Shack Out on 101 (1955)

Memory is relative. One spring, many years ago, a local theater would run a different old movie every week. One of them was Bergman's "Wild Strawberries" but I can't remember the rest, even though I loved them all. What helped to make the movies so great? The atmosphere in the theater, the time of year, walking back to my car through the mist, the sidewalks wet with melting snow, the promise of warm weather to come...I think everyone who calls "Shack Out On 101" a good movie must have their memories clouded the same way. This is a claustrophobic slipknot of a film which denies any logical categorization and somehow amounts to less than the sum of its parts. Lee Marvin stars as Slob, a greasy cook in a greasier diner owned by Keenan Wynn. Non-characters come and go, and the movie's only female Terry Moore seems to be involved with all and none of them. A communist spy may or may not be using this diner as a base of operations, and since the filmmakers don't really care you won't have to either. Half-hearted attempts at comedy are met with equally half-hearted attempts at drama, and predictably neither stick to landing.The movie is filmed in a stark, 50's television "playhouse" style (think early Twilight Zone episodes) and 95% of the story takes place in the single-set diner. One sequence with Lee Marvin laying across the lunch counter and lifting weights with Keenan Wynn demonstrates the subversive potential of the film, but we never get this close to Something again. Aside from an appearance by Len Lesser (Seinfeld's Uncle Leo- HELLO!) there is nothing going on here.Anyone who claims this is a sleeper or lost classic might be remembering an old girlfriend and a good night at the movies... honestly, you're better off at the caddy shack.GRADE: D

Allied Artists, formerly Monogram Studios released this Cold War dinosaur on the American public in 1955. Shack Out On 101 tells the story of a greasy spoon diner that from all appearances looks like a greasy spoon diner, but in reality is the headquarters of a Communist spy ring.The diner is strategically located near an atomic facility that's on the Pacific Coast highway nearby. Early on in the film, it's revealed that Lee Marvin the short order cook in the place is a spy. The question is, who else is working with him? Terry Moore whose blood is red, white, and blue catches on that all is not right with Marvin who keeps trying throughout the whole film to nail her and not for the Communist cause. You have professor Frank Lovejoy from the atomic facility, diner owner Keenan Wynn, salesman Whit Bissell, fisherman Frank DeKova and a few others come in and out of the Shack Out on 101. Which of them are Americans and which are Communist traitors?It's a really good group of character actors who got together for this one that played the bottom of many double bills. Of course Lee Marvin was not yet a leading man so he only is fourth billed behind Frank Lovejoy, Terry Moore, and Keenan Wynn. If it was not for the campiness of the whole film, Marvin's career and the rest of the cast's careers might well have gone belly up after this one.Today's audience will split a gut laughing at the prospect that the evil Communists would be operating from a diner on the Pacific Coast Highway. It's why Shack Out on 101 gets as high as a five star rating.

Amusingly odd second-feature starring Terry Moore as a beanery waitress who has high ambitions--studying for her Civil Service exams! Moore and restaurant-owner Keenan Wynn end up tangling with nefarious Lee Marvin, posing as a short-order cook. Hilariously outré mix of moody melodramatics, campy nostalgia, gruff film noir and patriotic flag-waving. Moore is quite appealing spitting out her juicy, hard-bitten purple prose, Wynn also good (if puzzlingly dopey) in a supporting role apparently written for stray laughs. In fact, the entire film is amiably half-witted and almost endearing. Fine cinematography includes an amazing first shot of Terry on the beach. ** from ****

The movie starts out with a real cool jazzy score like something you would expect from a movie like "The Gene Krupa Story. The opening scene has Kotty, Terry Moore, lying on the beach getting sun and surf until Slob, Lee Marvin, who notices her from a distance starts getting fresh with her and ends up getting a couple of seashells thrown at him. You don't really know what the movie is about until the professor, Frank Lovejoy,comes on the scene and from him talking to Knotty you realize that he's working at a top secret government facility just up the road from the diner where Knotty and Slob work.The movie goes along it's somewhat comical pace with Slob acting like Ed Norton in "the Honeymooners" messing up everything that he does as a cook at the diner until we see the person delivering fish and Slob start whispering with him out of earshot of the diners owner George, Keenan Wynn, and then the fisherman slips Slob something . Later Slob all by himself in his room begins to take on a new look, not kooky and funny but dead serious, as we see him take what the fisherman gave him and put it into a viewfinder. Slob sees some kind of mathematical formula and it's then when you realize that this is a story about espionage.Not really as corny and obnoxious as most movies about the Communist threat against America was back then in the 1950's with Lee Marvin stealing every scene that he's in as the greasy cook turned top Soviet spy and being very convincing at it. Frank Lovejoy in a role very similar to his previous Communist fighting movie "I was a Communist for the FBI" is also very convincing as a man torn between the truth and a lie by trying to infiltrate the Communist spy ring led by Slob. Where at the same time not being able to tell his girlfriend, Knotty, who thinks that he's a spy for the Soviets, without blowing his cover. Terry Moore was very good as a naive girl who learned a lot during the movie about who to trust and who not to. Like in the espionage business all that you see is not what you think. All and all a much better movie about espionage during the cold war then most movies about the subject were back them with a great performance by Lee Marvin, one of his best. "Shack out at 101" sadly showed that in those troubled times the paranoia that griped the USA was so extreme that you couldn't trust anyone when it came to being a Communist spy. Even the cook serving you coffee and apple pie at your neighborhood diner.