One False Move (1992)

It sucks that it takes the death of an actor to remind you that you still haven't watched something, but that's how it was with the passing of Bill Paxton, which reminded me that I still had somehow overlooked "One False Move", despite wanting to see it since it came out, when Siskel and Ebert were raving about it for what seemed like months. They were right to rave about it. "One False Move" is a tightly wound, taut, masterfully acted and powerfully suspenseful film. It's also written with a precision and level of realistic detail lacking in so many screenplays. I had forgotten, as I feel the entire world has, just how great of a writer Billy Bob Thornton was once upon a time. This might be his greatest screenplay, in fact. The plot (about three criminals fleeing L.A. after robbing and killing a drug dealer, heading to Arkansas to hide out) moves forward with the ruthless momentum of a shark, and with just as much bite. The opening is one of the most brutal sequences I've seen in quite some time, and the violence that erupts in the rest of the film is just as brutal. Carl Franklin directs with a lean, muscular hand. The violence occurs as it seems to in reality, seemingly out of nowhere and with surprising impact. Every death hits with a hell of a punch, you feel virtually every stab and gunshot. The characters are drawn with a fascinating level of insight and detail, and every detail feels just right. Even the most violent and despicable of people in this movie is treated with respect and is intriguing, and we really get to know them and what makes them tick. Aside from the acts of violence, this movie is filled with powerfully rendered little moments that feel as natural as overhearing a conversation or catching up with an old friend. The biggest joy of this movie is, unsurprisingly, getting to know Bill Paxton's Dale "The Hurricane" Dixon, the chief of police of a small Arkansas town that three vicious criminals seem to be heading toward like a particularly nasty storm front, leaving a trail of corpses in their wake. Paxton is vibrant and electric here. He's utterly charming, but he's much more than he initially seems and Paxton gets to hit those notes of complexity with grace and a natural, easygoing nature. It doesn't feel like an actor playing a character, it just feels like the filmmakers trained a camera on this guy and told him to be himself. Paxton usually gets to play either a good ol' boy or a dirtbag. This character allows him to play a bit of both, and also to reveal acting muscles that those unfamiliar with his less popular work (see "Frailty", for God's sake) may not know he possessed. This is perhaps his greatest performance, although he's excellent in "Frailty" and "Big Love" as well. It's a magnificent character, and Paxton brings it fully, forcefully to vivid life. Cynda Williams, Billy Bob Thornton and Michael Beach are likewise excellent here. All of them are magnetic to watch, even though Paxton really does run away with this movie. But the real power of the film is seeing how it unfolds, the unexpected avenues it takes and the little touches and moments that bring it to life and make it feel a bit more like Real Life than most films of this ilk. It feels like a Coen Brothers movie in subject matter and, occasionally, the thrilling ways that Franklin moves the camera. But, I daresay, the Coens would never quite bring the level of verisimilitude to the tale that Franklin and Thornton do. That's no knock against the Coens, who are among my favorite directors, but "One False Move" is so uncommonly gripping and observant, in a way that the glorious, artful playgrounds of the Coens never quite are. It's not better, it's just a different vibe, and one that really makes this movie come alive in an extraordinary way. I usually don't watch movies on Crackle because the commercials that are interjected every fifteen minutes or so bug me, but I'm glad I did this time. "One False Move" is, unfortunately, out of print and it's nowhere to be found on other streaming services. Thank God that Crackle is at least making this forgotten treasure available to be seen. Take my advice, brave the commercials (they don't edit content, at least) and watch "One False Move". It really is an amazing film.

I think this movie was made outside mainstream by some little studio . I expected some cheap B-thriller and I was pleasantly surprised. It's a solid thriller . It's not a movie driven by twists, but by characters . It succeeds , because the direction is top notch . The director was able to create some unnerving moments of true tension and when the violence kicks in it's a really painful (emotionally ) experience. This is more of a character driven story not by twists.Also , almost the whole movie resolves around Bill Pulman ("Predator 2") as a Redneck sheriff . He's adorable . There is so much passion in him , a child like naivety and easy going personality . Later in the movie he shows he's darker , more mature side.The other actors give solid support to Pullman . I have to mention Michael Beach who really seems to be cold blooded psycho and good performance by Billy Bob Thornton (who is also the writer of the movie).I give it 7/10.

I honestly wasn't sure what to expect when I decided to watch this movie. But after the first few minutes I could tell that this was going to be one of those films that might be worth watching. Essentially, Cynda Williams plays a young woman named "Fantasia" who has gotten herself mixed up with the wrong kind of people. Her boyfriend, "Ray Malcolm" (Billy Bob Thornton) has just gotten out of prison and along with another ex-convict named "Lenny 'Pluto' Franklin" (Michael Beach) are involved in drugs and murder. Unfortunately, things begin to go wrong for them as they travel from Los Angeles to Houston and then to Arkansas. Anyway, rather than divulge the entire story I will just say that this turned out to be a very good crime-drama. Both Billy Bob Thornton and Cynda Williams performed in an excellent manner and in my opinion carried this film. Definitely worth a watch if you like movies of this genre.

One False Move was simply a beautiful, and little seen, crime film. Three drug dealers on the run are suspected to be heading towards Arkansas. Here, a couple of big city cops meet up with the local sheriff. Paxton is fantastic in this role. He's not very worldly, has never had to use his gun, and is just a little too excited about the approaching threat. His enthusiasm comes off as naivety, and he is laughed off by the LAPD. The film does well to follow the cops and the killers. We see a bizarre triangle between the murderers. Thornton is filled with anger and out of control, whereas his partner is cool and calm but ultimately terrifying. The pacing of this film was done very well, offering moments of tension in a film that has a lot of waiting around. It also harvests a lot of emotion and depth for its characters. Paxton comes off the best as a giddy little boy waiting for Christmas. There are some great moments, such as his reaction to hearing the teasing from the city cops. Another scene sees him use the "n" word in front of the black cop. His facial expression is priceless, as he realises what he has said. Eventually Paxton takes responsibility, and he shows that his enthusiasm masks his competence. A big fish in a small pond. One False Move is very dark, but has a lot going for it. Most of all the tender ending.