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Gimme Danger

Gimme Danger (2016)

October. 28,2016
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7.2
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R
| Documentary Music

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

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Reviews

Mark Turner
2016/10/28

Growing up in the sixties and seventies we were exposed to a ton of music and musical styles that seem lacking in today's world. At any time you could turn on the radio and find Frank Sinatra, Black Sabbath and Sly and the Family Stone all on the same channel. Today we tend to compartmentalize music into sub-genres and limit listening to only what we love without exposure to anything different. Had that been the case back then music would never have evolved and led to different styles. Such was the case with the Detroit band known as The Stooges.This documentary follows the early beginnings through to the last moments of the Stooges career along with their front man Iggy Pop. It runs like most rock documentaries in that it follows the timeline, shows them performing and combines that with interviews past and present to form a cohesive of the band start to finish.As with most bands that began in the sixties there is plenty of open talk about the drugs they took from marijuana to acid to heroin. It doesn't glorify the use of those drugs but it was a part of the lifestyle they lived. It was a part of the rock culture at the time and the fact they survived those days without serious overdose or multiple deaths shows it didn't always end that way. That they don't discourage or encourage the use of drugs shows a more even keel in the discussion rather than aging rock stars saying "I did this but you shouldn't", something most rock docs seem to do. It becomes a hollow piece of advice in those.The sound of the Stooges was raw and it was powerful and that's what drew fans to them and their music. I got the sense that this stemmed from their home base of Detroit, of being exposed to that working class atmosphere, of listening to the hammering of metal in factories in the area. Many bands that came from the area were exposed to the same thing and it is apparent in the sound of bands like Grand Funk, Alice Cooper, Bob Seger, Ted Nugent and The Stooges. But The Stooges sounds was rawer than most with the exception of perhaps MC5 who played a major role in their early years as seen here.This sound The Stooges created influenced so many bands and was also part of the foundation for the next big genre of rock music to come, punk. Their influence can be heard and is commented on in the film with their style replicating in bands like The Ramones, Sex Pistols, Sonic Youth and more. It was hard, it was fast, it was loud and it was raw. That word comes up a lot when thinking about The Stooges and deservedly so.The movie doesn't spend any time discussing the solo career of Iggy Pop and actually that turns out to be a good thing and goes along with what he says in the film. He talks about how the band were true Communists when they began, not in the sense of political ideology but in that they shared and shared alike. Money coming in was divided evenly. This extended to their return to the stage in 2003 at Coachella where he was offered so much to perform and said they'd have to triple the amount so each band member would get the same. To his surprise the backers agreed and they played.The movie does give a historical perspective of the band and that's great that a new generation will possibly find the band through the film. Many will be surprised at how influential they were. The biggest surprise in the film for me was that while directed by Jim Jarmusch his style of filmmaking isn't on display here making the film about himself instead of the band. Rather he sticks to the straight forward format used in most rock docs and it pays off in the end.As far as rock docs go this one is among the better that I've seen. It tells the story of its focus, The Stooges, rather than become a movie about stylistic choices of the director. It moves along from start to finish for the band and offers them in performance all along the way. It presents the band and its individual members in a respective tone allowing each to speak never giving one more on screen time than the rest with perhaps the exception in a small amount to Iggy. It doesn't glamourize nor demonize the band. It just lets the music do the talking. And what powerful talking it does.

