The Deathmaker (1995)

Most of my fellow reviewers around here dedicate their entire user- comment, or at least the largest part of it, to praising the formidable acting performance of Götz George. And don't get me wrong, I definitely concur. Götz George's depiction of the notorious and legendary despicable German serial killer Fritz Haarmann is absolutely stunning and mind-blowing! Jürgen Hentsch' performance as the shrink is terrific as well. Heck, even Pierre Franckh's performance as the silent stenographer is excellent! But a great film exists of more than just terrific acting performances from the lead characters, if you ask me. Thrillers, particularly when dealing with sensitive and socially relevant topics like real-life murderers, ought to have suspenseful scripts, moody atmospheres, authentic decors and filming locations and gripping action sequences. "Der Totmacher" isn't that type of film, clearly. The screenplay is based on Haarmann's profound and extended psychiatric evaluation, conducted by professor-doctor Ernst Schültze in between the serial killer's arrest and his inevitable execution. Fascinating material, for sure, but not suitable for a film. The long conversations between doctor and monster would make a compelling documentary and perhaps even mandatory viewing material for psychiatrist students, but it doesn't make a very interesting long-feature film. Despite the horrific content, "Der Totmacher" is tedious and monotonous. Fritz "The Vampire of Hanover" Haarmann previously formed the inspiration for another German thriller, the brilliant but sadly obscure "The Tenderness of Wolves" in 1973. That film features magnificent contemporary set pieces, numerous ultimately disturbing sequences and also fantastic lead performance (from Kurt Raab).

"Deathmaker" is an outstanding movie. It's psychologically intense and very well played, BUT...The major problem of this feature is that the director chose the wrong medium for his project. The story told in "Deathmaker" would fit better into a (classical) theater. The whole setting is placed in one room only, there are less than a dozen actors needed and no (!) optical and only few sound effects are used. Nothing indicates that this story needs all the technical possibilities of cinematography. So this movie is - in my eyes - nothing more than a theater play filmed for distribution of the piece beyond theaters The story itself is quiet slow - many will find it boring or too long. There is nearly no action at all in it. Majorly three people sitting on chairs in a room together and talking. If you can sympathize with this kind of storytelling, then you should watch this movie. Else I can not recommend it.

minor spoilers here..OK, first of all this is more a intimate play then a real movie. Its about the inquisition of Fritz Haarmann, one of the sickest serial killers in europe. The whole movie is set in one room... first i thought it will surely be boring but NO !! the dialogues are great and there is always a great tension in the background.But the best of the movie is the acting of GÖTZ GEORGE. I've seen many German movies but I've never seen such a great performance of any actor (maybe BRUNO GANZ as Hitler in Der Untergang is almost so great) People watch this intelligent psychoanalysis - its a great movie apart from the mainstream

In "Der Totmacher" Götz George basically just plays a murderer during a cross examination. Several sessions are shown. I am certainly not George's biggest fan on the planet, but what he did in this movie is what I have to call the greatest performance ever as he does not have any virtual assistance by effects or anything, it is just him. People who like to see movies where it is the actors who create the atmosphere must not miss this incredible performance of George.