The Desert Song (1953)

In this film, the highlights are the singing performances of Kathryn Grayson and Gordon MacRae. Unfortunately, the songs they sing are not really memorable. They certainly are not the quality of songs that you find yourself humming as you leave the theater. To make matters worse, these musical oases are separated by vast distances of desert-like story that are uninspiring.The tale that surrounds the music is about a tribal conflict in the Sahara and the political tensions between the locals and the French. A wily but deceitful sheik is portrayed by Raymond Massey. MacRae plays the good-guy-in-disguise Paul Bonnard, who moonlights as El Khobar--the mysterious opposition to Massey's plans.Comic relief is handled by Dick Wesson, but his performance is not very comic and it only intrudes on the real story.There is little to recommend this film, but fans of Grayson and MacRae will probably want to catch their performances.

While not perfect, The Desert Song has a lot to like about it. The story is very improbable and does drag in spots, and Steve Cochran is sadly underused to the point he was wasted although he does do his best. However, the cinematography is absolutely gorgeous, the sets are handsome and the costumes are colourful, if anything the production values are one of the film's strongest attributes. The Desert Song has a very pleasant and lively score and the songs are great, especially The Desert Song, One Alone and Gay Parisienne. The dialogue is snappily written without ever been corny and there are some very sweet moments without being saccharine, the conflict is also convincing. The dancing is deliciously exotic and choreographed in a way that doesn't interfere with the story or the pacing of it and the direction is not too flashy and never indifferent. Gordon McRae is immensely charming and shows that he is natural in comedy, his voice, one of the beautiful on film, is as ever splendid. It is the same with Kathryn Grayson, who brings personal charm and sass to her role, who is energetic in Gay Parisienne and really goes for it in One Alone that it is easy to feel the emotion. Raymond Massey is a perfect villain and for me he was the best and juiciest performance in the film. To conclude, The Desert Song is not quite glorious but it's well performed, handsomely made and makes for good entertainment. 8/10 Bethany Cox

It is what it is. For more serious-in-depth reviews, please look elsewhere in this reviewer reviews section, as I didn't pay much attention to who was doing what and why. This is a fun movie to read the Sunday paper by, and glance at occasionally. Glaring Technicolor, 'exotic' sets and costumes, and of course the trilling song stylings of Ms. Grayson and the rumbling song stylings of Mr. McRae. Look up at the TV and there's Kathryn Grayson in the desert, wearing a corseted lavendar gown, with what looks like a score of Foreign Legionaires at her feet (for all the world looking like a score of boy dancers ready to lift her over their heads and twirl her around). Look up again later, see an exotic belly dancer in a dark nightclub - mostly dancing, less belly! Look up again and see a pretty blue-eyed Arab princess painted with the fakest dark makeup the Westmores had in stock! A fun movie. If you like operetta, even more fun!

Gordon Macrae does look a lot like Superman and Clark Kent and in this film, he has a secret identity as a mild mannered professor as contrasted with his hero persona, El Khobar.I must admit I was a collector of Batman, Superman, The Flash, Green Lantern and Silent Knight comics when I first saw this movie as a boy in knee pants. But even then, I knew a good song when I heard it. So well into adulthood when this movie was re-released, I made it a point to see it again. I have borrowed the video version twice and I plan to do so again. I simply can't let go of the melodies of The Desert Song and One Alone.On Gordon MacRae, what can I say? It doesn't seem fair that one so handsome could also be the greatest singer on celluloid and besides, he is funny. Spoiler: Even my little sons who had no clue about Broadway musicals were in stitches when he pulled that stunt with the ethnic musical instrument that sounded like a cross between the bleating of an ass and a sheep.Kathryn Grayson who strikes me as prim and proper with a seriously classical singing voice gamely plays the role of a flirt. I am sure if she didn't hit it very big in the movies, she would have been the resident soprano of a major opera theatre. She is always a treat to watch and listen to.