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Fingersmith

Fingersmith (2005)

March. 27,2005
|
7.8
| Drama Crime Romance

The lives of two young women collide in Victorian England when a trio of 'fingersmiths' (pick-pockets) concoct an elaborate scam to defraud a young heiress of her inheritance. The story alternates between the twisting back alleyways of Dickensian London and the cloistered gloom of a Gothic mansion in 1862. The story is an adaptation of Sarah Waters' Man Booker Prize nominated novel.

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TheNoblePeaceGiver
2005/03/27

Wow! Where to start?This adaptation of Sarah Waters' third novel is one of my all-time favorite movies!!!!!I'm not to big on fiction novels (seriously I NEVER read fiction), but the book is just as FABULOUS as the film! Or should I say the film is just as FABULOUS as the book?! I JUST LOVE THIS STORY!!!!!Anyway, I put off watching this three hour long film (2 part series on DVD, 3 part series on TV/book) for about a year and half. It simply did not look that interesting...BOY WAS I SO WRONG! I became immediately immersed into the rich and suspenseful plot...utterly enthralled! Just like the book, you cannot stop watching/reading. It grasps your attention for the entire 3 hours...and when it does end...you wish it hadn't.The story just flows so beautifully and you'll be wondering where the time went.The lesbian subplot was just icing on the cake! The parts I love most are the subtle facial expressions and glances/eye contact between the two characters. You really feel their desire for one another and yet they cannot act upon it.....until they must. May I point out that the "lesbian theme" is an important part of the film, obviously, at the heart of the film is a genuine unexpected love story, but it is most certainly not what the whole movie is about. For me that's what makes this story so unique and intriguing. I've never read or heard of anything like it. Sarah Waters is pure genius!The twists and turns it takes leaves you hanging on the edge of your seat. Seriously! My hands were clasped on to my couch with every surprising plot twist and I even yelled out several times ("OH MY GOD! NO WAY! THAT DID NOT JUST HAPPEN! DID IT?")...I NEVER do that!The only negative thing I have to say about this film is that I wish they'd added more from the book. But obviously having the adaptation be restricted by time they couldn't add everything that I would've liked. How awful it is though...I think I'm just being brutally selfish now...forgive me. The last 20 minutes does seem a little rushed. However, they put all the important bits in where even if you only watch the film and choose not to read the book you will be most satisfied with the outcome. The actors are just SUPERB! BRILLIANT even! Sally Hawkins (Sue) and Elaine Cassidy (Maud) have such great on screen chemistry they steam up your television set. Simply electric! The emotions...the desperation...the struggle each of them feel is expressed seemingly effortless by these wonderfully talented actresses. Rupert Evans plays such a good bad guy as Gentleman. I found myself seething every time he came on screen, but loving it because he's just so damn cute and somehow still charming even though you want to wring his neck. Imelda Staunton gives yet another fantastic performance as Mrs. Sucksby. She's such a warmhearted actress you cannot help but love her...even when the character she's playing isn't as delightful. Everyone else in the cast were perfect! They really represented the characters well and were just as I imagined them to be after reading the book.This is a must see for any film buff! Actually, ANYONE and EVERYONE should see this movie AND read the book! Chances are you won't be disappointed!

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Theodor
2005/03/28

This TV adaptation of Sarah Waters' novel was so lovingly done I can hardly find the words to appreciate it. Not since "Tipping the Velvet" (also highly recommended) have I seen such a performance by the lead actresses, this time by Sally Hawkins and Elaine Cassidy. They acted with their souls, and this is what gets across to the audience! The supporting actors were well chosen, too, they made a great ensemble.For those who think the story is just about a lesbian relationship - no, this is only one part. The other main theme is the betrayal of the person you love. And the plot has some further surprising twists. So the movie should be interesting for straight people or guys like me as well.

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lazaragarcia2002
2005/03/29

I watched this movie recently and fell in love with it. I loved the storyline and the actors. It has a little of everything. I was completely taken by the unfolding of the story. It has so many surprises along the way. I highly recommend it. In fact, I loved it so much that I ran out and bought the book. I felt I had to read it in order to appreciate the art in the writing behind the movie. I also wanted to make sure I didn't miss anything that was in the book but kept out of the movie. I recommend people who love the movie to read the book because there is enough difference in the book, especially in the second episode, to want to read it. It has become my favorite movie. I am now a Sarah Waters and Elaine Cassidy fan!!

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gm-1
2005/03/30

It is always difficult to bring a 450 pages book down to a three hours film. I read the book before, and I found the BBC production dealing with this difficulty in the best way possible. The qualities of the book haven't been lost: the dense and lively depiction of a fingersmith patchwork family in London in the 1860s, the cold and obscene cruelty in which Maud is brought up, the characterization of different social groups by different ways of speaking, the unexpected and surprising twists of the story, the way the film makes the spectators look different at the same scenes when they are told first from Sue's point of view then from Maud's one. The main actors do very good, and especially the growing love between the two women is convincingly developed, with a first culmination in a very tender love scene between the two and finally forgiving all the evil they were ready to do and did to each other, because they still love each other.For each of her books the author, Sarah Waters, has thoroughly investigated what life was like in British 19th century. While in Tipping the Velvet it was the world of the vaudeville theaters and the beginning of social movements, in Affinity the dreadful reality of women penitentiaries and the fashionable evocation of spirits, in Fingersmith she depicts the public ceremony of hanging people in London and the inhuman treatment of persons supposed or declared disturbed in asylums based on the reading of sources and scientific research. This is very well transferred to the film so that the corresponding scenes show a high grade of historic truth. I highly recommend this film production because it offers three hours of colorful Victorian atmosphere, vivid emotions, and suspense.

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