Bungee Jumping of Their Own (2001)

At a time when most South Korean films are full of violence, the making of 'Bungee Jumping of Their Own' comes like a breath of fresh air. It is a different kind of South Korean film which advocates the notion of love at first sight. This idea is reinforced when both protagonists declare that their undying love for each other is entirely due to have experienced love through 'love at first sight'. In this film, director Kim Dae Sung has used all his imagination to ensure that 'Bungee Jumping of Their Own' transforms itself into something more than merely an ordinary romantic film. . The film also makes good use of its reincarnation angle and a discussion about sexuality without being too overt. For this reason, love is celebrated in all its forms. One gets to watch how two lovers watch their love grow over a period of time. Actors Byung-Hun Lee and Eun- Ju Lee reveal their acting prowess at different times as the film depicts two different time periods. Lastly, this film is recommended for those viewers who would like to explore the world of romantic films which has been hitherto dominated by Hollywood films.

Bungee Jumping of their Own is the debut directorial effort by Kim Daeseung and after watching his other works, I have to say that certain things run through his films. The most prominent is that he has a strong fondness for flashback revelation. Now I could pin this on the writers, but his other two films also have a lot of flashback revelations and two-story elements that it's hard to ignore the connection between the films. The other notable thing is that all of his films boast great photography. Now, Bungee Jumping has a lot going for it, but it doesn't sit well with me because of its themes.The story is divided in two parts, the first in 1983 as we witness the development of a relationship between two college students. The second part is set in 2000 and, for whatever reason, the male protagonist is now a teacher, no longer with his then-girlfriend. The strange thing is that he finds himself noticing similarities between a young male student of his and his previous girlfriend. Unfortunately, to keep writing about this film, I will have to go into spoilers, so skip to the last paragraph for the recap if you don't want to see them.The story isn't actually a mystery, because the conflict has little to do with the fact that the young male student is so similar to his previous girlfriend, but rather how he can accept his feelings for a young male student. The conflict is internal angst within himself as he struggles with his identity as well as the greater struggle with both the student as well as the lines he cannot cross as a teacher (and husband/father as well). The structure of the storytelling is simple. It elides information at times but you can sort of fill in the blanks and so I felt that many of the flashbacks were a little redundant, but I guess in retrospect, they help fill a thematic space via repetition between present and past. Ultimately, the buildup works as it should in a film, leading to a climax and payoff.But, while I went through the expected emotions when watching a decent film, something really ate at me while watching the film and it wasn't the homosexual tensions, but that the underlying ideology, or perhaps lack thereof, of the film's theme really rubbed me the wrong way. Essentially, the film is a self-pitying tragic ode to "The One" theory of love with reincarnation and gender swaps thrown into the mix. Both main characters "know" that they are to be together and are torn apart by the circumstantial death of the woman. The conflict that happens later when she is reborn as a male is mostly internal and dealing with identity issues. This might be fine for those who believe is the "love the soul" concept that floats among some LGBT folk, but it doesn't even serve that audience because the two commit suicide in the end in order to reincarnate in more favorable heterosexual relationship. It's a "woe is me" tale of destined love separated by... destiny! Now, I have a problem with "The One" theory, in that there's just one person out there for everyone, but at the same time, I can watch a good movie with that as an underpinning ideology and be okay with it. The problem here is that Bungee Jumping is so wishy-washy about it all, disservicing the queer community that it, on surface, seems to be trying to relate, but also is inherently selfish in its ideology. The protagonist causes massive amounts of pain to his students, his wife (and presumably his daughter) and then runs away with the boy to commit suicide with no regard for the consequence on those around them. In a story about love, seeing such a thing isn't so much tragic, as the circumstances weren't something they could overcome or failed trying to overcome, but rather, they just escape with no consideration of who it might affect. And with such a terribly hypocritical undercurrent, it's hard to find myself liking this movie on that level.That's not to say it's a bad film. It's actually very well crafted as far as a melodrama is concerned. It doesn't wallow in sentimentality, does a great job at presenting the romance and the resulting conflicts and is really great to look at. It builds up your emotions and lets you go just as a melodrama should. I certainly found myself drawn in and affected at the end. Technically, the film is more than proficient with solid performances by the leads (and a couple supporting characters lend a lot to the film as well), wonderful design and costuming. Beautiful photography. But, still, the problem at the thematic core really prohibits me from loving this film. I don't think everyone will see it as a flaw and the rest of the film is so well put together that I can't call it a failure. But, I can't say I loved this otherwise proficient and even risk-taking example of mainstream Corean melodrama. 7/10.

This love story is quite engaging. It portrays relatively simple, but very touching characters. There is an aura of innocence and naive charm that transpires.The story itself is sweet. It deals with the themes of typical teenage romance (teasing, awkwardness, tension, comfort, confusion, initial steps into sexuality) and of deeper love (transcendence, bond, implicit connection, sharing, understanding).The begging is excellent and shows Seo In-woo and In Tae-hee fall in love and figuratively leap together towards the uncertainties of life. They form a bond of heart-felt love, trust and appreciation. The cinematography and the dialogue of their sequences in the rain are magnificent. The right mixture of simple and grand. They're intimacy is also very well expressed and we feel like we almost fell in love anew as a viewer. Quite marvellously done.After this exquisite prelude, the story then fast-forwards to a few years in the future, when Seo In-woo is now a professor. Little by little, we start to understand what has happened during the time gap and how the professor's inner world is resurfacing. It slowly comes back in a very interesting, non-conventional and unpredictable way.While the characters remain simple, even if in conflict, the story then intensifies and reach a level of complexity and maturity that is truly exemplary.The cinematography is again allowed to shine when we leave the classroom and even the interior scenes in Seo In-woo's home (or the earlier motel scene for that matter) are perfectly shot. Calculated, warm and poignant. The landscape, the window shots, the contrasts of light and colours are all top-notch. Picturesque. Incredible craft.The dialogue is also very perky, often funny, and keeps the story moving along with ease. When it's not funny, it's deep and intense, allowing the actors to shine.The resolution of the movie is at once unnerving and soothing. Unbelievable, but also fitting and true. We realize that it could not really have been otherwise. We are not sure if we approve or not, but we can somehow nevertheless understand. Life is also as such: we don't always agree with it, but in the end we have to accept it.

This film is simply innovative and beautiful. It leaves you such a warmth in your heart that you will appreciate more as whole. The plot contains full of witty and touching moments; it is a romance/fantasy genre between two soulmates in college with the amusing twist. I don't want to give out much details on the storyline, because they have almost the same effect, yet in a very comical way of what 'Sixth Sense' did in the ending; you dont want to know that Bruce Willis is already dead in the first place. Do you? You will find out when you see the movie. The script is perfect; it's got none of useless parts, and the actors give great lines with it. The cinematography is beautifully shot in clean and soft touches that fits to the theme. Just watch this one; I assure you it is different.