Three Violent People (1956)

I'll take a stab at identifying the trio of characters in the title; I think it boils down to the three 'C's' - Colt (Charlton Heston), Cinch (Tom Tryon) and Cable (Forrest Tucker). Colt Saunders without question after watching him upend Lorna Hunter (Anne Baxter) with only undergarments showing; Cinch because as Colt's put upon younger brother, he carried a grudge that would have led to betrayal if he hadn't had the change of heart at the finale. I'm including Cable because he was ready to use his six-gun at the drop of a hat to take down Captain Saunders, and was the buzzard identified by Gran Vaquero Ortega (Gilbert Roland) in my summary line above.Well anyway, that's my take on things. I liked the way Gil Roland's character was written in the story. Innocencio Antonio Ortega was a romantic and a poet, with uncanny insight into the human condition. His welcome address to the new Mrs. Saunders was an inspiration to his five sons, right after Rafael got tongue tied and couldn't find the words to continue. I think it was right after this picture that Robert Blake was no longer credited as 'Bobby'; the nickname seemed more appropriate when he was Red Ryder's sidekick in the Forties.Now it made sense when Cinch backed down from challenging his brother, but what was going on when Commissioner Harrison's (Bruce Bennett) deputy Massey (John Harmon) appeared to go for a draw down on Colt earlier in the story? He had to know he would have been a goner, even if the rest of Harrison's deputies opened fire. Lorna's interference brought tensions back under control, but I couldn't figure out what the idea was here. For certain he was mortified for revealing Lorna's past, so maybe it was his way of committing suicide without having it pan out.With long time relationships under stress and a marriage on the rocks, anyone having viewed a few hundred of these era Westerns would have had a good idea that things would work out in the end. Even though Cinch cashed out as the redeemed younger brother, there was no way Colt and Laura Saunders were going to ride off into the sunset in different directions. As for those buzzards, well they wound up getting the guy with the red hair.

But for the cast this would be a very ordinary, unsatisfying Western. I found it hard to believe that Colt Saunders (whose uniform seemed to have survived unscathed the rigours of war and defeat)would decide to marry Lorna after just a few words of conversation; a slightly longer courtship would have been more convincing. And Lorna is not the reformed character that she later appears to be; she was quite prepared to keep Saunders' money for herself until she realised what a catch he would make.The ending leaves several loose ends. Why did Harrison have to raid Saunders' ranch when he could have got it quasi-legally? Did Colt and Lorna go on to have a happy marriage? And what happened to the threat of punitive taxation on the Southerners; this wasn't a scam dreamt up by Harrison, but one backed by the government.It's the cast that lifts the film, and not just the stars. Gilbert Roland has great screen presence and we don't see enough of Forrest Tucker to justify his fifth billing.John Harmon as Massey deserves a mention for the scene in which Harrison forces him to unmask Lorna as a former good-time girl. He's obviously not sure who terrifies him more: Saunders or Harrison and Cable.

This is a thoroughly ordinary western with Charlton Heston heading the cast as a Civil War veteran returning home with his new wife (Anne Baxter) whom he ultimately discovers has had a rather dishonorable past. On top of that he has to deal with carpet baggers and the jealousy of his one-armed younger brother (played by Tom Tryon) who decides he has a lot of old scores he needs to settle. There's not very much to thrill about here, and none of our three principals are very "violent", but it's a treat to watch Baxter and Heston together again after their stint in THE TEN COMMANDMENTS. For what it's worth, Robert Blake is featured in a role as a young Mexican. ** out of ****

At the time of its release, "Three Violent People" attracted little notice. Most critics probably labeled it "routine" and then turned their attention to other matters. Now, in this age of decline in film quality, we can look back and be impressed by things we once took for granted: a strong, consistent, logically-developed plot; characters that have some style and substance; dialog which consists of more than merely "Watch it!" and "Move over!"Not that "Three Violent People" is some sort of undiscovered gem. By the standards of its day it was little more than a passable western with a better than average cast and lovely color photography, but what pleasure it now brings!Charlton Heston and Anne Baxter, (re-united from "The Ten Commandments"), make an attractive couple. He's strong and stalwart, she looks good in her elaborate costumes. (However did she fit those dresses into a trunk to carry on a stagecoach?) Tom Tryon may not seem fraternally related to Heston but he adds his usual dash of smoldering sensuality. He even manages to do a bare-chest scene even though he plays a man who's lost his right arm! (But then, Tryon usually managed to provide some "beefcake," even in a Disney comedy such as "Moon Pilot.") Also worth noting are three of Gilbert Roland's sons: Jamie ("MASH") Farr, Robert ("In Cold Blood") Blake, and Ross Bagdasarian, who later scored a hit with his Christmas song featuring Alvin and the Chipmunks.One final point, if Heston and Tryon are two of the "Violent People" of the title, then who is the third? Anne Baxter? She may be deceitful and manipulative, but "violent" doesn't seem like an apt adjective to describe her.