Devil Monster (1946)

DEVIL MONSTER is a cheap and non-cheerful effort to make a giant monster movie on a non-existent budget. The whole film seems to be more of a travelogue documentary than a real movie, featuring lame actors interacting with various footage of wildlife. At first the viewer is treated to numerous sea birds such as cormorants and the like before the action moves below the waves. We get staged 'treats' such as an octopus attempting to eat a fish and plenty more besides.The story is virtually non-existent and about the hunt for a shipwrecked man, but the thrust of the tale is in reality a bunch of people vs. a giant manta ray. The aquarium special effects are less than convincing and the film as a whole makes the likes of PLAN 9 FROM OUTER SPACE look like a carefully-construed Oscar contender.

"A ship disappears during an ocean voyage and everyone is presumed lost. When evidence points towards a survivor of the wreck, the sailor's mother organizes an expedition to locate her missing son. When the explorers find the missing man living on n island, they take him against his will in order to return him to his home. The consequences of their actions prove very costly for the explorers, when the sailor sets about their downfall for taking him away from his island paradise," according to the DVD sleeve's synopsis.This "edited version of a ten-year-old film, 'The Sea Fiend' (1936)" is a curious choice for re-release. Perhaps, its generous footage of topless South Sea island native women was the alluring ingredient. Since they were animalistic "natives", they could be shown bare-chested. Non-native women, similarly displayed, would be considered pornographic. So, you have a big-screen movie turning the pages of the "National Geographic", while attempting to tell an adventure story. And, it's not even the original film.* Devil Monster (1946) S. Edwin Graham ~ Barry Norton, Jack Del Rio, Terry Grey

My criteria for a true bad movie is one that is either just plain boring or just plain stupid. Highlander 2 is an example of the latter, while Devil Monster is a pretty good example of one that's just boring.This cheapie is another movie that's basically ten minutes of story and fifty minutes of travelogue. Too much nature footage detracted from the already-scant story. The story that's there is pretty much just a minor melodrama, probably more at home in a silent movie (in which most of the principal actors would've also more at home). About the only really interesting bit is the fact that the hero doesn't get the girl at the end. Most of what passes for special effects are just crudely done opticals, but they don't really detract from the film as much as one would think.I'd love to see The Sea Fiend (the movie from which this one was edited) to see if what they took out made things go any more interestingly.

This amateurish, independent, shoestring "B" may be of interest to Barry Norton fans like me who were impressed by his interpretation of Juan Harker in the Spanish Dracula (1931). Alas, soon after a slow and sluggish start, we are forced to sit through at least twenty minutes of crudely interpolated, ancient stock footage before we get back to the main story. And then, after the not unpleasing island sequence (the whole idea of the shipwrecked sailor not wanting to be rescued is a reasonably appealing one), we have to put up with a mind-numbingly miscalculated twist in the plot when morose Jose suddenly reverses character and turns himself into a daringly enthusiastic Captain Ahab, battling a primitively superimposed stock shot of a giant manta ray. I'm amazed I put up with all this rubbish before reaching for the STOP button, but I kept hoping that Barry Norton would do something to justify his star billing. He doesn't! Not one single thing!Despite a delayed entrance of at least thirty minutes, the actual lead player is Jack Del Rio. He gets most of the running. And even Bill Lemuels as the native chief has a more colorful part than our Barry Norton, the film's nominal hero. And as for the heroine, lovely Blanche Mehaffey, she fares even worse. If she figures in more than two minutes of footage, I'd be very surprised. Maya Owalee gets far more attention, and even Mary Carr seems to have a bigger part. And it is the talented Miss Owalee who contributes the movie's one successfully pregnant moment when she collapses on the beach after Jose deserts her. All in all, however, despite Miss Owalee and the film's innate curiosity value, Devil Monster rates as a viewer's nightmare—an almost complete waste of talent and time.