobster.Momon helps him out because of "mate" gangster honor. According to the story De Gaulle used thugs to rob money for his political needs--one I had never heard. ?? Possible I suppose. The use of ethnic gypsy (Roman) material is not syrupy PC and over done a plus.Has the requisite number of quick shot em up scenes that would require the marksmanship of an Olympic gold medalist. You know the angry good gangster enters a restaurant and picks off half a dozen bad gangsters in as many shots.Also a few twists including the denouement to keep you interested.It is good quality crafted entertainment maybe even a 7.5RECOMMEND
For about a reel and a half I thought Olivier Marchal had blown it; this new film wasn't living up to 36 Quai des Orfevres or MR73. Then all at once it blossomed before our eyes and took its rightful place in the Marchal pantheon. This was due in no small measure to Gerard Lanvin who I have yet to see give a bad performance. Lanvin is almost unique among 'macho' actors in that he can convey sadness and toughness at one and the same time. Here he plays a real person, one still very much alive and he does so superbly. Recently acting joke Vincent Cassell was called upon to portray a real character - also a gangster - and was light years short of Lanvin's performance here which is incandescent. If I single out Lanvin it is because he is the only member of the cast who stands an outside chance of being known in the UK - he also does comedy, see: Camping - but Marchal has cast his film well and the entire cast acquit themselves well. See it as soon as you can.