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Night of the Bloody Apes

Night of the Bloody Apes (1972)

April. 01,1972
|
4.8
|
R
| Horror Science Fiction

A surgeon transplants the heart of an ape into his ailing son with horrific results.

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Michael_Elliott
1972/04/01

Night of the Bloody Apes (1969)** 1/2 (out of 4) Dr. Krallman (Jose Elias Moreno) has a son who is dying and as a last resort he tries to transplant the heart of a gorilla into him. At first it seems like it might have worked but before long the son turns into a disfigured monster and goes on a killing rampage.NIGHT OF THE BLOODY APES was a huge box office hit back in the day and if you watch the trailer it's easy to see why. It did a terrific job at promising various thrills and gory action and I must say that this is a rare example of where the trailer didn't lie and the film delivers on the promises. I say that because this here is a pretty gory and pretty violent little film that's certainly worth watching if you enjoy these Mexican horror films.This here was a remake of DOCTOR OF DOOM but this one here takes the subject a lot further. For starters, this one here is in color, which allows the gore to just jump off the screen. The most famous thing about this is that they took an actual heart surgery and placed it in the film at a couple different spots. I can only imagine how many kids watched this back in the day and were traumatized from it. There's other gory action and the film even delivers some wrestling as well as nudity. The film certainly went far beyond what most films were doing during this era.The American dubbed version adds a few laughs as the track is pretty silly. The highlight of this version is the woman screaming when she finds a dead man in the street. The film's monster is pretty good looking for what it is and for the most part this is an entertaining and fun movie. Obviously this isn't Oscar-material but it's a fun drive-in picture.

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Woodyanders
1972/04/02

A kindly surgeon performs a heart transplant on his dying son. Naturally, there's a major glitch: said ticker was taken from a gorilla, which somehow causes the once nice kid to mutate into a brutal, brawny, bloodthirsty and hideously ugly apeman who embarks on a repulsively graphic crime spree, raping and killing wriggling topless women with sickening sadistic abandon. (The apeman snuffs a few guys as well, so this flick can't be accused of being overly sexist.) Clumsily directed without a single iota of restraint or subtlety by veteran trashmeister Rene Cardona, who also co-wrote the senseless script with his chip off the old schlock son Rene Cardona, Jr., this sleazy, cheesy and remarkably vulgar gut-buster has more than enough gratuitous nudity (the homely, lumpy lady wrestler heroine's shower scenes are especially nasty), ratty poverty-row production values, flat acting, terrible dubbing, extremely disgusting gore (genuine heart surgery footage was used for the operation scenes, plus one poor guy has his scalp torn off!), sluggish pacing, flabby, meandering plotting, marvelously messed-up dialogue ("It's more probable that of late more and more you're watching on your television many of those pictures of terror"), and laughably amateurish make-up f/x to live up to its legendary status as a truly happening'n'horrendous hunk of scummy, low-rent, bottom of the barrel Grade Z south-of-the-border exploitation schlock junk.

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Michael O'Keefe
1972/04/03

Acclaimed Argentine horror director Emilio Vierya directs a script from Jack Curtis and Antonio Ross. Cheesy and ridiculous are in the mix for the method to the madness. A doctor's son is nearing his early death, until his desperate father transplants an ape's heart into his chest. As expected, things are going to get weird; when this young man turns into a mask wearing monster and roams the beaches scouting out nice looking party girls to make his slaves. When heroin is injected, his beauties become zombies. The monster summons his dazed minions with strange organ music. So bad...well...it's just bad. In the cast: Jose E. Moreno, Alberto Caneau, Mauricio De Ferraris, Gloria Prat and Gina Moret.

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MARIO GAUCI
1972/04/04

This is another notorious Mexican horror film: however, while the original Spanish-language version is quite tame, all sorts of gore and nudity were inserted for the English-dubbed variant (prepared by Jerald Intrator - who did similar duties on THE CURIOUS DR. HUMPP [1967/71] - and, like the U.S. version of that film, had previously been available on DVD through Something Weird/Image)! I watched the original first and, while no great shakes, it was fairly engaging - especially with a plot as familiar as this one was: a doctor goes beyond the call of duty in attempting to save the life of his terminally ill son; he even has a hulking, game-legged assistant (played by Carlos Lopez Moctezuma, who had essayed a strikingly similar role - though in a more sinister vein - in THE CURSE OF THE CRYING WOMAN [1961]). I know that several Mexican films mingled horror with the "Lucha Libre" (Wrestling) genre but I had never watched one myself; this element is present here - in fact, the heroine is a wrestler - but the two styles are, perhaps thankfully, kept apart (that said, the wrestling sequences are competently done, with some of the moves proving highly amusing).The doctor's son is transformed into a monster (looking like The Incredible Hulk with mud splashed over his face!) after having had an ape's heart transplanted into him - but, then, when this is replaced with that of a comatose female wrestler, he stays this way and grows a pair of fangs to boot (shouldn't he realistically have turned into a transsexual...though I guess that wouldn't have been very interesting)!! The climactic rooftop sequence in which the monster kidnaps a child and meets his demise at the hands of the police is reminiscent of THE GHOST OF FRANKENSTEIN (1942). My favorite unintentionally funny moments in the film, however, occur when the doctor, trying to comfort his son, tells him that he'll soon be cured - only to turn his back soon after on the verge of tears - and also the impatient look he gives his crippled assistant (as the latter staggers slowly into the car) when they're about to chase the monster who has escaped from the lab.The alternate nude scenes work for the film (these were actually done by Cardona himself for a racier Mexican version entitled HORROR Y SEXO) but its reputation is largely based on the added material showing over-the-top violence, such as an eyeball being gouged out of its socket, a scalping and even a person's head being torn off. There are also several graphic operation inserts which, however, give rise to a goof: while it's made clear that only two people are involved in the operation, we see a third pair of hands constantly holding an oxygen mask to the patient's face! The film is also said to be a loose remake of Cardona's own black-and-white horror film DOCTOR OF DOOM (1962) but, since I haven't watched that one, I can't say how much of it was actually pilfered for NIGHT OF THE BLOODY APES...

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