Hardcase and Fist (1989)

Bud McCall (Prior) is a good cop. But he was framed on a drug charge and sent to prison. The only person that believes he's innocent is his hot wife Sharon (Lunde). His cellmate turns out to be none other than Eddy Lee (Wong), a trained Martial Artist. Bud's main goal is to testify against Vincent Ciccetti (Barbi), the man that put him in prison. That would end his nefarious Mafia dealings, as well as clear Bud's good name. To prevent this from happening, Ciccetti sends out crime lord Tony Marino (Zarindast) and his goons to take down Bud. However, Tony and Bud were in 'Nam together and have a history. So who will win out: The gangsters over here, the gangsters over there, or the newest, most heroic crimefighting duo in town: HARDCASE AND FIST? Not to be confused with Hardcastle and McCormick, from the opening shot of Hardcase and Fist, you know you're in for a completely inept treat. The amateurish cinematic stylings of Tony Zarindast must be seen. While he doesn't quite reach the heights of fellow traveler Amir Shervan, Zarindast certainly creates a silly world of his own, probably unintentionally.Ted Prior, in a fairly unusual non-AIP role, has a killer mullet and also sports a beard, which is a change for him. He has strong screen presence as always, but he whispers/mumbles his lines. Add to that the fact that Carter Wong has serious issues with the English language, as does Zarindast, and the sound on this movie is horrible (it sounds like the actors are in a tin can in a bathroom). So from an audio standpoint, Hardcase and Fist leaves a lot to be desired. On the pure stupidity factor, this movie is pretty high up there - for the prison sections of the film, try to imagine a DUMBER Bloodfist 3 (1992). Let's just put it this way: The warden's name is Borden. That's right, Warden Borden. The sight of this man certainly would strike fear into the heart of any new prisoner.As far as Carter Wong is concerned, despite his English deficiencies, he more than makes up for it with a panoply of hilarious faces and gestures, not to mention noises. It seems he can't hit an opponent without belting out a hearty "Bllooooaaeeeeeaahhhh!!!!" As far as his acting ability, he's from the same school as Leo Fong and Don "The Dragon" Wilson in the wooden-monotone sweepstakes. However, it's great company to be in. Plus, there's a pre-Mike Tyson ear bite. So...there's that.The eternal question of who exactly was the boss on "Who's The Boss?" kept viewers debating for years with their own theories, which kept the show going in the hearts and minds of viewers for decades, ensuring its longevity. It truly was a shrewd move for the writers of that show. Truly Tony Zarindast had the same ploy in mind for the power-team of Hardcase and Fist, because it is never actually explained who is Hardcase and who is Fist. Neither of those names are uttered in the movie. So its up for viewer debate: Is Ted Prior Hardcase? Or is he Fist? What about Carter Wong? He makes a good (hard)case for having the title of Fist...or maybe it's a surprise move: TONY ZARINDAST! Or maybe it's Beano as Bruno (don't you dare confuse them). We welcome your theories on why you think who is who.Other highlights include a killer aerobics scene (we're suckers for those) and the great song by Debbie Tucciarone, "I'll Be Coming Back". Also, Fritz Matthews is credited as a stuntman.For a funny, ridiculous good time that only could have been confected in the golden year of 1989, and released by Forum on VHS back in the day, don't hesitate to pick up Hardcase and Fist.

In 1976, while in a drama academy in Los Angeles, I had the misfortune to be chosen by Mr. Zarindast to act in the film (and I use the term loosely) Kill Alex, Kill. Mr. Zarindast is not one to be stopped by minor details, such as substituting me with someone who had no resemblance whatsoever with me or my character(?). I was never given a script o read, not even the page with the scene in which I was about to appear. My character kills "Alex" in the end of the story an drives away. All this substitution took place while I was in South America and was recalled to film additional scenes, after shooting had ended. I could not help Mr. Zarindast finance his own movie when I was never paid one dime, so I declined to come. I had never seen the film until, in 2003, browsing the internet I found a copy of it in a movie warehouse in Conroe, Texas. I am sure that I purchased the only copy of this disaster ever sold. While filming I thought that my acting was terrible ad unworthy of participating in any home production, let alone a real one. After seeing the tape in 2003, I realized that I was not the worst actor... Mr. Zarindast was. That being said, why would I be surprised at any negative comment towards any of his productions/directions/acting/screen-writings/etc.

My cousin rented this movie when he was staying over one night. This movie is a howler. The acting, budget and fight scenes are bad. My father had a hoot making all of us laugh with his witty observations. Come to think of it, this makes a great party movie. Bad acting, sloppy direction and lame chop socky= Great party movie.Recommended for party viewing. Those brave enough to view it alone will truly be dissapointed.CAnother hit or miss, a case of hit or miss... -The Damned

This film is atrocious, even by the abysmal standards of Tony Zarindast. Hardcase and Fist are two crimefighters with very different styles - Hardcase is a gun-toting, maverick-yet-somehow-by-the-book white cop, while Fist is an enigmatic, inscrutable Chinese martial arts expert who eschews the use of firearms in line with the best traditions of movie cliche. They learn to respect each other's strength and virtue after the usual initial mutual suspicion. The two team up to defeat some implausibly incompetent, classically Zarindastesque bad guys who have kidnapped somebody, or something like that.Watch out for the brilliantly choreographed gunfight towards the end of the movie when our heroes attack the bad guys' "base" (a bunch of rundown shacks in the middle of some waste ground). It runs thus: Hardcase walks along blithely, gun in hand; single bad guy jumps out from behind a building and shoots twice; misses; Hardcase shoots once; kills bad guy; repeat about 15 times as Hardcase draws closer to whatever the hell it is he's looking for. Best moment: the climactic car chase, which begins with Hardcase in a small car pursuing the chief bad guy, who is driving a station wagon. In the middle of the action, with no explanation offered, the bad guy is suddenly in the small car, and Hardcase is in the station wagon. The chase ends with the bad guy crashing his car into a small river. He emerges from the car on fire, wades through the water to the shore, and promptly burns to death (in slow motion). The awfulness of this movie is so complete, so perfect in every respect, that Tony Zarindast may well be the greatest comedic genius of our time.