Higher Ground (2011)

Sort of unaware of this movie & glad I watched it. I will highly recommend others from my old Church family check it out. Personally found the story very interesting, having grown up in the 60-70s, attending a smaller suburban Presbyterian church. I think we were lucky our youth group visited various other denominations & the LDS, too. Once, at an Evangelical church we listened while members stood up & gave "Testimonials" of their faith. One thing I learned is not all churches had great stained glass windows, pipe organs, choir directors & some sort of so-called "Order of Worship". Anyway, have always thought the work of Vera F. was very good even in that terrible Boston cop flick w/ Matt Damon, Martin Sheen & old Jack Nic. Now, after viewing Higher Ground, even more impressed with her talent & acting range. Then reading the credits & learning this film was her directorial debut - WOW, great job!

I was intrigued by this film because it had to do faith and a serious questioning of it. But after watching the first 45 minutes of it, I'm like, what is so compelling about this film? The acting is fine. The shooting sequences are fine. Vermiga's acting is fine. Everything is fine. But I don't see anything compelling about this story.I'm jaded to tell you the truth. I wrote a screenplay that involves religious themes and faith. It never got produced. I felt my story is much more compelling than this story.List me five reasons why I should continue watching the rest of this film please. Thank you.

I would have to say that the basic problem with this movie is that it's jot especially interesting - at least, it wasn't to me. Basically, we follow the spiritual journey of Corinne (Vera Farmiga, who also directed this) from childhood through a fundamentalist upbringing and involvement in a fundamentalist Christian sect until the point at which (literally) she walks out of the door and into a new life. To be honest, I felt little connection with Corinne. I didn't find the character well developed. We saw her at various points in her life, but the connections between those various points weren't explored. Corinne seems to struggle with her faith from the moment that she gets "saved," never really comfortable with it, but not really comfortable breaking away from it either. Her struggles with her faith is portrayed in a number of scenes where she clearly thinks thoughts that are unacceptable to the sect to which she belongs (there's a hint of lesbianism scattered in this movie, especially in the relationship between Corinne and Annika (Dagmara Dominczyk.) Corrine has fantasies about Annika - portrayed fairly innocently on screen - but they surely represent her inner struggle with the idea that there has to be more to life than she's seeing as a part of this rather controlling sect, where she's being constantly told how to dress and where it's clear that women are second class members.)The movie wasn't overtly negative of this type of Christianity. It's clear that some members of the sect are quite content with this life. It's just that Corinne wasn't. I would have liked to have seen more about Corrine's spiritual search. The only form of Christianity she was exposed to outside of the sect she belonged to was charismatic Christianity (Annika spoke in tongues.) But even though Christianity is far more diverse than that, the movie's end seemed to point to a sense that Corinne either had to stay with the sect or leave the faith altogether. There was no reference at all to more mainline versions of Christianity, although that may in itself make a point. As a mainline pastor, my general observation has been that people raised in fundamentalist backgrounds tend to give up on the church altogether if they rebel, rather than seeking out a more moderate take on Christianity; almost as if they think, even though they've rejected the teaching, that fundamentalism is still the only valid expression of Christianity that there is. I refer to the group as a "sect" because I didn't have a sense that they belonged to any particular denomination. They seemed to be a very independent group (which, to me, raises all sorts of problems in terms of accountability.) Some of the sect members seemed to be a bit of a caricature of such people. There was a very "hippy-ish" quality to some of them.Watching Corinne's spiritual evolution was somewhat interesting, and the ending of the movie, as she walked out the door of the sect's service, did make me feel some sympathy for her. It was as if she was on her own, with no help, no one to turn to after all these years when she was told so much about how to live. Overall, though, the movie didn't really strike much of a chord with me. (4/10)

Corinne (Vera Farmiga) grew up quite fast. The child of a mismatched, unhappy marriage, she sought attention elsewhere and married young and had a baby. Her husband, Ethan (Joshua Leonard), tried his hand as a musician and on a band road trip their child nearly dies in a bus crash. After this brush with death, Corinne and Ethan turn to the religion Corinne knew as a child and end up becoming part of an evangelical community. In this commune the young family finds peace and meaning and they embrace the conservative ideas of the group's leader, Bill (Norbert Leo Butz). But as her family grows, so does Corinne's doubt and as she wrestles with her faith, she finds that her community is unable to handle her unrest.Higher Ground is based upon the memoir of screenwriter Carolyn S. Briggs and represents Farmiga's directorial debut. It is a bold, well-crafted film that, even in its weaker moments, gives notice of what is to come from Farmiga from behind the camera. Higher Ground displays a thoughtfulness that is uncommon in religiously-oriented tales of this sort. Rather than jumping head-first into stereotypes and harsh judgments, Farmiga shows her characters to be simply human; these are good people with good hearts even if they are misguided. The lack of condescension (for the most part) within the film was refreshing and resulted in a deeper experience than I might have expected. This isn't a story about corporate religion so much as it is about one woman's personal struggles with faith and that difference is what makes Higher Ground worth watching. On screen, Farmiga is charming and charismatic as ever. For me, there are very few actresses who command attention the way Farmiga does. She's a tremendous talent, to be sure, but there is also an inherent presence about her that makes her a wholly intriguing, captivating performer no matter what role she takes on. Her portrayal here is understated and quiet but nonetheless powerful, an excellent illustration of what a great actress can do when given room to work.Unfortunately for Higher Ground, Farmiga's work both behind and in front of the camera is no match for the dull nature of the film's narrative. This is one of the more boring experiences you'll likely have with a film this year, which is a shame because I found the lacking storyline to be an immense hindrance to becoming invested in the film. I don't think this is a case of poor pacing or bad choices from the director. In fact, I feel that Farmiga does a good job of piecing together the story and fleshing out the parts that have the best chance of becoming connectible. I believe the problem is found within the source material which is simply doesn't translate well to the screen. There's very little within Higher Ground that you could describe as exciting, relevant, or even mildly intriguing. Some stories work well both as pieces of literary non-fiction and films; some do not. In this case, that lack of cinematic value results in a somewhat meaningless and decidedly uninteresting viewing that doesn't measure up to the quality of Farmiga's work on the project.Please see my work at thesoapboxoffice.blogspot.com