Caught (1996)
A middle-aged couple has a drifter enter their lives. The fish-store owners find that the mysterious young man awakens the couple in ways they didn't expect. Things get tense when the drifter begins an affair with the woman of the house.
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I was looking for a good cinema finally i got it, yes this is a Perfectly cast and executed 2 hour drama worth to watch An excellent watch for mature audiences story Joe (Edward James Olmos) and Betty (Maria Conchita Alonso) are a married couple living in Jersey City. They have a grown son, Danny (Steven Schub), One day, a guy named Nick (Arie Verveen),nick dramatically came in their lives and Joe soon discovers that he's found someone special Nick and Betty both find themselves betraying Joe despite their affection for him, Danny returns from California, hoping to take his room back, and immediately sensing that something is wrong into his mom and dad so drama begins.....don't miss subhashrax
"Caught" is a tight, ensemble drama which does something few films can do. It offers solid character development and explores the range of human emotion while telling a story with real depth and fidelity. Perfectly cast and executed, "Caught" peers into the lives of a middle aged couple who own a NYC fish market as a hired man becomes more than just a friend displacing their wayward adult son by day, the work-a-day husband by night, and acts as a catalyst for some compelling situations and performances. An excellent watch for mature audiences into psychodramas sans Tinseltown's usual hype and glitz.
A movie to see. The erotic scenes were not tasteless, but the age restriction should be a bit higher. Ms Alonso was very good ...... looks and acting. The rest of the team were also good. A movie with a lesson to a lot of People!
Here's one I saw on cable at two in the morning, and what a pleasant surprise. Part working class BODY HEAT, part character study, CAUGHT avoids possible soap opera pitfalls with realistic dialogue, microscopic scale and Young's compelling direction. Occasionally the story seems to veer towards melodrama, then moves back toward intense, logically motivated realism. When Olmos and Alonzo's son pops in, the third act crescendos with emotional fireworks and a somewhat-necessarily overblown ending.