Silver Lode (1954)

The reason that led me to watch this movie is because it's listed in the book ''The 1001 Movies You Must See Before You Die'', and in the end it was worth-watching!This Western follows the footsteps of ''High Noon''; here John Payne plays Dan Ballard, a man arrested by four marshals for a murder he didn't commit, and while he struggles to find the real culprit the townspeople start leaving him to his destiny. The only ones on his side are his soon-to-be-wife Rose (Lizabeth Scott) and saloon lady Dolly (Dolores Moran). The things I liked about the movie are the music and the supporting cast: Dan Duryea shines as the evil sheriff McCarthy (that was a subtle reference to Joseph McCarthy) and in the end is killed by Payne in the church of Silver Lode; Stuart Whitman, Alan Hale jr. and Harry Carey jr. are great as the sheriff's henchmen, and they were specialized in Western movies.Still a well-made Western and I liked it very much.

Released in 1954 - Silver Lode stands tall as a pretty decent Western in its own right. True. Its familiar story can easily be compared to "High Noon" in many ways, but, nevertheless, it is an entertaining cowboy flick, all the same.Filmed with the obvious restrictions of its B-movie budget, this vintage, Technicolor Western tells the tale of Dan Ballard, a decent man (relatively new to town) who (on his wedding day, which also happens to be the 4th of July) finds himself being accused of cold-blooded murder and the theft of $20,000.This unjust accusation is leveled at Ballard by Marshal McCarty, a very mean and forceful lawman, who unexpectedly arrives in town from Discovery, California, in the company of his 3 rough-looking deputies.Needless to say, an intense conflict takes place that quickly escalates into an all-out gunfight which has almost every able-bodied man in town involved (and even some of the women).With his life now hanging delicately in the balance, Ballard soon finds himself a hunted man in his own hometown. A vicious, mindless mob-mentality takes over as the citizens of Silver Lode pursue Ballard with a blind, hateful vengeance.Silver Lode was a film that was very much a product of its time. It was produced during the "McCarthy" era, when film producers, writers and actors were called to account during a (literal) political witch hunt.This film's screenplay reflects the concerns of the American people of that time in regards to matters such as truth and liberty in what they believed to be a free society.With a running time of only 80 minutes, Silver Lode moved along at a really good clip. Its cast included John Payne, Dan Duryea, Harry Carey Jr., and Lizabeth Scott.

Silver Lode is directed by Allan Dwan and written by Karen DeWolf. It stars John Payne, Lizabeth Scott, Dan Duryea, Dolores Moran and Emile Meyer. Music is by Louis Forbes and cinematography by John Alton.Dan Ballard (Payne) is a respected resident of the town Silver Lode, but on his wedding day Marshal Fred McCarty (Duryea) rolls into town looking to arrest him, accusing him of having murdered the Marshal's brother. The townsfolk refuse to accept the charge and stand up for Dan, and Dan loudly protests his innocence, but once suspicious mud is thrown it begins to stick and soon Dan finds himself running out of friends and is forced to prove his innocence.Two things always pop up when the film Silver Lode is spoke about, one is its similarities to High Noon, the other is its veiled allegory of Senator McCarthy and his witch hunts. These are two things which are hard to ignore, though as a "British" lover of Westerns myself, the McCarthy politico aspect doesn't really resonate, but Silver Lode deserves to primarily be known for being the damn fine Western that it is.Fickle mob rule and knee jerk reactions drive Silver Lode forward, it's a thematic powder keg ignited with some skill by the prolific Dwann. Aided by the supremely talented Alton, Dwann achieves so much mood and tension from a small town set up, this is never dealing in expansive vistas, its primary goal is to suffocate Dan Ballard. Where once was freedom and love, now is a place closing in on him, with the story moving into a noir realm as Dan becomes a man whose past is proving to be inescapable, while fate, another big noir ingredient, has a big part in proceedings as events conspire to make Dan seem more of a guilty man the harder he tries to prove his innocence.It's a lean and mean screenplay, devoid of filler and characterisations are colourful. Payne makes for a good put upon hero, his Dan Ballard as written is stoic and tough, and resilience needs to be his middle name. Duryea does another in his great line of weasels, and here he is wonderfully cloaked in suspicion from the off. Tagging behind him are his three equally suspicious cohorts played by Stuart Whitman, Alan Hale Junior and Harry Carey Junior, while the upstanding town elders (Sheriff, Judge, Reverend) have time to make a mark before the fragile nature of small town justice begins to take a hold and the clock ticks down on Dan Ballard's life.Most impressive is the influence on the story of the lady characters, so often a token interest in the B Westerns of the 50s. Deftly perched on either side of Ballard, the femmes are key characters in the piece. Rose Evans (Scott) is virtuous, brightly attired in white, she's the town sweetheart who Dan is set to marry, the question is will her loyalty to Dan remain? Dolly (Moran giving the best performance in the film and getting all the best lines) is a slinky saloon gal, in purple frills and with a tongue as sharp as a scorpion's sting, she still carries a torch for the unobtainable Dan.Alton's colour photography is most appealing but we don't see the best of his work until the finale inside the town church. With clever use of light, shadows and colour enhancements, Alton is able to sum up the whole tone of the story in this segment. As for if the finale is worth the wait? It is but it's a little mischievous. Certainly it's interesting, a quirk of fate again playing a hand as two men do battle in the church bell tower. But there's a religious angle dropped into the narrative and I'm at a loss as to why that would be the case? Still, it's a very small irritant, for this is a cracker of a Western, a lesson in achieving big things from such small beginnings. 8.5/10

Federal Marshal Dan Duryea arrives in the town of Silver Lode with three deputies to arrest one of its citizens, John Payne, on a charge of murder. As things start to happen, Payne who at first has the whole town behind him, loses all his friends save for fiancé Lizabeth Scott and former girl friend Dolores Moran who works in the saloon. By the way, Duryea arrives on the 4th of July which was also to be Payne's wedding day.This is a classic version of the ill effects of mob violence. Some have said it's a polemic against McCarthyism, no doubt helped by the fact that Duryea's character name is McCarty. For myself Silver Lode is in the tradition of The Oxbow Incident and Fury, both classic films from major studios about vigilante justice.Silver Lode doesn't have the production values that 20th Century Fox or MGM could bring to a movie, it was done by RKO. Nevertheless supporting Payne, Duryea, and Scott are a solid cast of players, very much at home in westerns. This was also Dolores Moran's last film, she was married to producer Benedict Bogeaus.Payne had already essayed a very good role in Kansas City Confidential of a wrongly accused man and he follows it up here with an equally good portrayal. It's one of his best film parts.Allan Dwan keeps things moving at a brisk pace, Silver Lode doesn't bog down for a fraction of a second. One of the best B westerns ever done.