The Leisure Class (2015)

I watched the entire season of Project Green Light and then this whole movie, so I got the right to review, and this is a very bad movie, there's no one to pass the bucket around, it was Director Jason Mann's Script, Casting, Direction and Final Cut, so its all on him, the best twist which was Fionna's plan at the end wasn't even on the original script, it was added by HBO to try to save the movie!! there was a scene on Project Green light where Jason Mann is discussing with the head of HBO movies about the "musicality" of a scene, when that kid obviously has no clue as to what that is!! the movie lacks cohesion, solidity and rhythm!! Time to find a different job Mann!! I heard bartenders and servers make a lot of money!

I have watched this movie 4 or 5 times on HBO However, it was only after noticing one or two scenes that looked somehow familiar first viewing that we realized it was the Green Light movie project. The films title wasn't mentioned very much in the Greenlight series..it was just "the film"The critics of this movie seem to be Greenlight Runners Up who failed to get the award. Since all their comments have nothing to do with the movie but are a critique surrounding its creation. The plot scenario is hilarious,.... the British humor is where I grew up.Lots of sour grapes in rotten tomatoes.,

Not to tell HBO how to make their movies, but I have one minor edit that I think could have saved this movie. After shooting the Project Greenlight episodes, and Jason turned in a completed movie, you should have just set up a hidden camera wherever it was that Jason planned to watch the premier. Then, rather than airing it, at the appointed time, run a split screen with a $3 million pile of cash on fire on the left, and Jason's live response on the right. THAT would be far more entertaining than this train wreck of a movie. The story was terrible. It was put together in a way that made me care very little about anyone involved, and by the end, I was just begging for it to be over.

My wife and I, after seeing Pete Jones pop up, simultaneously watched seasons 1 and 4. It was pretty interesting. Pete Jones had a hard time getting a handle on how to direct, but had a mélange of guys around him arguing over production issues. Jason Mann had a clear vision of what he wanted, pulled off some excellent directorial skill, and had one producer bring her drama. If I were to hire for a small film, Pete Jones would write the screenplay by himself, Jason Mann would only direct, and Effie Brown would have nothing to do with the production.The film looked nice, moved along towards where it was headed, and had some good actors. Whatever was in Jason Mann's head did not translate to an overall satisfying experience. As I write this, I'm surprised the movie is at 3.9 on IMDb. I thought it would be closer to a 5. But I have to agree with the 3.9, 3 of which go to Tom Bell and Ed Weeks. If not for them, this film would be a disaster. It's obvious the best parts of the film were ad-libs between the two male leads.It's my opinion that Effie Brown is a racist. Her complaining about the 'lily-whiteness' (her term) and focus on black crew-members betrays her. I have no issue with blacks, and other non-whites, getting a foot in the door in Hollywood. It's obvious to me that Effie Brown made sure the crew was out-of-proportion black-versus-white-versus-the-population. Her personal agenda became an albatross around the neck of the production. If she were reading this now, her eyes would be open, with a fake, wide, rueful smile to go with it. This was not the production to bring that drama. I hope she gets stuck on Tyler Perry films.Jason Mann may or may not learn his lesson. It is telling that HBO's head, Len Amato, said he would want time before working with Jason Mann again. It was ridiculous that Len Amato had to hand-hold the end of production (that may be why he gets paid the big bucks). Jason Mann has not earned his stripes before or after this production. His skill as a director is evident. He understands lighting, angles, background, set-up, timing, and editing. His next project should be with the condition that he only direct, and direct as he is told by the producer (and as the script dictates). He made a blunder when he stated something along the lines of, "The director gets the final say in the creative process." Noooo, that is what Woody Allen gets to say/do. The director does his/her job, and the MONEY gets to say from the outset who has the final creative say. Now, if "The Leisure Class" makes $20,000,000, then I know nothing. Somehow I think it won't.P.S. Imagine Woody Allen in the Bruce Davison role, and whimsy instead of drama. THAT would be a Woody Allen film to see, and with the EXACT SAME script!