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robbit-5
2016/10/29

GIMME DANGER is worthwhile and interesting look at those perennial underdogs of rock music, The Stooges. Long time fans of the band should be mostly satisfied with this documentary about their rise, fall and brief rebirth in the 21st century to a far more appreciative response.The Stooges primal proto-punk was certainly before its time in 1969 and really wouldn't be embraced more fully until several decades later. The simplicity of their musical ideas may have evolved from their limitations rather than some grand design. The dark and confrontational sound they created together utilized into those basic elements that can make rock music so compelling. Jim Osterberg's transformation into the iconic Iggy Pop gave The Stooges an absolutely perfect front man. While the Stooges rhythm section hardly moved on stage, Iggy's spontaneous, lanky, almost awkward physicality gave their live performances a sense of danger and unpredictability that made their shows so captivating.Overall, this is an enjoyable enough film, but it does possess some notable shortcomings. One of my main criticisms is that there isn't quite enough focus on the music. There is ample time spent on the songs for The Stooges 1969 debut album, but the songs on FUN HOUSE are discussed only briefly. Even less is said about their landmark RAW POWER album, although though there is some discussion and audio from the early sessions at Olympic Studio. Besides "Search And Destroy", any meaningful discussion about the album or its release are virtually absent here! Instead, the story quickly moves on to the demise of The Stooges and release of Iggy & James KILL CITY project. Although the movie time is approximately 1 hour and 46 minutes, another 15 minutes of musical discussion would have been well worth the time spent.Early live performance footage of the band was either in short supply or the producers just didn't have the budget for the rights. For whatever reason, many clips are repeated throughout the movie, mainly the classic Cincinnati Pop Festival footage showing Iggy wandering off into the audience, smearing peanut butter on himself while being hold aloft by an adoring (or fearful) crowd. More vintage footage would have made this documentary a bit more compelling.Given that this movie is focused on the The Stooges (or Iggy & The Stooges), Iggy Pop's solo career is mentioned pretty sparingly. I respect the reasons for this decision, but it would been interesting to spend a little time talking about Iggy & David in Berlin or even just some highlights. But given how little time in the spotlight the Asheton brothers, Dave Alexander and James Williamson have enjoyed, it is admirable that Iggy's celebrity isn't allowed to completely overshadow their contributions.It was also a good decision to limit the interview sections to the band and a few insiders. Many rock documentaries are overfilled with a parade of contemporaries, critics and talking heads whom usually only add limited insight and too much hyperbole. Danny Fields slightly overstates the importance of The Stooges during his interview clips, but this is forgivable given that he was the person that basically discovered them. The newer interview sessions with Iggy back home in his parents trailer and James Williamson holding his Gibson Les Paul Custom Pro Black Beauty are each quite interesting and enjoyable.All in all, i would rate GIMME DANGER 7.5 and would recommend to anyone who wants to learn about the band. I applaud the spirit and well meaning intent of Jarmusch, but wish he'd not moved so quickly through certain eras. It's a very nicely done film, but also a missed opportunity in some ways.

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subxerogravity
2016/10/30

A friend of my recommended this documentary to me. Just randomly heard about it and was enough of a Jim Jarmusch fan to want to try it out, and he loved it, despite not being a fan of the Stooges, or having it change his mind about their music. As much as it was an in-depth look on Iggy Pop and the Stooges, it's just as much an in-depth look on Rock and Roll, and every Rock and Roll Documentary should be.I gave it a shoot, as I am a fan of the Stooges and what they have done. After all, I'm sure a lot of the music I listen to they directly or indirectly are responsible for.Going into the movie, I was expecting somewhat an adaption of the book Please Kill Me, which was an in-depth look at protopunk, which I herd the Stooges be described as before, plus they take up a big chuck of the book, but that's not what this doc is at all. It was so focus on the Stooges that it rarely expanded outside of the band members and those really close to them.As the only original surviving member at the time of this release, Iggy does a lot of the talking, but not in an egotistical way. He seemed very genuine in his stories about The Stooges and their history. Not that the other Stooges did not get to chime as it looks like Jarmusch had been working on this for a while with the drummer of the Stooges also able to tell his stories before his death.It is all about rock and roll and all about the music. I can see why Jarmusch selected and loves this band as they seem uncompromising to their love of the music. It's a great message on sticking with it. It also a great message about how it never dies within you, as the doc tells the story of the Stooges second guitarist James Williamson, who rolled with the band and Iggy until they dissolved got himself a pretty square life, but when Iggy calls to say come Jam with the band like 40 years later, he did just that.Not Just for those people who love the Stooges, it's for those who love a really good rock and roll story. This is one!

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deproduction
2016/10/31

This is a shallow film about a shallow (albeit likable) man, full of shallow references to events that would only be interesting to people who are already fans of the band. As a documentary filmmaker myself, I would've left 75% of this film on the cutting room floor. Did you know Iggy once saw John Wayne driving down the street in LA? ...Well, he *thinks* it was John Wayne... I wouldn't put that drivel in a god damn Facebook post, much less a documentary film. I have to believe there was some depth to be found in the life and lessons of Iggy and the Stooges, but its all wasted on Jarmusch. This is nothing but a vanity piece made by fans for fans. It will be an utterly forgotten film with zero relevance for the world beyond Iggy/Stooges fans. This isn't to say that the Stooges weren't a very relevant band. I am convinced they were. But that doesn't make for an interesting film, and its essentially the only message conveyed. I enjoyed looking at Iggy's face for over an hour, but after 30 minutes being impressed at how well that man has aged, despite a lifetime of abusing his body, there was nothing left to ponder. Better to spend your time on films that don't simply elevate celebrity, but dig into deeper issues, like the "Friends Forever" documentary about a pair of musicians who never achieve any fame, unintentionally illustrating that life is about the journey, not the destination. That film was made by an auteur, not a fanboy, who exposes the emptiness of pursuing fame, sex, drugs, and everything else that Iggy and the Stooges seemingly glorified. Unless you're in the mood for a shallow fluff piece, that would be a better use of your time.

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