The Great Texas Dynamite Chase (1976)

I found Claudia Jennings and Joselyn Jones to be real, human and very sexy as outlaws in this one. Despite their difficulties with people, ( and men in general) they smile, are happy, and get good advice how to rob banks with dynamite. This one is in the mold of Thelma and Louise, but does not contain the male bashing, the female copy-catting, and overall depressing theme that Thelma and Louise did.This one did not say, that men are all evil, (except a super sensitive police chief), and women copy men's evil so we get evil all around. This one say's when people are put in bad situations they find a way to cope. It is more of a tribute to the human spirit than Thelma and Louise.I can not say enough about, the affection I had for the Claudia Jenning character. Back when I saw this, I wished I could meet her. However, I was always into the bad girl, back then.

I suppose that I'm a sucker for films of this "sexy bank robbers on the run" category, but I found, to my great surprise, that I really enjoyed this minor entry to the genre. Viewers will no doubt be reminded of earlier films such as "Gun Crazy," Bonnie and Clyde" and "Butch Cassidy...," and of course the later "Thelma and Louise," as this movie enfolds. All those others are certainly superior films, but "Texas Dynamite Chase" still has a lot going for it. Claudia Jennings and Jocelyn Jones make for one sexy team, and the twangy/jangly honkytonk music, authentic-looking locations and credible script make for a very realistic experience. The only thing I had a hard time believing, actually, is just how far these gals get in their bank-robbing spree. The picture also concludes very surprisingly; I certainly did not see that one coming! Despite Danny Peary's comments to the contrary in his book "Cult Movies 2," I found Jennings' performance to be very good, indeed. What a shame that we lost her to a car accident shortly after this picture was made. Her sad real-life fate only makes the high-speed car chases in this film all the more affecting.

Late, great 70's drive-in movie queen Claudia Jennings is at her brassy, sassy and smoking sexy best as Candy Morgan, a kittenishly irreverent prison escapee who teams up with saucy former bank teller Ellie-Jo Turner (winningly played by the very pretty and appealing Jocelyn Jones of "Tourist Trap" fame) and goes on an eventful crime spree, robbing banks and breaking hunky guys' hearts with equally joyful abandon. Directed with considerable verve by Michael Pressman, buoyed by a zippy, banjo-happy score by Craig ("Nightmares," "Warning Sign") Safan, further sparked by a cheerfully lowbrow sensibility and featuring a sidesplitting cameo by the ever-haughty Stefan ("Blue Sunshine," "Blood Beach") Gierasch as a stuffy hotel clerk who tries to refuse Claudia and Jocelyn a room, this extremely brash, funny and spirited hoot rates as a whole lot of top-rate infectiously trashy fun. The copious gratuitous nudity by the tall, slender, breathtakingly beautiful blonde Claudia and the more diminutive, but still comely and enticing Jocelyn constitutes as another substantial plus. Overall, this baby is an absolute must-see for Claudia Jennings fans in particular and aficionados of blithely amoral cheapo 70's redneck crime epics in general, which hopefully doesn't rule out too many folks.

This is an interesting example of a subgenre of seventies sexploitation movies, something one might call feminist jiggle. Claudia Jennings, queen of the B-Movies plays a woman fed up with the system who in a female bonding moment goes on a crime spree with an equally disatisfied bank teller. The movie has plenty of Claudia taking her clothes off and some action too. This is hardly a message movie and has all the flaws of the quickies churned out at the time, but it's entertaining nevertheless in a charming way that the virtual remake, Thelma and Louise, didn't have. The latter was far too self conscious in its gender pieties.