Young Aphrodites (1963)

I don't like black and white films full stop. Once colour was invented, why bother ever again with black and white, except to pretend it's art, innit? Also, people may feel they have to love this film because it's set in Ancient Greece and that alone demands respect and reverence. Me, well, I just watch a movie and decide whether I like it or not.This Young Aphrodites film was boring. It never took off. It was mainly just a young guy and gal endlessly chasing each other over rugged rocks, the little rascals. The older couple were about as convincing as a politician up for re-election. I don't think the girl ever smiled even once, which to my mind made her a bit of a sourpuss and not worth bothering with.As for the movie's production qualities, the sound was terrible. Lot's of scratching as if a million insects were rubbing their legs together. Maybe they were bored, too.

The film Young Aphrodites is loosely based on Daphnis and Chloe , one of the best known early Greek romances, precursors to the modern novel. It has been reinterpreted in music and art by Ravel and Chagall and in cinema by Nikos Koundouros in 1963.Written by Longus in the second century A.D, Daphnis and Chloe is a classical romance involving the adventures of two foundling children raised by adopted parents who are humble shepherds in the idyllic setting of the Isle of Lesbos. It is a famous love story that captures the awakening of a first love between two teenagers who don't know what is happening to them. The novel that was written almost two thousand years ago is surprisingly modern; it is erotic, tender, romantic, sensual, and simply beautiful.The ancient but forever young tale of the sexual awakening as adapted and retold by Nikos Koundouros in Young Aphrodites, takes place on a poetic island that might have came from ancient times. The film it full of symbolism, innocence, and darkness of desire and longing. Young Aphrodites, may and will disturb some or perhaps many viewers who are uncomfortable with the subject of youth sexuality, especially by the very young age of two actors, and by (even if artfully done) nudity of a young actress playing Chloe, Comparing to the novel of Dafnis and Chloe, the film is much darker and its ending can be viewed as dramatic even heartbreaking loss of innocence and first overwhelming love. The film creator, the Greek Director Nikos Koundouros refers to it as a film of desperation - "Desperation which is described in beautiful blue waters of Aegean Sea, with two young kids exploring their bodies. Desperation because we had discredited, abolished, and immobilized ourselves, we who had fought, who had raised our voices, who had demonstrated for a new world. There was nothing for us to do. In my desperation, I decided to work on nothingness. This is a film about ideological nothingness." The reason for making this movie might have been nothingness and desperation but the result nevertheless is sensual, young, and at the same time joyous and sad.Very sadly, the film is almost unknown to the modern audiences. There is no discussions, thoughts, and very few comments on it on on the major film forums. I found it an amazing, beautiful, and one of the most erotic movies ever made. It is a delightful gem which has stayed with me since I had pleasure to watch it.

Like the other reviewers above, I too was captivated by this movie upon it's initial (and seemingly short-lived) theatrical release. It must have been about 1968 or 1969 when I saw it at one of those 'arty' type cinemas in Sydney, and I am almost certain that that copy was overdubbed in English, which made it a lot more watchable, even if it did upset the lip-synch! I was enthralled from the very first frames, and all I can do is agree with an earlier reviewer who noted that he/she did not want it to end, and another reviewer who stated that it was like a beautiful dream that one wishes that one could have every night.Sure, there are a few glitches in the continuity, and many more in the reasoning behind the screenplay (?) but the whole beauty of this little gem of a film is in the IMAGERY, supported mostly by the minimal dialogue, and gorgeous musical score. You can actually believe that you are looking through a time-window into an ancient coming together of opposing faiths and forces.I have a subtitled copy on VHS, which was cross-recorded many years ago from my original copy on Beta (before the Beta died), but it was originally recorded from our SBS channel (still in its formative years in the early 1980's) and the quality leaves something to be desired. (Ghosting of the images, which leaves some scenes difficult to watch, and several picture rolls, due to the advancing age of the tape.) Even so though, it is still a powerful piece of work, and I would dearly love to have a crisp, clear copy on DVD.As none seems forthcoming, I shall have to rely on the annual playing of my copy on VHS, and simply remember how achingly beautiful it was on the big screen, all those years ago..........

I wail and gnash teeth in worry that my two VHS copies of this outstanding film will further degrade before the Lords of Film Preservation and Distribution pull this one from the oh so undeserved bin of neglect. Yes, another coming of age story. Yes, another love triangle. And yes, another oh so splendid example of what film can do! Lucent imagery, commanding black and white, classic movement, a story both exotic, ancient, and utterly timeless - integrally conveyed by images, images, images! A film to make you wish to be on some isolated Greek island, sitting mesmerized by the profound sea, and pondering the endless repetition of man's desire. Or rather, grateful to live in an age of film. A prayer to Mercury to speed this wonderful film to Criterion!