The Black Room (1935)

Aware of a vicious curse rumored to fall on them, a man murders his benevolent twin to continue rule in his stead as he has been doing, only to slowly see his plan unravel when he falls for a young woman and threatens to find his ploy exposed.This here has a lot of problems that really hold this one down a lot. One of the biggest problems here is the simple fact that not a lot happens at all, as there's very little happenings that really generate any suspense or tension at all because it's gone ahead with the switch at the earliest possible convenience. Rather than build up the possible effects of the curse driving him mad and then making the switch to everyone's complete shock, this has them go out in quite early fashion so instead of anything remotely horror based going on it's left with his attempted wooing of the family and romance with the daughter while everyone else at the castle is nary a suspect to the real situation, a possible product of the time that may have been scary then but instead renders the entire middle segment of the film a complete bore. The fact that it takes a completely obscure plot-point with the dog knowing the truth to finally undo the ruse, who comes out of nowhere and is treated rather flimsily anyway as it's ignored most of the movie, and while it does have some fun in the chase back to the castle as well as the attempts to hide amongst the different passages for an exciting conclusion, it's not enough to rise above the dreariness before it.Today's Rating-PG: Violence.

Boris Karloff is reason enough to watch any film that features him. After hearing much about his performance here, that it was one of his best, I knew I wanted to see The Black Room. And I'm glad I did. The supporting cast are only competent, with only the alluring Marian Marsh making a really good impression, mainly because of some bad accents and also because the characters don't get enough time to shine properly. I also think the film could have been a tad longer. However, The Black Room is a handsome-looking film, with suitably Gothic production values and crisp photography. There's a haunting- but never too obvious- music score, as well as solid direction and scripting. The story is tautly written and moves quickly. It is admittedly standard in basic concept, but it is always involving and suspenseful, I did like that the debauchery, torture and sadism was largely implied than shown as it did add to the suspense factor and the ending is splendidly ironic. But The Black Room is worth noting primarily for the performance of Boris Karloff. His dual role as two brothers called for a hateful and sympathetic side, two sides that Karloff in one of his best performances brings across brilliantly. Overall, a very good film with a truly great lead performance. 8/10 Bethany Cox

A gripping tale featuring a brilliant performance by Boris Karloff in a duel role as twin brothers Anton and Gregor de Berghman. Gregor is a brutal baron living in the shadow of an aged prophesy that the handicapped younger brother Anton will eventually murder him in their castle's "Black Room". When the kinder twin returns after a long absence, Gregor is jealous of the high regard Anton is given. The older twin is suspected of evil doing concerning the disappearance of young women of the village. Gregor decides to relinquish his power to Anton; only to murder him in the concealed "Black Room" and take his identity. It appears the prophesy is broken. When the villagers later get wind of the impersonation, there will be an unruly uprising and the discovery of the de Berghman castle's hidden "Black Room" and the prophesy will come to a true and chilling demise. Karloff is more than outstanding. Also starring are: Marian Marsh, Thurston Hall, Katherine DeMille, and Robert Allen.

If you're going to have a plot involving an evil twin, who could do it better than Boris?The evil Baron Gregor, who has a habit of luring women from the local village and then "disposing" of them, has a public relations problem. Everyone hates him, and he seems to spend most of his day fending off assassins. So why not invite his nice twin, Anton, to come for a visit, let the villagers meet the "good guy," and then take his place? Clever old Gregor, and of course he wants the hand (and other bits) of the lovely Thea as part of the deal.There are plenty of horror-movie clichés, such as Balkan military uniforms, sealed rooms, terrified peasants, scary hounds, and of course the storming of the castle. But there are some really wonderful touches here and there: like the shot when Thea's father sees Gregor/Anton in the mirror, or the look on Thea's face when they announce her lover's sentence.And at the center is the great Boris, doing wonderful characterizations as the two brothers. Along with "The Body Snatcher," I would rate this film at the top of Karloff's performances.