The Devil at 4 O'Clock (1961)

I'm astounded at the generally good reviews this film has received. The farther along you get in this movie, the worse the writing becomes. I'm a huge Frank Sinatra fan, and an even bigger Spencer Tracy fan, but neither of them can save this cliché-ridden mess. The idea of this old man parachuting into the jungle is absurd enough, but what was the point of it? Logically, they should have found the leper colony abandoned. There were plenty of adults there. Why were they just sitting around, meekly awaiting death? Why didn't they pack up their charges and try to get out of there? Then, of course, all the rescuers have to die, in order that their sacrifice appears noble. The convict who dies in the quicksand is the silliest. I've always seen people die in quicksand in movies by sinking downwards. In this case the poor man encounters quicksand with a current, and he's swept away from his would-be rescuer at an absurd speed. The worst writing is saved for the very end, when Sinatra throws his life away, for no reason whatsoever. Noble? He's committing suicide! The nobility escapes me.

The Devil at 4 O'Clock is directed by Mervin LeRoy and adapted to screenplay by Liam O'Brien from the novel of the same name written by Max Catto. It stars Spencer Tracy, Frank Sinatra, Kerwin Mathews, Jean- Pierre Aumont, Grégoire Aslan, Bernie Hamilton, Barbara Luna and Cathy Lewis. Music is by George Duning and cinematography by Joseph F. Biroc.Pleasantly old fashioned film making, a disaster movie from the early 60s that boasts star appeal and nifty effects for the era. Plot finds Tracy as Father Doonan, a cleric who has lost his faith and likes a tipple or two. Ensconsed on a pacific island that houses a children's leper hospital, Father Doonan is to be relieved of his duties by Father Joseph Perreau (Mathews). Enter three convicts who have to stop by the island, fronted by angry agnostic Harry (Sinatra), the cons are put to work in the leper hospital just as the island volcano decides it is time to erupt and level the island post haste.What transpires sees a race against time formula adhered to, with added slices of sacrifice and redemption unfurled for our emotionally tickled enjoyment. It's undeniably too long at over two hours, really stretching the premise to breaking point, but such is the fine work of cast, photographer and director, it rounds out as spiffing entertainment. Great ending as well! 7/10

I've always thought this would be a good film to show problem kids in a group home: the film presents great values of friendship, loyalty, love and self-sacrifice (among a group of convicts) and the possibility of "redemption" through these values. The story is melodramatic (bordering on operatic!) but, if you accept the old-fashioned style of movie-making, it really works. As with all classic films, this is one you can watch over and over for the aesthetics as well as for the story. The acting is fine. The ONLY thing in the film that doesn't hold up, in my opinion, is the scene through the jungle with Frank Sinatra carrying the blind girl on his back: it looks a bit comical to a modern viewer.

I have watched The Devil at 4 O'Clock several times on Turner Classic Movies, the BEST channel on television. It is a spiritual movie without being syrupy or preachy. The acting is superb, especially Spencer Tracy and Frank Sinatra. It is not the type of movie that would be produced today... no violence, filthy language, or sex. What is does have is the redemption of the main characters and their rediscovered or newly acquired faith.The music complements the movie's theme. I am going to purchase this film because it has a timeless story and is entertaining at the same time. Spencer Tracy was able to convey so much with facial expressions and gestures that seem completely realistic unlike the stilted Method Acting technique ( which seems to me so patently artificial). I rate this film an eight out of ten.