Violent Saturday (1955)

Soap opera stuff has always, more or less, been a typical scheme for American movie and TV industry line. You can't deny that. The also more or less description of the famous American way of life, the best way to show the audiences things related with their actual - again more or less - real life with daily problems, gossips about neighbours to fill time and forget their own issues, and I don't speak of the basic human nature of curiosity and naughtiness, etc...So this mix up to the classic film noir tradition, also related to the movie industry, you obtain this picture. This could have been a western instead a crime flick. Lee Marvin is far more interesting than the ever bleak Victor Mature; for instance don't miss the sequence where Marvin describes a girl friend whose he was married with in the past; this seems cheesy at first sight, but it is not, I assure you. Yes, Mature is more than forgettable here. But the movie, inspired from Bill Heath's novel, remains very interesting.

Three men come to a small town to rob the bank and several of the local citizens get caught up in it. It sounds simple but there is a lot going on, building slowly as the robbers make their plans and the townsfolk sort out their personal lives until the robbery itself when Saturday explodes into violence affecting the citizens for good or for ill. Filmed excellently in colour and widescreen by Charles G. Clarke and directed with a sure hand by the versatile Richard Fleischer you get to know not just the physical look of a town but the darkness beneath the sunny exteriors.The acting all round from a reliable cast is very good. Victor Mature as the reluctant hero, Richard Egan as the unhappy mine owner, Tommy Noonan as the tormented bank manager, Margaret Hayes as the wayward wife and a bearded Ernest Borgnine as an Amish farmer to name a few. The bank robbers perfectly played by Stephen McNally, Lee Marvin and J. Carrol Naish are not branded as evil but just doing a job. Lee Marvin in his sleepless scene is splendid. The veteran Sylvia Sidney has a small role as a librarian with a secret.Well worth a watch.

As a school kid, my Grand-dad took me to see this picture, and it stayed in my mind. BUT, only for the rather undesirable nastiness. Revisiting it again years later, it's hard to believe we managed to stay awake back then! (my wife quite justifiably fell asleep within the first 20mins) This was Hollywood in decline.When television took off and theatres began to close, 20th Century Fox foolishly decided that all their productions would be in CinemaScope and garish DeLux color...even when the subject did not call for it! This decision would see many of their 50s-60s productions filled with artless images ~ this is just one of them. What might have been a tight little B/W crime melodrama gets 'Lost in Gloss' and GIANT screen vistas (mostly shot in pokey little hotel rooms!) The unfortunate Director of Photography: veteran, Charles G. Clarke, and Director: the checkered careered, Richard Fleischer (son of famous Animator Max) had to place and actor in each corner of the room, with one in center just to fill the unnecessary spaces. This often gave many films an empty feel.Then came the change in writing style. Film companies were looking towards TV production for fast profits on small budgets, and because everything made for cinemas would end up on TV, they began making 'BIG' screen TV style movies. Many movie makers and writers had crossed over to TV anyway, and sooner or later it would all look the same. Many viewers didn't seem to know what constituted quality, so on it went.Now we have 'modern' critics looking for all kinds of hidden meaning in these cheaply scripted 50s works ~ along with 'modern' movie makers copying the so-called 'new trend' in violence. Mostly, it simply added up to 'cheap and fast'. 'Violent Saturday' was also treated to overwrought 50s style mellow-drama, a style largely made famous by W.B. TV, and other endless series like Peyton Place, etc, etc...As for performances, we have the capable Stephen McNally wasted in yet another type cast thuggish role ~ Tommy Noonan playing an outlandishly wimpish perv of a bank Manager --a role so hokey it creaks!-- Richard Egan again type cast in a part he's played endlessly ~ Acting honors probably go to veteran Sylvia Sidney in a part that amounts to little more than an unnecessary sub plot. The rest of the women do what they can with thankless roles ~ Victor Mature does what he does best...with a character who talks to his son about 'fear being nothing to be ashamed off', and 'decorated heroics' as not essential in general life --who is then made 'hero' to the towns kids for having killed the most villains-- Lee Marvin just plays Lee Marvin all over again, this time, showing delight in being violently cruel to kids. So this was the so-called bold new 'adult' approach to film-making. This same juvenile 'adult' approach, has continued to fester in movie making today. Screenplay Writer: Sydney Boehm had done better with Fritz Lang just two years earlier with "The Big Heat". Forget "Saturday" look to the "Heat" if you want a better example of low cost 50s Noir that largely still holds up today. Disc quality note: The Bounty DVD copy I bought a few years ago, has poor image quality, regardless of having the Fox logo on the cover. Subsequent re-issues may be better (?)

This film held my interest from the very beginning to the very end. The cast was comprised of all great veteran actors of the silver screen. The story is about a small Western town with everyday living people who are having trouble with their marriages and at the same time some bandits decide to hold up the local bank and are busy at work making their plans. In many ways, the town people can be glad a bank was held up which changed the lives of many people who were having problems. An Amish family was depicted in this film and the bandits even broke them away from their customs of living. This is a very well written story and a top cast of actors who have made this a gem of a picture to watch and Enjoy.