Passage to Marseille (1944)

Pretty cool WWII story, told mostly through flashbacks, about French convicts led by Humphrey Bogart who escape from Devil's Island to go help their country fight the Nazis. The men are picked up by a freighter bound for home and must deal with slimy Sydney Greenstreet, who isn't particularly opposed to the idea of a Nazi-occupied France.Reunites Casablanca costars Bogart, Rains, Lorre, and Greenstreet with director Michael Curtiz. In many ways, this could be seen as a possible sequel to Casablanca, though certainly not in that film's league. I could see where you could rework the story to be about Rick, Ilsa, and Louis' post-Casablanca story. Cute use of models in early scene where the war correspondent arrives to speak with Claude Rains. This movie is slammed a lot for its use of the flashback-within-a-flashback-within-a-flashback technique. Normally I'm not a fan of that myself but here I didn't think it was confusing like critics claim. The ending is kind of depressing but realistic. War is hell, after all.

I suppose Warner Brothers was trying to make hay out of "Casablanca" which, in 1944 when "Passage" was filmed was still very far from becoming one of, if not the greatest American film;I say it was. Yes, as I viewed it thanks to Mr. Turner, I did feel a bit "Casablankish" but it was merely spotty, illusory but not serious. In no way can "Passage" compare to "Blanca" yet I found it, although a bit corny at times, quite entertaining. Bogart's cynicism, the linchpin of "Blanca" is quite obvious because his main duty was to get back to France to see Michèle Morgan rather than to fight Nazism while the rest of his fellow escapees from Devil's Island were true blue patriots. Vive la France and so on and so forth. Bogart, on the other hand, was framed by his "beloved" France which resulted in his sweating out the brutality of French Guyana in all its splendor. Although missing the incredible Ingrid Bergman, this film does offer some of the "Blanca Boys" such as Peter Lorre and Claude Rains. By the way, even though Lorre was an odd looking little guy, in real life he was one of Bogie's best friends thanks to his boozing and then losing money in card games.Some of the battle action at sea is interesting but as phony as phony can be--it's quite obvious those scenes were shot in a gigantic bath tub on the Warner lot.Incidentally if a reader hasn't visited Hollywood and taken a tour or two through the studios,allow me to tell you this as my wife and I were aboard a tram touring Universal Studios. Those wartime battle scenes at sea were actually shot using miniature ships and planes sailing in and hovering over large barrels of water.All in all, "Passage" could never be rated, at least by me, as BAD just by virtue of Humphrey Bogart's starring role. The guy didn't become an icon for doing nothing.

"Passage to Marseille" is a Warner Brothers film starring the usual Warner Brothers stellar cast: Humphrey Bogart, Peter Lorre, Sydney Greenstreet, and Claude Rains, and also featuring Michele Morgan, George Tobias, Helmut Dantine, Philip Dorn, and John Loder. Though no one seems to like the comparison with "Casablanca," it does seem to be trying to cash in on that film's huge success when one considers the cast and Bogie's conflicted character. But "Passage to Marseille" is a good film on its own, despite the obvious comparisons.The story is told in flashback, and also in a flashback within a flashback. The film begins in a secret base in France that's disguised as a farm, and one of the characters asks Captain Freycinet (Rains) about a pilot (Bogart). Turns out that Bogart, Lorre, Tobias, Dantine, and several other men are Devil's Island escapees who were picked up by a ship, Ville de Nancy, which is on its way to Marseille. The sympathetic captain hears their individual stories. All want to fight for France.Matrac (Bogart) was a journalist opposed to the Munich Pact, and the newspaper he worked for was leveled to the ground. The focus is mainly on his character; he has left a wife (Michele Morgan) and a little boy he's never seen.Some very exciting scenes in this entertaining and often poignant film, sturdily directed by Michael Curtiz, with excellent performances. Definitely worth seeing, even if it's not the best of the WW II genre.

This film was a great document for the resistance of France during Nazi occupation in France during WWII in 1940 and the courage of Charles Degaulle after his refuse for the decision of general Philip Bataan the president of Vichi french government under occupation in 1940 and he went to England at the time of Primier Churchill that he supported Degaulle in his resistance to give France her liberty under (Le Croix Lorinne) the cross of (Joan of Arc) during her resistance against English occupation in France in 15th century.Degaulle used this cross in the french flag of the (French Free government) that was presented by him in england and after this way that was transported in Tchad and Algeria to make a collection for the different departments of French army to make the french Independence by their shoulders.That,s the end of final massage at the end of this film that Boggy sent with his corpse a massage for his son to complete with his friends and partners the french dream of making liberty to France under the spiritual leading by Degaulle the (Taste of freedom) after that in 1944 that made a liberty of France by french shoulders by the allies of England , U.S.A , soviet union but the under french responsibility in (Normandi) to be French forever.