Tiger Shark (1932)

Tiger Shark (1932) *** (out of 4) A lonely fisherman (Edward G. Robinson) marries a girl out of pity only to see her fall in love with his best friend. Director Howard Hawks does a very good job at showing off a wide range of emotions from sentiment to laughs to some very intense shark attack scenes. Robinson clearly steals the show with his touching performance but the supporting roles are good too. Another highlight is seeing the old time assembly line of having the fish removed from the boat and cleaned all in the matter of minutes. Apparently Warner loved this story so much that they remade it three times within the next ten years including Robinson returning in Manpower.!!!

Those of us who read the entire book "Moby Dick" will remember interminable scenes devoted to descriptions of whale hunting and harvesting. That's how "Tiger Shark" seems: lots of extended scenes of tuna fishing and processing the catch. It really does serve to set a mood, and of course it juxtaposes the everyday life of a fisherman with the out-of-the-ordinary plot. And anyone with an interest can see how tuna fishing was actually performed in the Thirties. Big deal.For me, the movie started dragging from the git-go. I found Edward G. Robinson's unconvincing Portuguese patois boring from the first line, and his mother-lode of innocent jibber-jabber seemed grafted artificially onto the Robinson persona while never actually gelling. (John Wayne had a more successful outing with an accent when he played a Swede in an early film.) Then this Pipes-Quita romance comes along. Comes from out of nowhere. Suddenly she's in love. PUH-leese. A little poetic motivation might help things.Add the sappy ending. Yep, a solid "3".

This film is essentially the same movie that was remade MANY times in the 1930s and 40s. While the setting has changed, the essential plot elements were used again and again in such films as MANPOWER (1941) and DANGER LIGHTS (1930). For a really good discussion of this, try reading the review by F. Gwynplaine MacIntyre ([email protected]). While he says that TIGER SHARK was the first of these types of films and I think it the earlier film DANGER LIGHTS (and perhaps some even earlier ones), his analysis of the genre is very insightful and so I don't want to just rehash what he wrote.The movie seems in the 21st century to be a very predictable relic and nothing more. While it is mildly entertaining, the plot itself just seems silly and over-the-top in many ways--especially in how it portrays tiger sharks as the impossible to stop killing machines! As far as the acting goes, it's a one man show--with Edward G. Robinson dominating all the scenes as a Portuguese-born fisherman. At times this portrayal is pretty good but at other times the character just seemed histrionic and overplayed. Robinson fans certainly won't remember this as one of his better films.My advice is if you are a huge fan of Warner Brothers or Edward G. Robinson films, certainly you should watch this movie. Otherwise, it's very skip-able and one that might provide a few unintended laughs.

Edward G. Robinson is Mike, a Portugese immigrant who makes his living as a fisherman in "Tiger Shark," a 1932 movie also starring Richard Arlen and Zita Johann. Mike loses his hand while trying to save Quita's (Johann's) father from a shark, but he does manage to save his buddy Pipes. He falls in love with Quita when they meet, and, seeing that she is alone, he eventually proposes. She accepts but says that she does not love him. He apparently doesn't notice that one of his mates, Pipes,(Richard Arlen) has a crush on Quita, so Pipes is around a lot.This is a very dated and movie with stiff performances from everyone but Robinson. The character of Mike is very stereotypical now, but probably wasn't back then - the paunchy immigrant, kind of dumb, with false bravado, and don't forget about the hook for a hand. Very similar to "They Knew What They Wanted." There are endless scenes of fishing, which these men did with poles and harpoons, not nets. It looked dangerous, and I guess if Quita's father died and Mike lost his hand, it was.The pretty Roumanian actress Zita Johann, who was married to John Houseman, is effective as Mike's shy, young and grateful bride - but after she spots handsome Pipes, she realizes gratitude can only take one so far. Here she's dressed plainly with little makeup - but one can see that with the Dorothy Lamour treatment, she probably looked very exotic. Arlen, of "Wings" fame, is pretty hunky. He died in 1978 and worked practically until his last breath, giving him a career span of 57 years. His heyday, however, was in the silent era.Edward G. Robinson is excellent as always, but the film just doesn't hold up today. Robinson proved early on that he could do just about anything, though in the '30s, he was most often cast as a thug. When you see Mike in action toward the end of the movie, you'll realize this role isn't that far from what he did as Little Caesar.I can't really recommend this unless you're interested in fishing circa 1932.