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Terminal Island

Terminal Island (1973)

June. 22,1973
|
5.3
|
R
| Drama Action Thriller Crime

In the wake of a Supreme Court decision to outlaw the death penalty, California passes an initiative that designates San Bruno island as a dumping spot for first-degree murder convicts, free to do what they like except leave. The main camp of convicts is controlled by the tyrannical Bobby, who rules with an iron hand, and the women are used as sex slaves. A.J. and a group of more free-minded murderers have escaped and gone into hiding. When A.J. and his men liberate the women from Bobby's custody, tensions mount to an all-out confrontation for control of the island.

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Ed-Shullivan
1973/06/22

Okay so this film is not Lord of the Flies caliber and it will never be included in the Criterion Collection, but I will give credit to female director Stephanie Rothman for her fortitude for completing this action/drama/thriller that includes a few female characters that are not total bimbos. Director Rothman does follow the action themed "good guys versus bad guys" and yes the women in this film are exploited both physically and mentally but the difference is sometimes in Ms. Rothman's film the girls get the better of the hardened criminal men and I did find myself rooting for the women.The film starts off rather slow as we are introduced to a broadcast news crew who want to do a news story on this new law discipline that sends like-minded convicted murderers on to an island to fend for themselves, and to fend off one another mainly to survive. Thus the film title Terminal Island would indicate that as a convicted criminal murderer your days are numbered once you land on Terminal Island.Yes it has that typical '70's era dull cinematography feel, a pretty redundant music score but it also has one known star for the time in Don Marshall (known for TV's Land of the Giants) as well as some up and comer TV actors such as Phyllis Davis, Roger E. Mosley, and the well known now geriatric actor Tom Selleck, who back in 1973 was a TV commercial male model hunk looking for his first big break. No doubt, Terminal Island gave Tom Selleck the break that he needed to become a bona fide television star in first Magnum P.I. for 8 seasons along side Roger E Mosley who played TC. More recently Tom Selleck has been starring in the highly rated prime time TV police series Blue Bloods for the past 7 seasons. So Terminal Island was recognized by the astute TV producers that there is some good talent coming out of Terminal Island that was well worth pursuing.I liked Terminal Island because it deliberately stayed clear of overdoing any sex and gore and tried to execute a film with a pretty good plot that was both creative and not easy to execute on a small budget for a B movie at best. So yes, it is worth watching and I will say that I did enjoy it. Maybe you will too?I give it a 7 out of 10 rating

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Scott LeBrun
1973/06/23

The early 1970s B picture "Terminal Island" has an effective premise with which to work. In the "future", the Supreme Court has declared the death penalty unconstitutional. In its place, criminals are now dumped on an island 40 miles off the American coast. Here they're (mostly) left to fend for themselves. The latest arrival is a young woman, Carmen (Ena Hartman), who's just in time to witness an uprising. Some of the convicts are tired of the tyranny of their "leaders" Bobby (Sean Kenney, "The Corpse Grinders") and Monk (Roger E. Mosley, "The Mack"). So a small group splits off from the main group, and plots revolution.Co-written by James Barnett, producer Charles S. Swartz, and director Stephanie Rothman ("The Velvet Vampire"), "Terminal Island" is pretty good for this kind of exploitation fare. It fulfils its requirements - violence, sex, nudity - adequately, and is simply beautifully shot (by Daniel Lacambre, "Humanoids from the Deep") on some pretty locations. While it naturally has its trashy moments, it never really wallows in unpleasantness, and it does have a sense of humour, to boot. (Watch how the horny character, Dylan (Clyde Ventura, "'Gator Bait") is dealt with.) The story is a little thin, but is also provocative on occasion. (Dr. Milford, played by a young Tom Selleck, was convicted of the mercy killing of a patient.)The cast is full of then-stars, stars-to-be, and familiar character faces. Also appearing are Don Marshall ("The Thing with Two Heads"), Phyllis Davis ("Beyond the Valley of the Dolls"), Marta Kristen ('Lost in Space'), Barbara Leigh ("Junior Bonner"), Geoffrey Deuel ("Chisum"), James Whitworth (Papa Jupe in Wes Cravens' "The Hills Have Eyes"), Richard Stahl ("Nine to Five"), Sandy Ward ("Cujo"), and Albert Cole ("The Incredible 2-Headed Transplant"). The film gained newfound attention when Selleck and Mosley found later fame on 'Magnum P.I.'. Kenney and Mosley are particularly fun as the antagonists of the piece.Full of solid squib action and some satisfying explosions, "Terminal Island" is worthy of discovery by devotees of the B pictures of decades past.Seven out of 10.

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morrison-dylan-fan
1973/06/24

January 2014:Since watching the fascinating 1975 film Gemini Affair,I decided to take a look at lead star Marta Kristen's IMDb page,which listed a trio of movies that she made.After being unable to track down Kristen's surrealist title Once,I took a look at the page for the other flick in the trio,and I was happy to discover that it was a Women In Prison (WIP) film,co-starring Kristen.Taking a look around online,I was disappointed to find that the only version out in the UK was a heavily cut edition.September 2014:Shortly after tracking down an uncut version of the Adult Jaws spoof Gums,I decided to take a look at what other movies the DVD selling had for sale,and I was delighted to spot an uncut edition of Terminal Island,which led to me finally setting foot on the island.The plot:After the US Supreme Court declares that the death penalty is unlawful,California decides that it will counter this law by making the island of San Bruno a dumping ground for first degree murderers,who will be kept on the island for the rest of their lives,and will have to fight to the death for their survival.Found guilty of murder,Joy is sent to join the other residences of the island.Ignoring advice to stay on the shore of the island,Joy heads to the heart of the island,where she is captured,and soon becomes a prison.Originally expecting to find the island to be a battle royal,Joy is instead surprised to find,that with the exception of a few outcasts,that the island is run by 2 men called Bobby & Monk,who push all of the more conscious-heavy guys around,and keep the women as workers and sex slaves. As she gets pushed around and "eased" in by Bobby & Monk,Joy begins talking to her fellow prisoners about staging a rebellion on the island.View on the film:Showing the boys how things are done,co-writer/ (along with James Barnett and Charles S. Swartz) director Stephanie Rothman ("Gasp"-a women making a "genre" movie!) gives the movie an extremely gritty appearance,with Rothman and cinematographer Daniel Lacambre using the island location to give the title a lush, rugged atmosphere. Displaying a sense of equal opportunity,Rothman hits the action scenes with a brutal force,thanks to Rotherman putting the guys & the girls knee- deep in bare knuckle fights,and deadly shootings which scatter across the screen.Keeping away from making the action scenes unconnected to the rest of the movie,Rothman shows a subtle progression in the fighting style of the islanders,as Joy and her gang of rebels develop a bond in taking on Monk & Bobby.Taking place almost entirely in the jungle,the writers include a sly allegorical element to the Vietnam war in the screenplay,with the rebels weapons all involving elements of the jungle,whilst Monk and Bobby go up against them with brand new machine guns.Making sure that the allegorical never engulfs the title,the writers smartly decide to keep the message sly,which allows for the flick to end on a positive,cheerful note about creating bonds in a new society.Despite the film having a positive message,the writers make sure that the road to the message is not an easy,with everyone from the leaders to the slaves being beaten to a pulp,with the writers showing a tremendous glee in wiping out major characters with a burst of gunfire.Stepping on the island with a goal to hit anyone that gets in her way, Phyllis Davis gives a terrific,brash performance as Joy,with Davis showing Joy's edges to soften,as she gets into the swing of team work,whilst a pretty Marta Kristen gives a fun,care-free performance as Lee Phillips,and the gorgeous Barbara Leigh (who also appears naked) displays a fragile vulnerability as Bunny.Joining the girls, Roger E. Mosley gives a stern performance as Monk,whilst Sean Kenney cast a snarl across the screen as boo- hiss baddie Bobby,as all of them try to survive on the terminal island.

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EyeAskance
1973/06/25

Minor drive-in classic concerns the replacement of capitol punishment with exile to a guarded island. Men and women alike must fend for themselves in this rugged terrain(which looks like paradise to me).TERMINAL ISLAND takes full advantage of it's many opportunities to present titties and sexual situations. If, for some strange reason, that doesn't manage to hold your attention, there's equal portions of violent action for good measure...it's a more professionally appointed example of it's type, and should manage to please many folks outside the trash-cinemaphile radius. A sleazy, cheesy champion of drive-in splendor. 6/10.

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